Interview: Emilio Estevez of “The Way”

Interview: Emilio Estevez of “The Way”

Posted on February 20, 2012 at 8:00 am

I spoke to Martin Sheen when The Way opened in theaters last year.  So it was a special treat to speak to the writer and director of the film about its DVD release — Emilio Estevez, Sheen’s son, who also appears briefly in the film.

I interviewed your father and, he spoke about you as a director so wonderfully that I’ve really been  looking forward to talking to you about it.

 All lies and half-truths, no doubt.

Your father impressed me tremendously because as he walked into the room in the hotel, before he said hello to me, he first said hello to the staff of the hotel, and was so warm and wonderful to them.  I just think he’s a very special guy.

He is indeed.  He is indeed.  He is one of a kind.

What is the challenge of working with him as a director?  He said that you were tougher on him than any other director.

Well I didn’t get him get away with his crap.  You know, my dad really hasn’t had a lead in a film for quite a while, and when that happens you oftentimes think “Well, as an actor I’m only going to get this moment and I’m only going to get that moment so I better give it my all.”  But I had to keep reminding him that we had an entire film to track his character.  He didn’t have to give it all up in the first act.  We had a long long way to go.  And we needed to dole out this emotion judiciously.  So, for my part, I just had to keep reminding him: “We’re not there yet, we’re not there yet, we’re not there yet.”  And it it took him a while to get it.  But I think it’s a it’s a really well-paced, very quietly nuanced performance that could very easily could’ve been scenery chewing. I had to keep reminding him that you’re playing a guy that is not a citizen of the world.  He’ll become that.  Let’s just remind ourselves that this is a guy that has two hours to evolve.  And you have to trust me that, I’ll get you there.

As you were writing The Way, were there elements of your father’s ability as an actor or his personality that you wanted to bring out that you thought had not been shown in some of his previous performances?

No, not necessarily.  It was a role that was so unlike who he is.  This is a guy who was a curmudgeon.  My dad is certainly not that.  He shakes everyone’s hand.  He got a nickname while we were on on tour this last year. We call him the fanstalker, which is a nickname my son came up with. If a fan didn’t get a photo he made sure that, they were acknowledged and did.  So he’d go out of his way to make sure, everyone was accommodated.  Meanwhile, you know of course the tour’s falling hours and days behind schedule.

Talk to me a little bit about some of the other casting.  I thought you chose the other performers very well.

Deborah Kara Unger was a friend of the producer David Alexanian.  I met her while I was writing the screenplay.  She asked what I was working on, and just sort through a series of conversations with her, I began to to tailor the role for her, for who she is.  By the time we got around to getting ready to shoot, she was available and willing to play that part.  Jimmy Nesbit, uh the character of Jack, came through more conventional channels.  He was somebody that an agent had pitched to the casting director in LA.  I saw a film that he did called “Five  Minutes of Heaven” with Liam Neesson, and I thought, “Wow, this guy’s terrific.”  He and I had a couple of conversations on the phone and I said, “Listen, he’s, he’s written as a Brit but let’s play him as an Irishman.  So you don’t have to affect an accent.”  He said great.  The role of Yorick, or the role of Joost really, played by Yorick, was a bit different.  We were about eight days out from starting the film.  And David. our producer. actually found five guys on the internet and said, “You’ve gotta pick one.” So we, set up a meeting to have Yorick fly in to Madrid to meet us.  And, he was given the wrong information and flew to Barcelona instead.  so that.  It further delayed us, but he ended up sorting it out and he showed up in Madrid the first thing he said he said “Man, I’m so sorry but for what it’s worth, it wasn’t a total loss.  I had the most amazing landing in Barcelona.”  And I said, “I think we have our Joost.”

What have you learned from some of the directors you worked with as an actor, that helped you as a director?

I’ve been fortunate to work with some great directors and some not great directors as well.  I think you learn just as much from the bad ones as you do from, from the good ones.  Robert Wise was the director of “Sound of Music” and “West Side Story.”  He was a friend of mine. He has a real understanding of film and film history, so he was my executive producer and my mentor in the first film that I, directed and I learned a lot from him.  He was just a very generous man.  And he taught me about preparation.  And anticipation, and communication.  Those were the three most important words that a director could ever know.  Really is it is all in the prep.  We spent a couple of months on the Camino, every day just preparing the hell out of this movie.  And by the time we got back to shoot in late September, I knew the Camino better than most painters.

Why, is it, in in 2012 so many centuries that these journeys are still so important to us?  That these old-fashioned, walk one step at a time journeys are still so important?

Aren’t they really a metaphor for life?  The path to Camino — are you walking in integrity?  Are you walking in truth?  Isn’t it really our first instinct, after breathing, and and eating, isn’t one of our primary instincts is to, to get up on two legs?  And move forward?  And take that step?  That’s a natural yearning, that we all have.  The fact that, that people,continue to go out, and continue to do, whether it’s this pilgrimage or Mecca or any of the other pilgrimages around the globe, they are an intense mediation.  An intense period of time where you are forced to look inward and we are currently living in a world that doesn’t really celebrate that.  You have to fight for that.  You have to fight for that time.

