Monster Trucks

Monster Trucks

Posted on January 12, 2017 at 5:21 pm

Copyright Paramount 2016
Copyright Paramount 2016
When my son was eight, he and his friends would have loved this movie. That is just one of the reasons I enjoyed “Monster Trucks,” a charming fantasy in the always-appealing genre of a young person befriending and being befriended by a creature even more powerful than whatever adults are around. Plus, big trucks. So, think “Pokemon” with wheels, “Fast and Furious” for kids, “Speed Racer” with a plot you can follow, and “Free Willy” for gearheads with a touch of “Scooby-Doo.”

Tripp (Lucas Till, game but about eight years too old to play a teenager) lives in North Dakota with his mom (a barely seen Amy Ryan) and still misses the dad who abandoned them (Frank Whalley, suitably seedy). He does not like his mother’s boyfriend Rick (Barry Pepper), a cop who is fussy and by the book. And he does not like school, which he barely acknowledges. He spends much of his time working at the junkyard run by Mr. Weathers (Danny Glover) and spending his spare time using the parts he finds there to build a truck he can drive.

Nearby, a big oil drilling company run by ruthless Reece Tenneson (Rob Lowe) is under pressure to produce. Their scientists locate a water table above the oil reserve. Under environmental and endangered species laws, they should not drill without further investigation. But Reece insists they go ahead, and the drilling releases three squid-like creatures who live on oil. They capture two, but the third escapes and ends up in Mr. Weathers’ junkyard, where Tripp is at first terrified, then fascinated, then, after they bond over throwing stones at one of Reese’s trucks together, captivated by a creature he names, without much imagination, Creech.

Somehow, the best way to hide and transport Creech turns out to be using him as the engine of a tricked-up truck with big wheels. Soon Tripp and his classmate (Jane Levy as Meredith) are on the run to keep Creech from being captured by Reece’s enforcer, Burke (Holt McCallany) so they can poison the creatures and keep drilling for oil.

There’s nothing new here, but it is good-natured fun, with special effects that seamlessly integrate Creech into the action. It would have been nice to see Meredith as something more than the brainy girl with a crush and a credit card, and the film is half-hearted at best when it comes to Tripp’s careless treatment of a kid who wants to be his friend, expecting us to laugh at his presumption. As a January Saturday matinee or an outing for a third grade birthday party, it hits the spot.

Parents should know that this film has extended mild peril, with chase scenes and threats. No one is badly hurt. There is some schoolyard language and brief bodily function humor.

Family discussion: What qualities of the creatures made Jim decide they were worth saving?

If you like this, try: “Transformers” and “Free Willy” — and a Monster Truck rally!

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‘Night at the Museum 2’ Press Conference, Part 2

‘Night at the Museum 2’ Press Conference, Part 2

Posted on May 16, 2009 at 1:00 pm

IMG_7469-1.JPG More from the “NatM: Battle of the Smithsonian” press conference:
Ricky Gervais, creator and star of the original British version of The Office returns as the director of New York’s Museum of Natural History. He said that he loves to play an “awkward putz” and that “the most fun for a comedian is to play a man without a sense of humor.”
Robin Williams, who returns as Theodore Roosevelt, looked around the historic Smithsonian Castle and said he felt like he was at Michael Jackson’s garage sale. As expected, he kept up a running commentary on everyone else’s answers. Amy Adams answered a question about how her success had changed her life with a joke: “I’ve invested in shoes.” (She was wearing some very fetching Christian Louboutins.) Williams said, “Ah, the Imelda fund.” And he described co-star Hank Azaria’s muscular biceps: “He’s got guns that make Michelle Obama look like an anorexic.”
IMG_7472-1.JPGOwen Wilson answered my question about the special challenges of his role as the tiny-in-stature but big-hearted cowboy Jedediah. He shot most of his scenes in a separate set to make it look as though he was only a few inches tall. “I never saw Hank or Ben, but Coogan was there. Jed doesn’t see himself as a miniature little cowboy. He is larger than life. You never had to worry about Shawn saying, ‘Do less.'”
They were all big fans of the Smithsonian and the other Washington sights. Adams said the Lincoln Memorial, where she and Stiller have a conversation with the huge marble President was “just gorgeous” at night, with a full moon. And Levy said that he loved exploring the Air and Space Museum at night with Stiller, when they had it all to themselves.
Levy said his biggest challenge in making the film was not the effects but his talented cast, who improvised constantly. “Almost every day we would throw out a plan.” Co-screenwriter Garant talked about how much he and Lennon enjoyed bringing all of the historical characters to life. “All of the characters are such archetypes they represent a giant idea.” And so they were able to include a couple sweet “would have been nice” moments in the film that allowed real-life characters to have conversations and experiences that never happened, but should have, as when the Tuskeegee Airmen got to thank Amelia Earhart for helping pave the way for their own unprecedented achievements.
IMG_7524.JPGDirector Levy commented on the Castle setting, too. He said that it wasn’t until they toured the Smithsonian and saw the original building that he knew where the bad guys’ hide-out in the movie had to be located. “We were inspired by the Gothic moodiness of the Castle,” he said. And so, with life imitating art, the Castle now houses the huge pile of Smithsonian treasures that appear in the film as the loot stored there by Ivan the Terrible, Napoleon, and Al Capone. Does that chair on the top of the pile look familiar? It is the chair used by Archie Bunker on the classic television show, “All in the Family.” The one in the movie is a replica, of course. The original is on display in the Smithsonian’s Museum of American History, now with a special new plaque:
IMG_4579.JPG

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