Blind Activists Protest “Blindness”

Posted on October 2, 2008 at 10:12 pm

“Blindness” is the story of unnamed characters in an unnamed community who all suddenly lose their sight with just one exception, a doctor’s wife played by Julianne Moore. The newly blind citizens, along with Moore’s character, who pretends to be blind, are quarantined and quickly confront a series of tragic choices and heart-wrenching moral compromises and violations as they struggle to survive. The movie, like the novel that inspired it, is an allegory along the lines of “Lord of the Flies” or “28 Days Later.”
The National Federation of the Blind has criticized the film, saying that it portrays blind people as monsters. That is not true; it portrays human beings as monsters, or at least as animals who cast off the thin veneer of civilization when their infrastructure and external controls were removed. They also say it perpetuates inaccurate stereotypes, portraying the blind as unable to care for themselves and navigate. Again, that is not true. It portrays people who suddenly become blind and have no support services or training as having a very difficult adjustment. Indeed, there is one character who was blind before the epidemic, and the movie makes it clear that he does have the skills to use a cane and a braille machine.
Once again, misplaced activism attacks the most superficial details of a movie without taking time to understand that it is on their side.

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Commentary

The Miracle Worker

Posted on April 14, 2008 at 8:00 am

A+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: Drinking
Violence/ Scariness: Some violence, characters injured
Diversity Issues: A theme of the movie
Date Released to Theaters: May 23, 1962

Today is the 142nd anniversary of the birth of one of the most extraordinary teachers in American history, Annie Sullivan, who gave a little blind and deaf girl the power of language. William Gibson, who wrote two plays about the teacher and her student, says that when people refer to “The Miracle Worker” as “the play about Helen Keller,” he replies, “If it was about her, it would be called ‘The Miracle Workee.'” Sullivan, herself visually impaired, was first in her class at the Perkins School for the Blind. When she went to work for the Keller family she was just 21 years old. And Keller, who was blind and deaf due to an illness when she was 19 months old. When Sullivan arrived, Keller was almost completely wild, without any ability to communicate or any understanding that communication beyond grabbing and hitting was possible.

Every family should watch the extraordinary film about what happened next, and read more about Keller, who, with Sullivan’s help, graduated from Radcliffe magna cum laude and became an author and a world figure.

Ann Bancroft and Patty Duke won Oscars for their performances as Sullivan and Keller, repeating their Broadway roles and Duke later played Sullivan in a made-for-television adaptation. In this scene, after months of teaching Keller to fingerspell words, Sullivan is finally able to show her that language will give her the ability to communicate, with a new world of relationships, feelings, and learning. No teacher ever bestowed a greater gift.

Monday After the Miracle is Gibson’s sequel to the play, and Keller’s own book is called The Story of My Life. There is a photobiography of Sullivan called Helen’s Eyes.

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