Women Rule the Box Office

Posted on June 10, 2015 at 3:44 pm

“Spy” beat “Entourage” last weekend in the battle of the two R-rated raunchy comedies.  The one featuring women in all the lead roles was first at the box office with a robust $29.1 million, and the one featuring men in all the lead roles came in third, after the previous week’s release, “San Andreas.”  This continues a strong run for women-led films.  In May, Forbes pointed out that six of the top ten films were “girl-powered,” including “Pitch Perfect 2,” “Tomorrowland,” and “Mad Max: Fury Road.”  “Moreover, three of them were somewhat gender-neutral. Only one wide release in the top twelve was wholly male-centric. ”

Call it causation, call it correlation, or merely call it coincidence. Come what may, last weekend showed that a Hollywood release slate with copious female-centric options at the multiplex did not harm the overall box office one bit. Not all of these films are good, not all of them are explicitly “feminist” and not all of them are necessarily marketed in a way that highlights their female-centric nature. Yet they are major studio releases, playing at a theater near you, that star women, tell stories concerning women, and (in some cases) concern relationships and conflicts at least tangentially related to the gender of their protagonists and/or antagonists. However, they exist, and they are making money.

 

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Commentary This Week at the Box Office Understanding Media and Pop Culture
Spy

Spy

Posted on June 4, 2015 at 5:44 pm

B+
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language throughout, violence, and some sexual content including brief graphic nudity
Profanity: Very strong and crude language
Alcohol/ Drugs: Drinking
Violence/ Scariness: Extensive action-style violence, some disturbing images, characters injured and killed
Diversity Issues: A theme of the movie
Date Released to Theaters: June 5, 2015
Date Released to DVD: September 8, 2015
Amazon.com ASIN: B00YWE6LXK
Copyright 2015 Twentieth Century Fox
Copyright 2015 Twentieth Century Fox

It is time to celebrate. Melissa McCarthy finally has the movie role she deserves. Writer/director Paul Feig, who directed her in “Bridesmaids” and “The Heat” has wisely given her center stage and allowed her to be quirky and awkward, which we knew she could do, and improvise crazy lines and scenarios, which we also knew she could do, but also let her play someone who is extremely capable and loyal, smart, brave, and completely captivating, which we always knew she could do, but rarely got to see more than a hint of it.

Feig does not just thoroughly understand the genre he is shredding. He clearly loves it. All of the classic spy movie necessities are there, a sultry song over the opening credits, impeccable tailoring, a beautiful car, fine wine, pretty girls, chases and shootouts, cool gadgets, glamorous world capitals, a formal high society party with tons of security that must be breached, a club scene with EDM, betrayal by a trusted insider, an evil megalomaniacal villain, and — of course — the fate of the entire world depending on our secret agent with a license to kill saving the day. Dippold avoids the usual spoof go-to “jokes” of incompetence, slapstick, and instantly-old cultural references, allowing the characters to take the stakes and the relationships seriously enough so that the comedy is honestly earned and all the funnier for it. It is genuinely refreshing to see women as not just hero and villain but also as hero’s boss and her best friend. The male stars are excellent, especially Jude Law and Jason Statham, who get to riff on their own leading man images as well as larger-scale action hero conventions. But the ladies are in charge here, and they are killing it. Imaging Miss Moneypenny and Pussy Galore plus Dame Judi Dench as M running the show, with Bond as eye candy.

McCarthy plays Susan Cooper, a teacher turned desk agent for the CIA. As super-cool Bradley Fine (Law) tosses off a glass of champagne, pausing to admire the crystal flute glass before smashing it and sneaking out to find the super-powerful, super-compact bomb, Susan is talking through his earpiece, letting him know which way to turn through the labyrinthian tunnels every self-respecting bad guy has to have under the elegant party going on up above, and which direction the henchmen are coming from. He is fond but patronizing. She is capable but a bit fluttery and insecure.

Unfortunately, there is a lot of pollen in the air and Bradley sneezes at the wrong time, accidentally making his gun go off and killing the bad guy. Also unfortunately, the bad guy’s successor, his daughter Rayna (Byrne, with what looks like several dead animals hiding in her hideous hairdo), has access to the names of all of the current field agents. With no alternative, the humorless CIA deputy director (Janney) sends Susan out into the field, just to track and report, not to engage. Susan is nervous but excited, though disappointed when she receives her cover. No sophisticated bespoke attire and fancy hotel rooms. She will be a dowdy, nondescript woman with a very bad perm.

