Little Man

Posted on July 12, 2006 at 4:25 pm

C-
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for crude and sexual humor throughout, language and brief drug references.
Profanity: Some strong and crude language
Alcohol/ Drugs: References to drinking
Violence/ Scariness: Comic and semi-serious violence, many crotch injuries, guns
Diversity Issues: Diverse characters
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000IFRT4W

The Wayans family is better at making money than making movies. They know that if they keep the budget low and the humor even lower, they can keep making money. In fact, according to Entertainment Weekly, they are the most successful family in Hollywood. “Over the past 20 years, Wayans sibs like Kim (Juwanna Mann) and Damon (ABC’s My Wife and Kids) have written, directed, produced, and/or starred in more than 45 movies and television shows…And the family boasts a combined domestic box office of over a billion bucks — a hefty $331 million of which comes from the powerhouse trio at the forefront of the Wayans dynasty, Keenen, 48, and brothers Shawn, 35, and Marlon, 33.” Like Adam Sandler, they figure that if they can make that kind of money without paying much attention to the script, why bother?


Most of the budget for their latest movie went to special effects. Actually, one effect. Marlon Wayans plays Calvin, a tough, mean career criminal who is the size of a one-year-old. His head is imposed on the body of a little person or a child throughout the film.


Calvin and his partner (SNL’s Tracy Morgan) have stolen a great big diamond. But they had to stash it in the purse of the upwardly mobile Vanessa (Kerry Washington), who is resisting the urging of her husband Darryl (Shawn Wayans), who wants to have a baby. So Calvin puts on a diaper and a bonnet and masquerades as a baby to get taken into their home and steal back the diamond.


Vanessa and Darryl don’t know much about babies, so they can’t tell the difference between an adult male (even one with a full set of adult teeth with bridgework and a tattoo) and a toddler. Somehow, even their friends who have children and a pediatrician they consult don’t figure it out, either. This creates an opportunity for Calvin as baby to get access to female bodies that Calvin as man enjoys very much. And it creates an opportunity for Calvin as baby to inflict pain on male bodies that Calvin as man seems to enjoy even more.


Then there are the unintentional indignities imposed upon Calvin, most vividly the rectal thermometer.


This is among the intentional indignities inflicted on the audience, along with a plot that even by the low standards of dumb comedies makes no sense. Calvin is treated like a one-year-old in some scenes, like a five or six-year-old in others. The adult characters are inconsistent, behaving fairly normally in some scenes and then going over the top when the movie is lagging, which is just about all the time. Marlon makes a lot of faces (that’s all he has to act with). Shawn shows some actual appeal that could make him a very effective performer in a movie that gave him more to do than act as straight man to a demon child. The exquisitely talented Kerry Washington (Ray) is wasted in a part that has a supposedly successful professional woman squealing over her aging father and not noticing that she is having sex with someone considerably shorter than her husband. And, again, they steal and debase jokes from better movies, this time a final twist from one of the Hope and Crosby “Road” movies. Little man, little effort, little result.

Parents should know that this movie features a great deal of very crude humor including jokes about genital size, pregancy, pretending to be a woman’s husband to have sex with her, breast-feeding, child molesting, and prison rape. There is also a great deal of crude bathroom and body part humor. Characters use crude language and some four-letter words and one of them gives the finger. There is a great deal of comic (and less comic) violence including many crotch hits, head bonks, and gun threats. A character engages in some macho discussion of the importance of men being tough and beating each other up in a football game and the point of view of the movie is that the way to respond is to beat up the people who say that.


Families who see this movie should talk about how people decide when they are ready to have children and why Calvin’s feelings and priorities changed when he was treated kindly.


Families who enjoy this movie will also enjoy other Wayans brothers movies (very crude humor).

