Code Name: Cleaner

Posted on January 3, 2007 at 2:12 pm

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for sexual content, crude humor and some violence.
Profanity:	Brief strong language
Alcohol/ Drugs:	Brief drug humor
Violence/ Scariness:	Action-style violence, shooting, kick-boxing, and punching
Diversity Issues:	Diverse characters
Date Released to Theaters:	2007
Date Released to DVD:	2007
Amazon.com ASIN:	B000NA21SG

With a script that couldn’t find 22 minutes of jokes to fill a sitcom on the USA Network, even Cedric the Entertainer can’t make this attempt at comedy anything but inert. It want to be a spy spoof. It’s a spy doof. I know, that isn’t funny, but after sitting through a very long 84 minutes of “Code Name: Cleaner,” my standards are pretty low.

Jake (Cedric) wakes up in a hotel room next to a dead FBI agent and a suitcase filled with cash. He can’t remember who he is or how it got there. He grabs the case and runs…into a beautiful blonde (Nicolette Sheridan), who tells him that he is a very wealthy man and she is his wife. But something about the luxurious estate she tells him is his home doesn’t seem right to him, so he runs…into a beautiful waitress (Lucy Liu) who says she is his “boo” and tries to help him figure out what is going on.

Chase, joke, shoot-out, would-be joke, product placement, kick-boxing, more product placement (it feels like an infomercial for a candy and a fast food place), desperate attempt at a joke, and, 84 long minutes later, it’s all over but the credit-sequence outtakes, livelier than anything the previous 83 minutes had to offer. Cedric might just want to clean this one right off his resume.

Parents should know that the movie has some action-style violence — shooting, punching, kick-boxing, car chases. There is a dead body with some blood. Characters use brief strong language and there are some crude sexual humor, including making fun of a gay man and spanking an elderly lady (who enjoys it), and some bathroom jokes. Women wear scanty clothing. A strength of the movie is the portrayal of diverse characters.

Families who see this movie should talk about why there are so many movies about loss of memory.

Families who enjoy this movie will also enjoy The Man Who Knew Too Little and Johnny English. They may also enjoy 60’s spy spoofs Our Man Flint and the Matt Helm series.

Children of Men

Posted on December 22, 2006 at 11:19 am

B+

Lowest Recommended Age:	High School
MPAA Rating:	Rated R for strong violence, language, some drug use and brief nudity.
Profanity:	Very strong language
Alcohol/ Drugs:	Drinking, smoking, drug use
Violence/ Scariness:	Intense and graphic peril and violence, many characters killed
Diversity Issues:	Diverse characters
Date Released to Theaters:	2007
Date Released to DVD:	2007
Amazon.com ASIN:	B000N6TX1I

“A baby is God’s opinion life should go on,” Carl Sandburg said. So, in a world where babies have stopped being born and the death of the youngest person on earth is an international tragedy, there seems to be no point in just about anything. It appears that all of humanity is only decades from extinction. With no future, any sense of order and structure is gone. Any sense of hope or purpose has disappeared. All that exists is increasingly more violent and frantic chaos and increasingly more violent and frantic efforts to contain it.

The world is engulfed with anarchy, and only England is left to uphold what passes for civilization, a nihilist bureaucracy supported by a brutal armed force. Its one object is to hold on to what little is left by keeping out the avalanche of people fleeing the chaos of their own countries. The huddled masses yearning to breathe free are shipped off to prison camps and deported. Or just shot, because, why not? Justice, kindness, honor, and loyalty no longer mean anything. The only values left are expediency and any possible shred of a sense of control.

Theo (Clive Owen) is personally and professionally burned out. The one connection he has to peace, affection, and laughter is to his old friend Jasper (Michael Caine), a cynical, pot-smoking aging hippie. He lives away from the rest of the world and cares tenderly for his wife, who is completely unresponsive as a result of severe physical or emotional trauma.

Theo is captured by rebel forces led by his ex-wife (Julianne Moore), who wants him to obtain papers from his influential relative to permit the transport of a young woman who is pregnant. Protecting her from the authorities and the ravenous curiosity of the world gives Theo something to care about.

This is a heart-thumping thriller with two of the most exciting chase scenes since The Matrix Reloaded. But it is also a thoughtful, provocative, and complex film, each shot packed with details, each scene packed with ideas. Theo’s highly placed cousin collects the world’s great masterpieces, protecting them — for what? Theo’s escort of the young pregnant woman recalls the nativity, as he tries to find a safe place for her to give birth to the baby who will carry all of the hope of the world, protecting her from brutal soldiers. Though it takes place in 2027, the setting does not look too far from our own surroundings — this is not one of those futuristic stories where people wear silvery mylar, have flying cars, or zap themselves from one place to another. But there are understated references to other places and events that demonstrate the richness of the film’s underlying conceptual base. The performances, especially Owen and Caine are so deeply grounded and heartfelt that they draw us deeply into the story. Instead of just another chases and explosions movie, this is a film that is adrenaline for the mind and spirit.

Parents should know that this movie is disturbing and extremely violent with graphic images and many characters injured and killed. There is non-sexual nudity, extremely strong language, drinking, smoking, and drug use.

