I’m a Nerd in High Places!  Thanks Bleeding Cool!

I’m a Nerd in High Places! Thanks Bleeding Cool!

Posted on October 23, 2019 at 5:28 pm

Copyright Nell Minow 2017

Many many thanks to Tony Panaccio and Bleeding Cool for this delightful interview about my fangirl side. Excerpts:

Q: Let’s start at the beginning. What do you remember as your first experience with fandom?

I think my gateway drug, around the time I was nine, was MAD Magazine. As soon as I saw my first issue I asked my parents to let me subscribe and was very proud to get copies with my name on the address label. While I liked comic books before that, mostly Archie, Richie Rich, and Superman, like so many others I think of MAD as the turning point because it made me think critically about culture and it made me ask questions about the news so I could understand the jokes.

Then, senior year in high school, I was lucky enough to meet a guy who not only had a fabulous collection of MAD and comics (a #1 Spider-Man!) and original comic art, but who had gone by himself to New York (from Chicago) at age 14 to attend a con, where he talked to Frank Frazetta, Al Williamson, and Neal Adams. In one of our early conversations, he was describing the National Cartoonists Society’s annual Reuben Awards, and I said, “Named after Rube Goldberg!” We were clearly made for each other.

We have been married for more than 40 years and he is now a member of the National Cartoonists Society, so we get to see the Reuben awards ceremony in person. On the walls of our home are selections from his amazing collection of original comic strip, MAD, illustration, and comic book art, which make me very happy every time I look at them. And I will not confirm or deny that we named our son Ben after Ben Grimm, but he might tell you that!

Q: What’s your favorite thing to do at a comic con?

I love everything at SDCC! I love the panels, especially the behind the scenes ones, with costume designers, production designers, location scouts, visual effects people, voice talent, and people talking about the history and impact of comics and sci-fi. I love the people, not just the ones in costume but all the fans. It’s one of the most purely happy places I know. Many people are like one person I heard once who said, “It’s the rest of the year I’m in costume. This is the real me.” Just about 99 percent of the time, everyone is so glad to be there and so happy to support not only what they love but whatever everyone else’s special pop culture obsessions are, too. There’s very little judgment. I don’t know anywhere else that is so spaciously, generously accepting.

Also overheard once at Comic-Con: “What time is the Klingon wedding?” I am so happy to live in a world that has Klingon weddings. And I love SDCC’s combination of cutting edge technology and fandom. Many years ago I saw my first 3D printer/hand-held 360 degree scanner combination there, and it was being used to print out action figures of Predator holding the individual bloody severed head of anyone lucky enough to get in line in time to get one.

I love the passion and fearlessness of the fans; the people who come to SDCC know what they like and do not wait for anyone to tell them what is cool. The people who did not want to sit with them in high school will not know two years from now when they’re excited about the next Game of Thrones or True Blood that it was the fanboys and fangirls who saw them first and loved them without being told they were on anyone’s “must” list. I always say it’s the Iowa Caucuses of pop culture.

My most important rule at SDCC is this: if I can’t get into something I want to see, I will open whatever door is nearby and go to that instead. And every year, that leads me to something I never would have known about otherwise and those are often among the best experiences of the Con.

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Media Appearances

Ten Questions about Sucker Punch from Brendon Connelly

Posted on April 2, 2011 at 1:13 pm

The always-brilliant Brendon Connelly of Bleeding Cool has ten fascinating and provocative questions for viewers of Sucker Punch. The movie has been widely derided as incoherent eye candy with only 20 percent positive reviews on Rotten Tomatoes. A typical comment was from Tom Meek of the Boston Phoenix: “The director of “300” and “Watchmen” has plenty of visual panache, but when it comes to storytelling, he’s a bombastic hack.”

Some of the questions Brendon asks us to ponder:

When do we first see Sweet Pea talk? And when do we last see her talk?
Whereabouts does the first scene in the movie take place? Whereabouts does the last scene in the movie take place?
Which locations, props and images reoccur, where and why?
Why are the girls dressed the way they are?

I’m going to go with the obvious answer on that last one. But Brendon is exceptionally astute on story-telling via editing and image. He has given us questions that are well worth considering to provide context of a movie that, even for people like me who found it disappointing, is clearly more ambitious than most of the reviews gave it credit for. To hear him debate the film with Kevin McCarthy, Josh Hylton, Travis Hopson and me, check out The Kevin and Josh Movie Show. I’ll update this post with a link when one becomes available.

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Understanding Media and Pop Culture
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