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Comedy Crime Movies -- format

Waist Deep

Posted on June 20, 2006 at 12:23 pm

B
Lowest Recommended Age: High School
MPAA Rating: Rated R for strong violence and pervasive language.
Profanity: Very strong language including many uses of the n-word
Alcohol/ Drugs: Drug use, characters deal drugs
Violence/ Scariness: Graphic violence, characters shot and many injured and killed, child in peril, man's hand sliced off, punching
Diversity Issues: Diverse characters
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000HDZKLO

A standard gangsta bang-bang movie with a script like a rap song benefits from charismatic performers and smooth writing and direction by Vondie Curtis Hall, who plays it like an urban western — a strong, quiet loner takes on a corrupt man who runs the town with the help of a girl gone wrong with a heart of gold.


O2 (singer Tyrese Gibson) is out of prison and determined to stay straight and take care of his son, Junior. But his car is stolen, with Junior asleep in the back seat. His only lead to finding his son is Coco (Meagan Goode). O2 needs to raise $100,000 in one day to get Junior back from local crime boss Meat (rapper The Game). Coco agrees to help for half of whatever he raises.


They rob warring factions of bad guys, trying to distract them by pitting them against each other. And they rob bank safe deposit boxes. A character calls them a modern day Bonnie and Clyde, but they are more like a modern day Robin Hood because they only steal from rich crooks. The safe deposit boxes all belong to Meat.


Gibson has a strong, appealing presence and he makes the quiet scenes with Coco and Junior as compelling as the action scenes. Meagan Goode, who has been the best thing in many bad movies, gets a chance to show off her range. She has to be a hustler and she has to be open; she has to be tough and tender; she has to be beautiful without caring whether she is beautiful or not. Goode and Gibson act like they know and care about these characters and expect us to as well.

Parents should know that this is a very graphic and violent movie with frequent gunshots (many characters wounded and killed), car chases, and other kinds of peril and injury. A child is kidnapped and held for ransom and the death of another child is described. A character’s hand is sliced off and he is slapped with it. Characters use drugs and manufacture and deal drugs, steal, cheat, and betray each other. There is frequent strong language including the n-word. There is a non-explicit sexual situation. The movie engages in a lot of gangsta stereotyping but a strength of the movie is the portrayal of a loving and devoted father.


Families who see this movie should talk about the choices made by O2 and Coco. What made them decide to trust one another? What made O2 decide to trust Lucky?


Families who enjoy this movie will also enjoy Cradle 2 the Grave and they will enjoy seeing Tyrese in 2 Fast 2 Furious and Meagan Goode in You Got Served, Deliver us from Eva, and Biker Boyz.

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Action/Adventure Crime Drama Movies -- format Thriller

The Sentinel

Posted on April 21, 2006 at 5:39 pm

B
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some intense action violence and a scene of sensuality.
Profanity: Brief strong language
Alcohol/ Drugs: Drinking
Violence/ Scariness: A lot of peril and violence, shooting, characters injured and killed
Diversity Issues: Diverse characters
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B00023P4UQ

What this movie gets right is the dry, cynical, slightly gallows-ish humor of people who spend their lives on constant alert, knowing that 999 out of a thousand of the “suspicious” activities they check out will be nothing. They are the guys in the corner of the picture in the paper during the President’s speech. When everyone is looking at him, they are looking at them, deciding whether the man over there is reaching for a cell phone or something more dangerous. For years at a time, they watch to make sure perameters are secure and routes are clear. They are always alert and always ready to die to save the President and his family. The script may be thin, but the performers don’t seem to notice, plowing ahead with the same dogged, somewhat humorless determination real-life agents bring to the job.


Pete Garrison (Michael Douglas) took a bullet when someone tried to kill President Reagan. He’s still on the job, not enough of a rule-follower to be promoted to a management position, but trusted enough to be assigned to guard the President (David Rasche) and the First Lady (Kim Basinger).


Garrison gets evidence from an informant that there may be a traitor within the Secret Service. To make the investigation even more difficult, Garrison is having an affair with the First Lady and his former best friend David Breckendridge (Kiefer Sutherland), the chief investigator now despises him, believing Garrison caused the end of his marriage by having an affair with his wife. Can Garrison protect the First Lady and his informant while finding the mole before he can put the President at risk?