Families who see this movie should discuss why the absence of children led to such violence and anarchy. What will happen next? They may want to read the book, by P.D. James or learn more about the possible causes of declining fertility rates worldwide.

Families who enjoy this film will also appreciate other dystopic visions of the future, including 28 Days Later, Gattaca, Blade Runner, Solyent Green, and a made-for-television movie called The Last Child.

Night at the Museum

Posted on December 21, 2006 at 11:38 am

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	Rated PG for mild action, language and brief rude humor.
Profanity:	Brief crude language
Alcohol/ Drugs:	None
Violence/ Scariness:	Comic peril and violence
Diversity Issues:	Diverse characters learn to get along
Date Released to Theaters:	2006
Date Released to DVD:	2007
Amazon.com ASIN:	B000NOKJC2

Larry (Ben Stiller) needs a job fast. He has always dreamed of making it big, but none of his schemes have worked and as his ex-wife points out, their son Nick needs some stability. After an employment counselor (Stiller’s real-life mother, Anne Meara) has only one suggestion for him, he takes it — night security guard at a natural history museum. Attendance is down and they’ve had to cut the budget. The three senior night-time guards are being let go. They toss him a tattered set of instructions and warn him not to “let anything in — or out.”

Larry plays around with the museum’s public address system and falls asleep. The next thing he knows, he’s being chased by a tyrannosaurus rex skeleton, being asked for gum by an enormous Easter Island head statue (voice of “Everyone Loves Raymond’s” Brad Garrett), and being shot at by tiny natives with tiny poison darts. The Union and Confederate soldiers are shooting at each other and the cowboys are fighting with the Roman centurions. President Theodore Roosevelt and Attila the Hun are charging through the halls. Then there is a mastodon and some mischievous monkeys and some lions…

Larry has to find a way to keep peace, earn his son’s trust and respect, and finally stick with something all the way.

It’s a better than average CGI-fest, more often silly than funny. But it makes some good points about courage, self-respect, and the importance of learning about history. And Stiller and co-stars Robin Williams (as Roosevelt), Mizuo Peck (as Lewis and Clark guide Sacajawea), Ricky Gervias as the museum director, Paul Rudd as Nick’s soon-to-be stepfather, and especially Steve Coogan as a Roman soldier hold their own against the special effects and a terrific trio of veterans, Dick van Dyke, Mickey Rooney, and Bill Cobb, as the outgoing guards show the young folks they still have a couple of things to learn. Be sure to stay through the credits to see them dance.

Parents should know that the movie has a good deal of comic peril, mayhem, and violence. Though much of it is cartoony and intended to be funny, a character is chased by a dinosaur, shot at, and punched. Characters use brief crude language and there is some potty humor. A strength of the movie is its portrayal of diverse characters learning to empathize with and support each other.

Families who see this movie should talk about why it was so important for Larry to feel that Nick was proud of him. They may also want to talk about some of the tensions and conflicts that can arise in families and what it means to have a “fallback position.” And they should go to some museums. Even if the exhibits do not actually come alive, they are a lot of fun and have wonderful activities for families. They should also learn about Sacajawea, Theodore Roosevelt, Easter Island, and Attila the Hun.

Families who enjoy this film will also enjoy the books and movie versions of Jumanji, The Indian in the Cupboard, From the Mixed-Up Files of Mrs. Basil E. Frankweiler, and Bill and Ted’s Excellent Adventure (more mature material).

Eragon

Posted on December 12, 2006 at 12:07 pm

B-

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for fantasy violence, intense battle sequences and some frightening images.
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Fanstasy-style peril and violence, bows and arrows, spears, swords, fire, torture, characters injured and killed
Diversity Issues:	Strong minority and female characters
Date Released to Theaters:	2006
Date Released to DVD:	2007
Amazon.com ASIN:	B000NA28I4

The fact that the CGI dragon gives the best performance in this film is not going to impede the enjoyment of its intended audience, which is 9-12 year olds. It may, however, make it a bit of a long haul for accompanying family members.

This story has all the strengths and weaknesses of its origin as a best-selling book written by then-15-year old Christopher Paolini. The strength comes from the author’s conviction and enthusiasm for the story but the weakeness comes from its key elements being renamed rather then re-imagined.

Like all classic adventure sagas, it relies strongly on those Joseph Campbell archetypes — the reluctant “chosen one” hero (newcomer
Edward Speleers in the title role), who has no parents but does have (1) a wise mentor/teacher giving Shakespearean line readings to dialogue de(in this case, Jeremy Irons as Brom, a sort of cross between Obi-wan Kenobi and Yoda) and (2) a special force-like innate talent that competes with an impetuous nature, or, as they say in this film, “one part brave and three parts fool.” We have the meanies, lead by John Malcovich as evil King Galbatorix and Robert Carlyle, unrecognizeable under scrofulous make-up, as his even more evil henchman Durza. And we have the rebel forces, led by Djimon Honsou, and the brave but beautiful girl (Sienna Guillory). And we have a whole new vocabulary of not just words but of properties, principles, powers (including a grok-like draco-vision) and limits, which always has a lot of appeal for those young enough to have the brain space to absorb and store it without worrying about whether it will displace the few things they are already struggling to remember. And, of course, we have dragons, or at least one dragon, a devoted mind-melding, blue-eyed sweetheart of a flying dragon with the lovely voice of Rachel Weisz.

