Bolt Awards from the Black Reel

Posted on February 8, 2023 at 1:00 pm

It was The Woman King that edged out all of the competition at The Black Reel Awards this year. With six wins out of the fourteen nominations, The Woman King nabbed wins for Outstanding Film, Outstanding Director, Outstanding Ensemble, Breakthrough Actress, Outstanding Score and Outstanding Editing.

Gina Prince-Bythewood’s sweeping epic that focused on the women warriors of Dahomey, narrowly overtook Marvel’s superhero film, Black Panther: Wakanda Forever which garnered 5 Black Reel wins of its own.

Going into the night, Wakanda Forever was tied with The Woman King with fourteen award nominations. With her third Black Reel Award win for Outstanding Costume Design for Black Panther: Wakanda Forever, Ruth E. Carter became the most decorated technical award winner in Black Reel history.

Legendary actress Angela Bassett also made Black Reel history, becoming the first woman ever to win an acting and honorary award in the same year. Ms. Bassett won Outstanding Supporting Actress for her work in Black Panther: Wakanda Forever and also received the prestigious Sidney Poitier Trailblazer Award recognizing her career of acting excellence. Bassett joins Jamie Foxx, the only other person to be honored, claiming the Vanguard award and the Outstanding Actor award for Ray in 2005.

Independent studio A24, received 10 nominations for The Inspection and cashed in four wins, thanks to Jeremy Pope receiving two awards (Outstanding Actor and Breakthrough Actor). Not to be outdone by the Pope, writer-director Elegance Bratton also took home two awards for Outstanding Independent Film & First Screenplay.

All the stars came out to celebrate the 23rd Annual Black Reel Awards. Presenters included: Courtney B. Vance, Ruth E. Carter, Colman Domingo, Tasha Smith, Kasi Lemmons, Salli Richardson-Whitfield, Quvenzhané Wallis, Jasmine Cephas Jones, Cory Hardrict, Cassie Freeman, Cheryl Dunye, Quintessa Swindell, Saddiq Saunderson, and Jahi Winston.

23rd Black Reel Award Winners
OUTSTANDING FILM
The Woman King | Viola Davis, Maria Bello, Cathy Schulman & Julius Tennon, producers
OUTSTANDING ACTOR
Jeremy Pope | The Inspection
OUTSTANDING ACTRESS
Danielle Deadwyler | Till
OUTSTANDING DIRECTOR
Gina Prince-Bythewood | The Woman King
OUTSTANDING SUPPORTING ACTOR
Brian Tyree Henry | Causeway
OUTSTANDING SUPPORTING ACTRESS
Angela Bassett | Black Panther: Wakanda Forever
OUTSTANDING SCREENPLAY
Till | Chinonye Chukwu, Michael Reilly & Keith Beauchamp, writers
OUTSTANDING DOCUMENTARY FEATURE
Sidney | Reginald Hudlin, director
OUTSTANDING INTERNATIONAL FILM
Saint Omer (France) | Alice Diop
OUTSTANDING ENSEMBLE
The Woman King | Aisha Coley, casting director
OUTSTANDING VOICE PERFORMANCE
Zoe Saldana | Avatar: The Way of Water
OUTSTANDING SCORE
The Woman King | Terence Blanchard, composer