It’s a pretty solid thriller, not worth rushing out to see but worth a matinee or video rental. The transfer from book to screen is uneven. The script does not always show instead of telling — or assuming — what we need to know, especially when it comes to the relationship between Garrison and the First Lady (or between the First Lady and the President), Garrison and Breckendridge, and Breckendrige and rookie Jill Marin (“Desperate Housewives'” Eva Longoria). The characters are underwritten but the stars’ natural charisma holds our attention and keeps us on their side, the action scenes are crisply filmed, and the location shots provide an authentic feel.

Parents should know that this film has a great deal of peril and violence, with a lot of shooting. Characters are wounded and killed. There is blood, but the injuries are less graphic than some other PG-13’s. It includes a non-explicit sexual situation and references to adultery. Characters drink alcohol and use some strong language.


Families who see this movie should talk about the Secret Service and how its training and duties differ from other law enforcement agencies. Did Garrison violate his duty or his oath?


Families who enjoy this movie will also enjoy Clint Eastwood’s portrayal of a Secret Service agent in In the Line of Fire. They will also enjoy the superb miniseries Tinker, Tailor, Soldier, Spy, about a mole within Great Britain’s spy agency, based on the real-life case of traitors Philby, Burgess, and McLean.

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Action/Adventure Crime Drama Movies -- format Thriller

Lucky Number Slevin

Posted on April 2, 2006 at 12:15 pm

B
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for strong violence, sexuality and language.
Profanity: Very strong language
Alcohol/ Drugs: Drinking, smoking, references to drugs
Violence/ Scariness: Extremely intense and graphic peril and violence, many characters killed
Diversity Issues: Diverse characters, some homophobic comments
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000FKO5QK

Slevin (Josh Harnett) is not having a good week. He lost his job and his girlfriend. He was mugged and his wallet and suitcase were stolen. He decided to visit a friend, who seems to have disappeared. But the door was unlocked, so he lets himelf in and takes a shower.

A pretty girl named Lindsay (Lucy Liu) from across the hall comes over while he is still wearing nothing but a towel. Some very nasty types arrive, convinced that he is the missing friend, who owes them a lot of money. They have a boss who wants to talk to him about it right away, still wearing the towel.


Slevin has landed in the middle of a war between two crime kingpins, The Rabbi (Ben Kingsley) and The Boss (Morgan Freeman). They each live in huge glass towers, facing each other. And they both believe Slevin is the man who owes them money and he gets caught in the middle of their efforts to destroy each other.


Slevin seems to take all of this in stride, never getting ruffled and tossing off wisecracks as people keep threatening him with the most violent and painful consequences for failing to take them seriously. He explains to Lindsay that he has a condition that keeps him from getting scared. But there are a few things he does not tell her that make for complications — and quite a body count.


There’s more style than substance here, but the style takes us pretty far, with some wicked wisecracks, some nicely twisty plot turns, and some very twisted characters. Harnett and Bruce Willis coolly underplay in contrast to Freeman and Kingsley, enjoying themselves with a bit of grand guignol. They achieve an immediate rhythm that has us on their side. The violence is gruesome, literal overkill, and as a result the effort to tie it all together at the end just doesn’t work. But the scenes with Liu and Hartnett have real sparkle — though she is tiny and he is very large, the two seem just right together that we want it to, and that’s close enough.

Parents should know that this movie is filled with adult material that is not appropriate for children or teenagers and for many adults. It has constant extreme and graphic violence with many characters injured and killed, including a child’s parents. Characters use constant extremely strong and profane language. There are sexual references and situations. Characters are criminals, involved in drug dealing and murder for hire. A gay character is the subject of some homophobic comments. Diverse characters are all equally vile, but a strength of the movie is the inter-racial romance.


Families who see this movie should talk about the different characters’ ideas about justice and where they came from.


