Interview: Gary Ross on “Free State of Jones”

Interview: Gary Ross on “Free State of Jones”

Posted on June 27, 2016 at 3:37 pm

Gary Ross, best known for the first “Hunger Games” movie, spent years researching the real-life story behind his new film, “Free State of Jones,” about a group of deserters from the Confederate Army and runaway slaves who declared their independence from the legal and economic oppression of the Confederacy. You can see more about the story in the “Free State of Jones” website. His commitment to authenticity included filming in the actual locations where the events took place, including the swamp where Newt Knight (played by Matthew McConaughey) and his group hid from the Confederate soldiers. “We were in the swamp for a long time but it was worth it. We were shooting where the true story actually occurred so that was kind of inspiring.” There are several books about the historical events, but Ross reviewed the original documents. “I did a lot of primary source research. When you go to the website you will see that most of the things that we cite are not secondary historians but are primary sources. I studied for about 2 to 3 years before I ever even started writing the script….There’s a tremendous amount of original sources that survived. We use a ton of sources from what was called the OR, the Original Records of the War Between the States which is the most reliable source. And we used a lot of letters to corroborate this evidence from former Confederate soldiers they were writing about the rebellion to one another as it was going on so there’s a tremendous amount of actual primary sources that exists, I mean hundreds and you can see them on the website.” freestateofjones

The film is set in the Civil War era, but some scenes show us Knight’s descendent in a 1948 miscegenation trial. Ross said, “I think that we need to see some perspective. It was a way of almost trying Newt in absentia a century later. These issues that were necessarily unresolved. It also let us explore what happens to memory when you lose connection with your past. This is a century later and it is still going on. I think that the fact that there was in fact this real trial which was still bizarre was an important thing to include.”

He talked about seeing the jobs of writer and director separately. “I don’t see directing as an extension of writing. It is to certain degree because you are storytelling but it’s its own thing. But you are never afraid to keep writing when you’re a writer there so I actually have more flexibility on the set, I don’t see the script as such a lock or rigid thing. And directing informs your writing. When you’re directing you think of it the more cinematically, you think, ‘Are they going to be able to actually do it?’ There is less waste in the writing. There is more of a cognizance of the cutting pattern. There is more even awareness the things like sounds design, so yes I definitely think it informs how I write now.”

There are some common themes between this real-life story and the allegory of “Hunger Games.” “Individual and personal liberty is tremendously important to me and I think that this has been somethings that has been expressed through a lot of the work that I’ve done one way or another. Newt used Scripture to justify his actions. It began as an organic rebellion. It was anti-tax rebellion at the outset but it grew into a larger meaning of freedom and it broadened out into a bigger definition of what freedom was. Once he glimpsed what true freedom meant he couldn’t tolerate his wish for personal freedom and then accept unfreedom for other people so I think that Newt expanded and grew and in his worldview and that led him been an advocate for African-Americans in the postwar period.”

Ross wants to make sure that audiences see the oppression that continued after the end of the Civil War. “The war didn’t and in 1865. The conflicts of the war went to 1876. We can see this as a continuum in the fight for freedom. I think that the only movies that existed prior to these were the original “Birth of a Nation” and “Gone With the Wind” so the record needs to be set straight because they are very misleading about the reconstruction era. I hope people who see this can talk about interracial reliance and interracial alliance. I think that’s tremendously important. Newton Knight as an ally of African-Americans in the postwar era is a tremendously important thing to celebrate. Only when we unite in America will we ever make true progress.

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Free State of Jones

Free State of Jones

Posted on June 23, 2016 at 5:40 pm

B+
Lowest Recommended Age: High School
MPAA Rating: Rated R for brutal battle scenes and disturbing graphic images
Profanity: Some strong and racist language
Alcohol/ Drugs: Alcohol
Violence/ Scariness: Intense and graphic violence including battle scenes, hanging of adults and children, brutal abuse, rape, and lynching
Diversity Issues: A theme of the movie
Date Released to Theaters: June 24, 2016

freestateofjonesThe timing is not great. “Free State of Jones” is a Civil War drama based on the true story of a community of Confederate deserters and runaway enslaved people who banded together to fight for their own vision of freedom. It was filmed once before as “Tap Roots,” with Van Heflin, Susan Hayward, and Boris Karloff (as an Indian!), but this version, from “The Hunger Games'” Gary Ross, deals forthrightly with the racial issues, or at least tries to. There is an inescapable and maybe unconquerable problem in telling a story set in Civil War era Mississippi with a glorified white man as the hero, in a time when one of the most anticipated films of the year is the Sundance Grand Jury and Audience award winner “Birth of a Nation,” a film that grabbed and repurposed its title from the blatantly racist D.W. Griffith film of the silent era.