OUTSTANDING ORIGINAL SONG
“Lift Me Up” (Black Panther: Wakanda Forever) | Rihanna (performer/writer), Ryan Coogler (writer), Ludwig Gorannson (writer),
OUTSTANDING SOUNDTRACK
Black Panther: Wakanda Forever
OUTSTANDING INDEPENDENT FILM
The Inspection | Elegance Bratton, director
OUTSTANDING SHORT FILM
NORTH STAR | P.J. Palmer, director
OUTSTANDING EMERGING DIRECTOR
Nikyatu Jusu | Nanny
OUTSTANDING BREAKTHROUGH ACTOR
Jeremy Pope | The Inspection
OUTSTANDING BREAKTHROUGH ACTRESS
Thuso Mbedu | The Woman King
OUTSTANDING FIRST SCREENPLAY
The Inspection | Elegance Bratton, writer
OUTSTANDING CINEMATOGRAPHY
NOPE | Hoyte van Hoytema, cinematographer
OUTSTANDING COSTUME DESIGN
Black Panther: Wakanda Forever | Ruth E. Carter, costume designer
OUTSTANDING EDITING
The Woman King | Terilyn A. Shropshire, editor
OUTSTANDING PRODUCTION DESIGN
Black Panther: Wakanda Forever | Hannah Beachler, production designer
Follow the 23rd Annual Black Reel Awards on Twitter and Instagram @BlackReelAwards and on Facebook at TheBlackReelAwards.

About the Black Reel Awards (The Bolts)
The Black Reels are an annual American awards ceremony hosted by the Foundation for the Augmentation of African-Americans in Film (FAAAF). The awards recognize the excellence of African Americans and the cinematic achievements of the African diaspora in the global film industry, as assessed by the Foundation’s voting membership. The Black Reels are the oldest cinema-exclusive awards ceremony for African Americans. Instagram / Twitter / Facebook / YouTube / BlackReelAwards.com
(WASHINGTON, DC – February 6, 2023) – The stars turned out unlike ever before to witness the coronation of the new kings and queens at the 23rd Annual Black Reel Awards!
It was The Woman King that edged out all of the competition at The Black Reel Awards this year. With six wins out of the fourteen nominations, The Woman King nabbed wins for Outstanding Film, Outstanding Director, Outstanding Ensemble, Breakthrough Actress , Outstanding Score and Outstanding Editing.
Gina Prince-Bythewood’s sweeping epic that focused on the women warriors of Dahomey, narrowly overtook Marvel’s superhero film, Black Panther: Wakanda Forever which garnered 5 Black Reel wins of its own. Going into the night, Wakanda Forever was tied with The Woman King with fourteen award nominations. With her third Black Reel Award win for Outstanding Costume Design for Black Panther: Wakanda Forever, the fantastic Ruth E. Carter became the most decorated technical award winner in Black Reel history.
Speaking of history, legendary actress Angela Bassett also made Black Reel history, becoming the first woman ever to win an acting and honorary award in the same year. Ms. Bassett won Outstanding Supporting Actress for her work in Black Panther: Wakanda Forever and also received the prestigious Sidney Poitier Trailblazer Award recognizing her career of acting excellence. Bassett joins Jamie Foxx, the only other person to be honored, claiming the Vanguard award and the Outstanding Actor award for Ray in 2005.

Related Tags:

Awards Race and Diversity

Till

Posted on October 13, 2022 at 5:18 pm

B +

Lowest Recommended Age:	High School
MPAA Rating:	Rated PG-13 for thematic content involving racism, strong disturbing images and racial slurs
Profanity:	Racist epithets
Date Released to Theaters:	October 28, 2022
Date Released to DVD:	January 16, 2023

In March of 2022, President Joe Biden signed the Emmett Till Antilynching Act, making lynching a federal hate crime. It only took 67 years.

It was in 1955 that a 14-year-old Black boy from Chicago named Emmett Till was murdered in Mississippi for allegedly whistling at a white woman. “Till” is his story, but it is more importantly the story of his mother, who responded to the greatest pain a parent can experience with determination to save other families from that kind of tragedy. I will give her the respect denied her by the white people of Mississippi and refer to Till’s mother, later known as Mamie Till-Mobley, as she was by the Black people who honored her during this period, Mrs. Bradley. She is played with infinite grace and dignity by Danielle Deadwyler in a performance that is one of the most thrilling of the year.

