Come ‘Home’ with a One-Time Chance to See An Amazing Documentary

Posted on June 4, 2009 at 8:00 am

Home is a gorgeous new documentary with a haunting musical score about the planet we live on. It is from internationally renowned French photographer Yann Arthus-Bertrand and produced by award-winning director Luc Besson. HOME is narrated in English by Glenn Close and in Spanish by Salma Hayek. Three film crews worked in more than 100 countries over 21 months to produce more than 488 hours of aerial footage.

And it is being made available worldwide at no charge to audiences by the firm PPR in the first global all-media format premier of a film on World Environment Day, June 5th. PPR’s support of HOME will make it possible to reach viewers all over the planet in more than 127 countries on June 5th to watch HOME for free on TV, in open-air theaters or on the internet in partnership with Youtube and Google, and in theaters worldwide and on DVD at a reduced rate. Please make an effort to see this beautiful, inspiring, and very important film.

Related Tags:

Documentary Television

Earth

Posted on May 5, 2009 at 9:24 am

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Low-key and mostly off-camera references to predators and life cycles
Diversity Issues:	Diverse species
Date Released to Theaters:	April 22, 2009

This stunning valentine to our planet’s plants and animals re-purposes some of the footage from the stunning documentary Planet Earth into a more narrative storyline, taking us through the seasons and across the globe to see nature’s eternal themes of renewal and connection. We see cooperation and nurture by parents across species. And we see the perils of the animal world as well.
The narration drags at times, mostly avoiding getting too cute but sometimes, even with the voice of James Earl Jones, sounding too much like an educational film for Social Studies classrooms. It alternates between almanac-worthy facts and figures and cozy folkish narratives about the animal families, never matching the grandeur of the visuals.
Parents should know that there are some discreet references to the life cycle and survival issues, some G-rated footage of predators (no blood), and not all of the animals make it to the end of the movie. There are also references to the consequences of climate change on the habitats of the animals.
Topics for discussion: Which of the animals are most like humans? Why?
If you like this, try: Planet Earth, Microcosmos, and Winged Migration.

Related Tags:

Documentary Movies -- format

The Hip Hop Project

Posted on May 4, 2009 at 3:16 pm

Be sure to watch the amazing documentary The Hip Hop Project tonight and see the extraordinary work by Chris “Kazi” Rolle in encouraging young people to tell their stories. He gives kids who feel invisible a chance to own their experiences, express their frustrations through art instead of violence. I interviewed Kazi a few years ago and was very impressed by his insight and charisma — and by his accomplishments.
Chris “Kazi” Rolle, who founded the program when he was a homeless teenager, told me that he was inspired by “Hoop Dreams.” “A lot of inner city kids see sports as their way out.”
Rolle wanted to give them a chance with something they could do themselves, without relying on anyone outside the community. So he adopted what he calls “the pill in the dog food” approach, “pulling them in with what they like,” hip-hop. His goal is to reach “the kid in the back of the class – he is always scribbling something.” When they arrive, they want to imitate what they have heard. “Young people live from the outside in; TV and radio tell them who they have to be.” But he brings them back to the origins of hip-hop – “it started as political” and encourages them to tell their own stories by listening to them and encouraging them to listen to each other.

Related Tags:

Documentary Music Television

Grey Gardens, Act III

Posted on April 18, 2009 at 12:55 pm

What is is about the story of Grey Gardens that has been so enduringly fascinating? They have inspired a documentary film, a Broadway musical, endless articles, even a song by Rufus Wainwright.

Some people think it is because the two women who lived in splendid squalor were the aunt and cousin of one of the world’s most famous and glamorous women, Jacqueline Kennedy. And some think it is because of the schadenfreude effect — seeing two women born to wealth and power fall into helpless poverty. Both are certainly a part of it, but I believe the reason that the story of the two Edith Beales is so enthralling is because of something central to the lives of all of us. It is about family ties that both sustain and constrain. It is about the line between function and dysfunction. It is about devotion. It is about love. It is about control. And it is about the way that the route to madness is much more slippery and treacherous than we would like it to be.

Edith Beale and her daughter “Little Edie” lived in a mansion in East Hampton called Grey Gardens. At one time they were at the heart of high society and Little Edie, a debutante, was known as “Body Beautiful Beale.” Their lives seemed filled with luxury and promise. But by the time a documentary film crew arrived in the early 1970’s the mansion had fallen into filth and disrepair. The two women shared the house with more than fifty cats and other animals. They had almost no electricity or plumbing. The women’s behavior was outlandish, even delusional, but their resilience and ferocious passion for survival were inspiring. They were not just willing to defy convention; they seemed to relish it. The film was a sensation. It led to a Tony-award-winning Broadway musical starring Christine Ebersole. Tonight, the latest version of the story premieres in HBO, starring Drew Barrymore and Jessica Lange.

Here is a clip from the original documentary with Little Edie explaining her “revolutionary” attire, followed by Ebersole in a scene from the musical based on that monologue and a trailer for the HBO movie.

Robert Blecker Wants Me Dead

Posted on March 22, 2009 at 4:35 pm

B+

Lowest Recommended Age:	High School
MPAA Rating:	Not Rated
Profanity:	Some graphic language
Alcohol/ Drugs:	References to substance abuse
Violence/ Scariness:	Discussion of terrible violent crimes and the death penalty
Diversity Issues:	A topic in the movie
Date Released to Theaters:	March 20, 2009

Robert Blecker is one of the most outspoken — and unexpected — proponents of the death penalty. He does not try to base his argument on the death penalty as deterrent or to prevent the opportunity for further crimes. The self-described “retributivist advocate of the death penalty has managed to alienate both sides of the debate on the politically divisive and morally complex issue of capital punishment….e makes a powerful case for the death penalty as retribution, but only for the ‘worst of the worst’ offenders.”

Defining what ‘worst of the worst’ means is a constant and sometimes painful struggle for Blecker, and as a part of his continuing effort to define that category he first came into contact with someone who appears to qualify according to anyone’s standard. That man is Daryl Holton, who shot his three children and their half-sibling to death in 1997 because, he said, he thought it was better for them to be dead than to live with their mother.

This documentary about the relationship between the two men does not take sides. It simply documents their conversations, which are vivid, engrossing, and surprising. As Blecker gets to know Holton, he finds it difficult to maintain the sense of outrage that is an essential part of his justification for the death penalty, even in light of the unspeakable nature of the crime. The deepest questions of what we are as humans echo throughout the film. Is Holton’s crime so inhuman that he must be insane and therefore less culpable? Is it inevitable that interviewing him will establish a connection that makes it more difficult to advocate for his being put to death?

This is less a film about the death penalty than it is about more fundamental issues of purpose and meaning. It is a provocative film about deeply troubling issues. No matter what your perspective, it will be challenged. And no matter how you come out, it is that very engagement and need for understanding that ultimately reaches the deepest part of the human experience and responsibility.

Related Tags:

Documentary Movies -- format