Ross brings the same passion for tackling tyranny to this story that he did to “Hunger Games.” It’s just that we’re no longer dealing with speculation and metaphor, and that means a political overlay reflecting both historical and contemporary controversies.

Matthew McConaughey plays Newt Knight, a Mississippi farmer with a wife and young son who is serving as a nurse in the Confederate army. Early on, we see him removing the uniform from a wounded enlisted man so he can tell the doctors he is an officer and get him treated. Increasingly frustrated with the endless carnage on behalf of wealthy elites who exploit the poor, it is too much for him at last when his nephew is killed in battle and he leaves, taking the body home to be buried. There he finds the Confederate forces are taking all of the food from the local farmers, leaving them to starve. On the run from the military seeking defectors, he hides out in a swamp, where he meets up with runaway slaves. There he decides that his allegiance is not to the Confederacy, which is sending poor boys to fight to preserve what today we might call the 1 percent. “I ain’t fighting for cotton,” another solider tells him. “I’m fighting for honor.” “That’s good,” Knight responds. I’d hate to be fighting for cotton.”

Writer/director Ross, working with the locations where these events occurred and a touching score from Nicholas Britell, evocatively conveys the hardscrabble lives, the literal and spiritual grit, the desperation and conviction it inspires. Knight hands guns to three little girls and, when the Confederate officer does not take them serious, Knight tells him that guns will shoot anybody. “It don’t seem to matter where the bullet comes from.” The depth of research is evident throughout, but it is never pedantic. The storyline is grounded in historical events like the Confederacy’s requisitioning of food and supplies, and post-war exploitation and terrorism, led by former Confederate officials, that prevented former enslaved persons from basic rights and murdered those who tried to assert them. There are brief glimpses into a conflict 85 years later, as the descendent of Knight’s relationship with a former slave named Rachel (Gugu Mbatha-Raw) is criminally prosecuted for marrying a white woman in violation of the state’s laws prohibiting mixed marriages. It is there to remind us that we can never dismiss the events of the past as behind us.

Parents should know that this film has very intense and graphic violence including Civil War battles and skirmishes, hanging, rape, and lynching, adults and children injured and killed, very disturbing images, some strong language with racist epithets, some sexual references

Family discussion: What did Knight find most unjust about the Confederacy?  What did we learn from the 1948 courtroom scenes?

If you like this, try: “Glory” and “The Red Badge of Courage” and read about the story that inspired the film.

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The Real Story: Free State of Jones

Posted on June 23, 2016 at 3:34 pm

The new film about group who refused to fight for the Confederacy and established a free community in Civil War-era Mississippi is based on a true story. Matthew McConaughey stars as Newton Knight, a nurse in the Confederate Army who deserted because he did not want to fight for slavery or for wealthy plantation owners. In “Free State of Jones,” co-written and directed by Gary Ross (“The Hunger Games”), Knight is a Robin Hood-like figure, with a swamp taking the place of Sherwood Forest.

There was a Newton Knight and he did lead a rebellion, one of several groups who seceded from the Confederacy as the Confederacy seceded from the United States. The story was filmed in 1948 as “Tap Roots,”with Van Heflin, Susan Hayward, and Boris Karloff (as an Indian).

“Free State of Jones” is based on more recent research that indicates that Knight was opposed to secession and considered his “Jones” state a part of the union. The film’s website has detailed information with citations explaining the historical basis for characters like the real-life Newton Knight and Rachel and characters like Moses who are based on several real-life former slaves. The Smithsonian has a comprehensive article with the history of the story and the film.

Incidents described in a book by Sally Jenkins, including Knight’s rescue of an “apprenticed” black child captured by a plantation owner during the post-Civil War period and his decision to live in an all-black community, are in the film. The film also depicts the 1948 miscegenation trial of one of Knight’s descendents, who, allegedly one-eighth black, had violated the law by marrying a white woman. The real story is not as romantic as the one portrayed in the film, but the film is correct in stating that the ruling against the couple was overturned on appeal on a technicality because the Mississippi court did not want a Constitutional challenge to its laws prohibiting marriage between people of different races. Those laws would remain in place for almost 20 more years, and a film based on that case, Loving v. Virginia, will be released later this year.

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