Emmett (Jalyn Hall) was a happy, friendly, high-spirited boy who was devoted to his single mother and thought the world was a safe place. We first see him with his mother at Chicago’s famous department store, Marshall Field’s, politely responding to a clerk who suggests that she shop in the basement, clearly a racist response. Mrs. Bradley tries to warn Emmett that things are different in the Jim Crow South, that he must be careful, ultra-respectful, and, if called upon, get down on his knees and beg forgiveness for any suspected slight. But Emmett is young and a bit of a show-off. His casual demeanor and his speaking to the 21-year-old white woman at the cash register was considered an insult. And so, Her husband and his friend banged on the door of Till’s relatives, took him from their home at gunpoint, and murdered him.

Mississippi wanted to bury him there, along with the story. But with the intervention of the NAACP, his body was returned to Chicago, so abused and mutilated that it was barely recognizable as human. The mortician urged her not to look and to close the casket at the funeral because, he says carefully, “He’s not in the right shape” to be seen. But Mrs. Bradley insisted that he must be seen, that what happened to him must be understood. The moments of her communion with her son’s body, the faces of those viewing him at the funeral, and Deadwyler’s description in court testimony of how she was able to identify him as her son are galvanizing. “He is in just the right shape. The world is going to see what they did to my boy,” she says. That legacy continues with this important, impactful film.

Parents should know that this movie is the true story of a brutal hate crime. The murder is sensitively handled, but we do see, as Mrs. Bradley would have wanted, his body and the reactions of the people who viewed the open casket. Characters smoke, drink and use racist language, including the n-word.

Family discussion: How does the experience of Emmett Till relate to the issues raised by Black Lives Matter today? What do we learn from her conversation with Preacher? Why did Mrs. Bradley’s decision to speak out make a difference?

If you like this, try: “The Murder of Emmett Till” from the PBS series “American Experience,” the “Eyes on the Prize” series, “For Us the Living,” about Medgar Evers, and “Ghosts of Mississippi,” about the lawyers who finally brought his murderers to justice. You can read about the 2022 decision not to charge the woman who wrongly accused Emmett Till here and contribute to the Emmett Till Legacy Foundation here.

Family Movies for Black History Month

Posted on February 15, 2022 at 7:47 pm

Every family should observe Black History Month and movies like these are a good way to begin discussions and further study.

1. “Glory” The true story of the US Civil War’s first all-black volunteer company, fighting prejudices of their own Union army and battling the Confederates, with brilliant performances by Denzel Washington (who won an Oscar), Morgan Freeman, and Matthew Broderick as the white officer who truly believed all men were equal.

2. “Something the Lord Made” The obstacles to education and professional advancement kept Vivien Thomas (Mos Def) from medical school, but he was a pioneer in heart surgery.

3. “Roots” Writer Alex Haley told the story of his own family going back to the capture of one of his ancestors from Africa to be sold into slavery in this historic miniseries.

4. “Amistad” A slave rebellion led to an historic Supreme Court case that addressed fundamental notions of personhood and inalienable rights.

5. “With All Deliberate Speed” This documentary about the Brown v. Board of Education case that transformed American schools and culture has interviews with lawyer Thurgood Marshall (who later became the first black Supreme Court justice) and others involved in the case.

6. “Malcolm X” Denzel Washington is mesmerizing in this story of the incendiary leader and his journey from complacency to activism to understanding.

7. “Eyes on the Prize” This PBS documentary covers the Civil Rights movement from the murder of Emmett Till to the march in Selma. There is also an excellent sequel. Many feature films cover this history including “Selma” and “Boycott.”

8. “The Rosa Parks Story” Angela Bassett stars as the Civil Rights activist whose refusal to give up her seat on the bus electrified the nation.

9. “The Loving Story” The name of this history-making couple was really Loving. Their inter-racial marriage led the U.S. Supreme Court to overturn the laws against miscegenation in 1967. “Loving” is the superb feature film based on their story.

10. “A Great Day in Harlem” This documentary tells the story of photographer Art Kane’s 1958 iconic photograph of all of the great jazz musicians of the era.