Families who enjoy this movie will also enjoy The Usual Suspects.

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Crime Drama Movies -- format Thriller

Basic Instinct 2

Posted on March 29, 2006 at 12:33 pm

F-
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for strong sexuality, nudity, violence, language and some drug content.
Profanity: Extremely crude, vulgar, and profane language
Alcohol/ Drugs: Drinking, smoking, drug use
Violence/ Scariness: Intense peril and graphic violence, characters murdered
Diversity Issues: None
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000FS9UKI

Someone should tell Sharon Stone that you can’t step in the same river twice. Or you can’t go home again. Or that for every Godfather II there are a hundred Breakin’ 2: Electric Boogaloos.


Anything to stop another big, boring mess like this one.


A bit of credit to director Michael Caton-Jones, who knows how to shoot sleeky, sexy architecture, even if his idea of symbolism is to have the office of his psychiatrist leading man in London’s striking, if often jeered-at “gherkin” building. And even if he makes the sets more lively than the actors. Indeed, when one character is supposed to become catatonic, it’s almost impossible to tell the difference.


Stone returns as bad girl Catherine Davis Tramell a “risk addict” whose sensational novels are inspired by her even more sensational life. Before the credit sequence has ended, we see her having sex with a drugged-out partner while driving a car over 100 miles an hour. The car crashes into the Thames, and the man, a well-known soccer star, is killed. Dr. Michael Glass (his name is this movie’s idea of subtlety) (David Morrisey) is brought in to determine whether Tramell is culpable for his death.


Then a bunch more people get killed in scenes that are more static than scary and there are some sex scenes that are more clinical than sultry.


And there is a lot of dialogue with a chasm so yawning between its intention (provocative) and its reality (see previous reference to yawning) that it starts to sound like the adults in Charlie Brown cartoons: “Waughghgh Waughghg Waughghgh”


They may think that if they surround her with people who have English accents it will all seem less shlocky. No such luck.


Marlene Dietrich was once supposed to have complained to her cameraman that he was not making her look as good as he had a decade earlier. “But Miss Dietrich,” he is said to have assured her gallantly, “I was ten years younger then.”


Sharon Stone was fourteen years younger when she made the first Basic Instinct. And so were we. This creates two sets of problems.


First, she can’t surprise us any more. Both actress and character were new to us in 1992; now that famous dress, chair, cigarette, and leg-cross are an icon. At the time, it was all new. She pushed the boundaries. But those boundaries have been shoved another couple of football fields since then, and Stone and her director and screenwriter have not managed the delicate task of finding that precise spot between provocative and gross.


Second, instead of rethinking the character, Stone tries to go back to where she was and it just doesn’t work. If Tramell had actually survived another fourteen years of sex, drugs, and lots of people turning up dead wherever she went, she would be affected by that. Stone’s astonishing, assured performance in the original movie was a model of careful calibration of the power of her sexuality and daring. But the sexual power of a 48-year-old is different from the sexual power of a 34-year-old. Stone, whose portrayal of mature sexiness was breathtaking in last year’s Broken Flowers, is so over-the-top here that Tramell appears to be channeling Cruella De Vil. Or maybe Carol Burnett vamping as “Nora Desmond.” “Time is a weapon,” one character says in this movie. In this case, a lethal one.


Parents should know that this movie has just about every kind of material that is inappropriate for younger viewers or sensitive viewers of any age, with extremely strong, crude, and profane language, drinking, smoking, drug use, intense peril and graphic violence, murders, and general bad behavior in all categories.


Families who see this movie should ask why anyone would be “addicted” to risk. How are we supposed to feel about Catherine at the end of this movie? What is a “masked psychotic” and is there one in this story?


Families who enjoy this movie should see the original. They might also enjoy The Jagged Edge, Sea of Love, Final Analysis, Whispers in the Dark, and Dressed to Kill.

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Crime Drama Movies -- format Mystery Thriller
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