 

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Directors Interview

The Way

Posted on October 6, 2011 at 10:59 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some thematic elements, drug use, and smoking
Profanity: Mild language
Alcohol/ Drugs: Drinking and drunkenness, a lot of smoking, drug use
Violence/ Scariness: Sad off-screen death, some scuffles
Diversity Issues: None
Date Released to Theaters: October 7, 2011
Date Released to DVD: February 21, 2012
Amazon.com ASIN: B0062VL4QA

In honor of this DVD Pick of the Week, I have three copies to give away.  Send me an email at moviemom@moviemom.com with “The Way” in the subject line and tell me your favorite Martin Sheen movie.  Don’t forget your address!  US addresses only.

A story about a father and is son comes to us from a father and his son.  Emilio Estavez wrote and directed his father Martin Sheen in a touching and uplifting movie about a doctor who completes the pilgrimage he told his estranged son not to make after the son is killed in a storm.

Sheen plays Tom, an affluent ophthalmologist living in Las Angeles, playing golf with his friends and worried about his son Daniel (Estavez).  In his late 30’s, Daniel has dropped out of his PhD program to roam the world.  Tom gets a call from a French policeman telling him that Daniel is dead.  He flies to France, identifies the body, and then impulsively decides to finish what Daniel had started, to walk the Way of St. James from  St Jean Pied de Port to Santiago de Compostela, 780 km/484 miles as pilgrims have done since the middle ages.  He will bring Daniel along with him, leaving his ashes along the path so that he can complete his journey.

Tom has no interest in the other pilgrims or in sharing with anyone what he is doing.  But there is no way to avoid the people who are walking along the same road and staying at the same inns and soon he finds himself sharing the journey with an affable Dutchman named Joost (Yorick van Wageningen), a bitter Canadian named Sarah (Deborah Kara Unger), and a frantic Irish writer named Jack (James Nesbitt).  People on The Way tend to leave their last names behind.  Everyone is just a first name and a nationality — and everyone but Tom gives a reason for being there.  Joost wants to lose weight before his brother’s wedding.  Sarah wants to quit smoking, but only after she completes the pilgrimage.  Jack is there to write a book about it and his editor is impatient.  But pilgrims are not always honest with themselves or each other and part of what they will learn on the road is what they are really doing there.

At times it has the feel of a television movie but the scenery is spectacular and benefits from the big screen and Estavez as writer and director has a good sense of timing and a gift for cinematic storytelling.  It is funny and heartfelt and inspiring and it will make you think more deeply about your own journey.

 

(more…)

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Drama DVD/Blu-Ray Pick of the Week Family Issues Spiritual films
Interview: Martin Sheen of ‘The Way’

Interview: Martin Sheen of ‘The Way’

Posted on October 5, 2011 at 3:56 pm

Copyright Elixir Films 2010

There I was, at the Georgetown Ritz hotel, and Martin Sheen walked into the room.  President Bartlett from “The West Wing,” Kit from “Badlands,” star of movies from “Apocalypse Now” to “Catch Me if You Can,” to “The American President.”  He starred in the very first movie I ever reviewed — for my school paper — “The Subject Was Roses.”  He was in town to talk about his new film, written and directed by his son, Emilio Estavez, called The Way.  Sheen plays Tom, an American doctor who comes to St. Jean Pied de Port, France to collect the remains of his adult son (played by Emilio Estevez), killed in the Pyrenees in a storm while walking the Camino de Santiago, also known as The Way of Saint James. Rather than return home, Tom decides to embark on the historical pilgrimage to honor his son’s desire to finish the journey.

I was very impressed that before Sheen turned his attention to me, he spoke very graciously to the Ritz employee who was there to see if there was anything he needed.  And then he introduced himself to me and we settled in for a conversation that was so warm and engaging I felt like we were old friends.

Sheen talked to me about his parents.  His mother was born in Ireland and his father was born in Cuba, the son of Spanish immigrants.  They met in Ohio in a class for people who wanted to become American citizens.  They had eleven children, ten boys (one who died at birth) and one girl, and they adored each other.  He adored them, and he told me that the only two places in the world where he feels completely at home, “absolutely totally secure and safe” are Spain and Ireland.  “I never make a reservation; I just arrive and something happens.  Haven’t spent a night on the street yet.”

Where did the idea come from for a movie about a pilgrimage along El Camino de Santiago?

It’s been there for more than 900 years and it is a national treasure.  It’s one of the oldest pilgrim sites after Jerusalem and Rome, one of the top three Christian pilgrimage sites since the Middle Ages.  St. Francis actually walked it.  Millions and millions of people have done it.  My father was a Galliego.  He grew up about 80 km from Santiago.  Santiago is St. James.  Compostela is the Field of Stars where his remains were discovered.  I grew up knowing about this path and having a romantic image of the journey.  You always think you’re going to do all the someday bucket list things.  Someday I still will do it!