Malcom Lee on Updating The Best Man

Posted on April 11, 2021 at 1:58 pm

I was lucky enough to join a small group of journalists for an interview with Lee about the original film and the updates. He told us that it was the sixth script he wrote while he was still living in his parents’ basement, and the thought that if this one did not sell, he might give up.

He said that Jeff Friday and Nicole Friday of the American Black Film Festival, the founders wanted to honor him and the cast for the 20th anniversary of its release, but because of the pandemic it was postponed and they got IMDb to televise it. “I asked the cast if they wanted to do it and they kind of all jumped at the chance to do so because the film was wildly respected, loved and beloved. We got together. It was a really good fun time. Lot of laughs. A lot of stories exchanged. Things I didn’t know. Things that they didn’t know. There’s a lot of great energy when we get together. I think it’s a testament to how the actors feel about the movie and about each other.” And we can look forward to another update on Peacock: “The Best Man: Final Chapters

Lee said he never planned that it would become a franchise.

My inspiration and impetus for writing “The Best Man” was the fact that I wasn’t seeing myself represented on screen. The people that I knew, Black American educated middle class aspirational people in movies and television to that point were very unrecognizable to me. Super stiff, clipped English, and devoid of cultural specificity. I said, “I love reunion movies. I love college movies.” College movies rather. I remember seeing “Waiting to Exhale,” which is four very distinct black women and they were all these unremarkable archetypal black men portrayed and I was like, “I want four Black men.” This is fully different and it will all be college friends and have different philosophies and what not and that was the kind of the impetus behind it. The fact that people really took to the movie is great and there was talk of a sequel back then but I didn’t want to be a one trick pony. I didn’t want to just tell one kind of story. I said, “If I’m going to revisit these characters,” which I was interested in doing but I want to do it like maybe 10 years later when the characters have a chance to live some life, and I had a chance to live some life and so that we could tell a fuller story. Not just be like, “What different story are we going to tell now that we just told a year ago.” A lot of time when they make sequels it’s a money grab. It’s like, “Oh. How do I what I did? How do I capture that magic again?”

One core element of the original film was a character’s writing a novel that exposed some of his friend’s secrets, so it was inevitable to ask Lee whether he based the characters on people he knew and how they responded.

It is funny too because the friends that thought they were those characters. I was like, “Well you were not exactly the person I was thinking of.” What’s great about it is that I took pieces from a lot of different people. I knew what I wanted for each of these characters and who I wanted them to be but nobody was a specific individual. They were just pieces of people.

We asked him about casting.

I think when we go to the movies there’s an aspirational aspect, a heightened reality, a little bit of an escapism as well, but also a place where we can say, “Oh like that I can relate.” People love seeing people get married. People love seeing beautiful people get married. And we had such a tremendous response in the acting community to the script. A lot of black actors weren’t getting that opportunity to play full people. Here was an opportunity for eight of them to play these roles. Not just to be the sidekick or the best friend or the one that’s packing the funny jokes or the sassy one or whatever. It was an opportunity for them to play real people and so the response was tremendous.
They were all very excited to take this on.

There was a real joy and opportunity for them to showcase themselves. They trusted the script. They trusted me. I wasn’t just like, “All right. Let’s read the lines.” We worked rehearsal for two weeks. Really let them dive into character and backstory and subtext. I think that was what they were all really excited about and all wanted it to be great. It was even more so for “Best Man Holiday” because the energy in Hollywood was in a weird place at that time where they weren’t really putting much stock into African American-cast movies.

We had to ask about “Space Jam: A New Legacy.”

I think it’s probably the coolest movie that I have ever done. I really like the movie. I like and care about the characters. I think it’s fun. I think it’s funny. There’s a lot to like about it.

Something Different for Award Shows

Posted on April 5, 2021 at 8:00 am

Same old, same old in all of the award shows, the Golden Globes, the Oscars, SAG? Try these awards, maybe less glamorous, but more likely to lead you to great movies you might have missed.