Even at 100 minutes, it drags, taking a long time to get going and relying on too much jaw-breaking exposition that even Iron’s velvet tones and Honsou’s quiet dignity cannot bring to life. The perfume-ad settings are lovely but static and the same could be said about the teen-dream cast. Speleers’ idea of acting is a slightly knit brow, an attempted hard stare, neither of which work very well. It was a big mistake to cast pop star Joss Stone as the blind fortune-teller. It isn’t just that she doesn’t make a believeable blind fortune-teller or even a believable middle ages character. She doesn’t make a believeable human being. Garrett Hedlund as Murtagh seems to be able to hold the screen, but it is hard to tell under the meticulously arranged bangs that hang over his eyes, unforunately making him look like a Pokemon bad guy.

Parents should know that this movie has a great deal of fantasy violence and peril with some sad deaths. Characters fight with arrows, swords, fire, and magic.

Families who see this movie should talk about what it means to be one part brave and three parts foolish. What decisions did Eragon later regret? What decisions did Brom later regret, and why? When characters say they expect someone who was more…what were they expecting? Would you believe Murtagh? Why?

Families who enjoy this film will also enjoy reading the books. They will also enjoy Ladyhawke, Dragonslayer, and The Lord of the Rings – The Motion Picture Trilogy.

Blood Diamond

Posted on December 6, 2006 at 12:47 pm

Lowest Recommended Age:	High School
MPAA Rating:	Rated R for strong violence and language.
Profanity:	Very strong language, some racial epithets
Alcohol/ Drugs:	Drinking, smoking, drugs, including illegal drugs given to children
Violence/ Scariness:	Intense and graphic violence with many injuries and deaths, including mutilation of children
Diversity Issues:	A theme of the movie
Date Released to Theaters:	2006
Date Released to DVD:	2007
Amazon.com ASIN:	B000MZHW40

December brings us the thinking person’s thrillers — all of the explosions and shooting and close calls of a summer movie, but with a more serious purpose and a more distinguished pedigree.

Like Syriana and Traffic, this is the story of deeply entrenched corruption on a global scale, corruption that permeates all levels of society and sustains governments, corporations, and wars. This time it is not oil or drugs. It is diamonds. The diamond industry sells them as magic, the essence of romance. “A diamond is forever.” Three months salary is the right amount to spend for an engagement ring. And the engagement ring is just the beginning — there’s the anniversary band. And there’s the right-hand ring. Every girl can feel a little bit like a movie star or a princess if she looks down at her finger and sees a little bit of what was once a lump of coal and now sparkles when it catches the light.

But on its way to the velvet-draped pedestals at the mall jewelry shops and the red carpet bling, the diamonds are used to support oppression, weapons trade, brutality, and a wide range of illegal activity.

This story is illustrated here through the stories of three fictional characters, a soldier of fortune (Leonardo DiCaprio as Danny Archer), a farmer (Djimon Hounsou as Solomon), and an American journalist (Jennifer Connelly as Maddy Bowen).

Solomon’s peaceful life is ripped apart when his village is attacked by rebel forces. He is kidnapped and forced to labor in the diamond mines. His young son is forced to become a “soldier,” given drugs and abused so thoroughly that he loses any sense that the world can be sane or fair.

Solomon comes upon a rare pink diamond of extraordinary size. He wants to use it to find his family. But everyone around him quickly begins plotting to get it for themselves, by any means necessary. He reluctantly joins forces with Danny. Both have dreams of leaving the brutal world of casual corruption that surrounds them.

But they’re not the only ones who want out. They have to run and hide as they try to track down the diamond, now in rebel-occupied territory, and locate Solomon’s family.

Performances filled with conviction and dignity from all three principal actors, powerful action, and a strong structure that ties together all of the strands of the story and all of the reaches of the diamond industry, from the child soldiers to the glossy magazine ads make this a stirring and powerful story.

Parents should know that this movie has extreme, intense, and graphic peril and violence. Many characters are injured and killed. Rebels and government forces shoot at each other and at civilians, including children. All forms of brutality and violence are described and depicted, including rape, torture, mutilation, and turning children into “soldiers.” Children and adults are kidnapped and forced into labor with rebel forces or the diamond mines. Characters use strong language, including racial epithets. There are sexual references. Characters smoke and drink and children are given drugs. The movie includes depictions of a wide level of corruption and betrayal.

Families who see this movie should talk about what people meant when they said “TIA.” Who is in the best position to change the situation depicted here? Why? Can a moment of love give meaning to a life? How? Families might want to look at the UN’s report on conflict diamonds and the Kimberley Process for ensuring that diamonds are legitimately mined and sold.

Families who enjoy this film will also enjoy The Treasure of the Sierra Madre, a classic story of the impact of the prospect of great riches. They will also enjoy Syriana and Traffic.