In the summer of 2003 we had a six week break from “The West Wing.” I’d been studying on it and I thought, “This is the year!”  All I had was the intention.  I didn’t have any plans.  I didn’t have a backpack.  I didn’t even have a map.  But I had studied it and read all the guidebooks and I was ready to go.

The previous year, my brother had died.  I’m the seventh son and this was the guy ahead of me.  We were “Irish twins,” and very close.  We were inseparable.  I said. “Enough funerals, let’s celebrate.”  I organized a family reunion for the siblings on what would have been my mother’s 100th birthday, God rest her soul, in her village in Ireland.  We got everybody there from all over the place and it was a wonderful celebration.  We had mass in chapel and celebrated for three days.  I invited everyone to come to Spain to walk the Camino, but no one would come with me!  Taylor is Emilio’s oldest son, and he came with me.  He’s our tour manager here today.  He was just 19 then.  And I have a friend, Matt Clark, I’ve known longer than my wife.  He appears in this film as the priest my character thinks is a rabbi.  He’s like a brother to me so he went with us to Ireland and came with us to Spain.  He and Taylor and I were in Madrid trying to figure out how to do it in two weeks.  You can take horses and you can take bicycles and you can walk it, but in two weeks it is impossible.  So my sister suggested we rent a car and drive along it for future reference.

We stopped in San Pedro de Cardeña, the town in the movie where the boy steals my bag.  It’s where El Cid is buried.  We took refuge in a bed and breakfast that night and there was a pilgrim supper, with people from all over.  The family was serving dinner and the youngest daughter, Julia, walks in and she looks at Taylor and Taylor looks at her and they fall instantly in love.  They’re married now and they live there.  I came home without a grandson!

That sealed our fate.  I had a grandson that completed the cycle of his grandfather, my father, who left Spain in 1916 and sailed to Cuba and then came to America.  And now his great-grandson, Taylor, is back in Spain.  This is a real family story.  And I still yearn to do the pilgrimage without a camera or a phone, someday.

I told Emilio when I got back that he had to check it out and he knew if he was going to see his son he had to go to Spain.

In this era of airplanes and the Internet, why do pilgrimages still matter?

It is about relieving yourself, removing yourself from a comfort zone.  It is about finding balance, about seeing honesty transcendence, about uniting the will of the spirit with the work of the flesh.  No matter who you are, religious, spiritual, agnostic, we are all looking for balance.  Pilgrimage allows the opportunity to challenge ourselves.  If you don’t do something that costs you something, what is its value?  You start out and make plans and you pack a big back, I need this, I need that.  And then you get there and you start taking things out of your pack.  You cannot give that stuff away.  The other pilgrims do not want it.  But you learn that you do not need what you thought you did.  You start leaving things along the way.  Every little refugio along the way has libraries of books in every language on earth that people have brought and left behind.  And then your interior journey begins and you begin to let go of all of the stuff you have been holding onto that weighs you down.  Everything you have accumulated that is burdening you.  And you begin to free all of the hatred and envy you have been keeping.  “Please let me forgive this person.”  You own this journey and you begin to become yourself.”  Please do not let me reject love.”    And you realize that a conscious rejection of love is the universal sin.  Pilgrimage confirms our life’s journey.

Tell me about being directed by your son.

He had no hesitation about telling me what to do!  Absolutely no hesitation.  I adore him.  He’s my closest friend.  He lives just down the road from us.  He started an organic garden and now a vineyard.  He was always a storyteller.  He started writing plays in high school.  He’s the best director — for me anyway.  He knows where all the buttons are and he knows if I am faking it.  He loves me enough to risk my wrath by telling me the truth.  No other director could know me the way he does and love me enough to make sure I do it right.  He wrote the part for me and it is about a father and son.  The Irish have a phrase: We never get over our fathers and we’re not required to.  For good or ill, you’re stuck with the father.  My father was 6’5″.  I grew up with this giant.  I left home at 18 and came back a year and half later and realized he was only 5’6″.

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Actors Interview Spiritual films

Last Chance to Win Tickets to See Martin Sheen in ‘The Way’ in Washington DC

Posted on October 3, 2011 at 10:14 pm

I have just twenty passes to give away for The Way this Thursday, October 6 (each admits two), so respond right away by clicking this movie pass link and entering RSVP code: BLFWJZ3

NOTE: A TICKET DOES NOT GUARANTEE A SEAT.  PLEASE BE SURE TO GET TO THE THEATER EARLY.  SEATING IS FIRST-COME, FIRST-SERVED.

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Contests and Giveaways

Free Tickets to a DC Screening of ‘The Way’ — Revised RSVP Code

Posted on September 27, 2011 at 10:30 am

Sorry about that!  I have just twenty passes to give away (each admits two), so respond right away by clicking this movie pass link and entering RSVP code: BLFWJZ3

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Contests and Giveaways
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