She doesn’t get the cool hoverboard from the Q-equivalent. She gets weaponized versions of the things a woman like her cover identity would have in her purse. And her cover involves hilariously tacky wardrobe and a disastrous perm-looking wig.  Of course she soon abandons the “no engagement” part. A rogue agent (Statham) trying to find the bomb on his own mostly gets in the way. But she relies on her excellent observational powers, quick thinking, and some mad skillz in hand-to-hand combat, even if killing a guy grosses her out. And she gets some help from her best friend Nancy (the wildly funny Miranda Hart).

It is exciting, funny, and even heartwarming. And best of all, there’s a hint at the end of a possible sequel. More Susan Cooper, please, and lots and lots more McCarthy.

Parents should know that this film includes very strong and crude language, sexual references, sexual humor, and non-explicit sexual situations, graphic nudity, extensive violence with some graphic and disturbing images, and characters injured and killed.

Family discussion: What do you think it takes to be a great spy? If you were going undercover, what would your name be?

If you like this, try: “Get Smart,” “Bridesmaids,” and “The Heat”

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Action/Adventure Comedy DVD/Blu-Ray Pick of the Week Spies

This Week in Theaters: Boys vs. Girls in One-Word-Title, R-Rated Comedies

Posted on June 4, 2015 at 8:06 am

They both have one-word titles. They are both very raunchy R-rated comedies. And this week they square off against each other for domination of the box office. “Entourage” continues the adventures of movie star Vince (Adrian Grenier) and his home-town boys, living the high life in Hollywood. Vince’s agent, Ari (Jeremy Piven) is now a studio head. And “Spy” reunites Melissa McCarthy with her “Bridesmaids” and “The Heat” director Paul Feig for an action comedy about a CIA desk officer who gets sent into the field for the first time. “Entourage” opened early, but I predict “Spy” will catch up to win the weekend.

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Opening This Week

Opening This Month: June 2015

Posted on June 1, 2015 at 3:59 pm

Summer movies are here! Raunchy comedies, blockbuster sequels, and even some documentaries and indie gems.

Here’s what’s ahead this month.

June 3

Entourage: Vince and his pals are back as the hit HBO series about a Hollywood star and his friends, and of course about their volcanically profane agent, Ari, played by multiple award winner Jeremy Piven.

June 5

Spy: Melissa McCarthy teams up with action star Jason Statham in this R-rated comedy directed by “Bridesmaids'” Paul Feig.
Love & Mercy: Paul Dano and John Cusack play the brilliant but troubled Brian Wilson in this biopic about the genius behind the Beach Boys, co-starring Paul Giamatti as his controversial therapist and Elizabeth Banks as the woman who loves him.

June 12

Jurassic World: Chris Pratt and Bryce Dallas Howard star in this reboot of the series based on the book by Michael Crichton and the movie directed by Steven Spielberg.
Me and Earl and the Dying Girl: This sweet indie is funny, smart, surprising, and touching.

The Wolfpack: A group of sheltered, homeschooled boys in New York City learn about the world through the movies they watch and re-create — and this is a documentary.

The Yes Men Are Revolting: In their third film, the Yes Men continue to combine protest, theater, and comedy to bring attention to environmental dangers and corporate misdeeds.

June 19

Inside Out: Pixar’s new film is about the emotions within a middle school girl, featuring the voices of Lewis Black, Amy Poehler, and Mindy Kaling.
Infinitely Polar Bear: Mark Ruffalo and Zoë Saldana star in this fact-based story of a brilliant but bi-polar man who does the best he can to care for his two daughters.

June 26

Max: A dog that worked with US Marines in Afghanistan returns to the U.S. and is adopted by the younger brother of the Marine handler who was killed in action.

Ted 2: The talking bear with the potty mouth returns.
Batkid Begins: The Make-A-Wish story about the kid who wanted to be Batman captured the hearts of the world.  This is what happened.

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Opening This Month
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