White Noise

Posted on December 1, 2022 at 5:15 pm

Lowest Recommended Age:

High School

MPAA Rating:

Not rated

Profanity:

Some strong language

Alcohol/ Drugs:

Alcohol and drugs

Violence/ Scariness:

Apocalyptic themes

Diversity Issues:

Diverse characters

Don DeLillo’s 1985 novel White Noise won the National Book Award for fiction. It was an apocalyptic satire about a couple in an academic community who both have a sense of dread and fear of death, and what happens when a toxic cloud causes a massive evacuation. Pretty much everyone agreed that it was un-filmable because so much of its value depended on the book’s tone, which would be impossible to convey on screen. But Noah Bumbach decided that for his first time directed a script based on a book (he co-wrote but did not direct the adaptation of Roald Dahl’s “Fantastic Mr. Fox”) White Noise would be it.

It’s probably even more of a challenge to translate to film now than it was 27 years ago because some of the wildest exaggerations of the satire now seem to be commonplace elements of our daily life. And its reflections on consumerism and the way we separate ourselves from daily and existential considerations are too well-traveled to be meaningful without some freshness in their presentation.

Jack Gladney (Adam Driver) is a professor at the fictional College on the Hill, married to Babette (Greta Gerwig), a warm-hearted woman with intensely crimped hair. Each has been married three times before, and they blended family includes children from the previous relationships and one they had together. They have a loving, intimate relationship, though both are pre-occupied with a fear of death and talk about which one of them will die first.

Jack is a pioneer in Hitler studies, though he does not speak German. He has a new colleague, Murray Siskind (Don Cheadle), who lectures on popular culture themes like car crashes in movies and hopes to be the leading scholar on Elvis Presley. One of the film’s highlights is an almost rap battle after Murray asks Jack to help him by participating in his class.

Some kind of toxic cloud descends, triggering an evacuation. As families shelter in a gigantic warehouse, Jack learns that because he stopped to put gas in the car, his exposure may mean that he has only a short time to live. The bureaucratic obtuseness is briefly touched on, and then the story swings into trying to find out what medicine Babette has been taking.

Bumbach is skilled at intimate, complicated family dramas like “The Squid and the Whale” and “Marriage Story.” He is not able to find a heightened tone for this narrative with the different directions of its three stories and characters who are more symbolic than real. Driver and Gerwig both give excellent performances but they are too sincere and accessible for this brittle material. The credit sequence is the best part of the movie, coming closer to matching the themes than the two hours leading up to it.

Parents should know that this film deals with apocalyptic issues and family struggles over drugs and adultery. There is some peril and violence including guns and attempted murder. Characters use strong language.

Family discussion: How have things changed since this book was written and the era it depicts? Why didn’t Babette tell Jack the truth?

If you like this, try: the book by Don DeLillo and Baumbach’s other films

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The Middleburg Film Festival 2022 — Some of the Most Exciting Films of the Year

Posted on September 22, 2022 at 2:53 pm

In just ten years, the Middleburg Film Festival has become one of the most thrillingly curated festivals of the year. The 2022 program includes some of the most highly anticipated films of 2022. Launching the four-day festival is “White Noise” from Academy Award-nominated writer/director Noah Baumbach. Based on Don DeLillo’s novel of the same name, the black comedy stars Adam Driver as a renowned professor of Hitler studies who along with his wife (Greta Gerwig) and children face an “airborne toxic event” hanging over their town that threatens everyone’s lives. Don Cheadle, Jodie Turner-Smith, Sam Nivola and Raffey Cassidy also star. Baumbach will be returning to MFF to accept the 10th Anniversary Spotlight Filmmaker Award – he attended in 2019 with his Oscar nominated film “Marriage Story.”

The “Knives Out” sequel “Glass Onion” will screen on Friday, October 14 as the Friday Centerpiece Film and will include a discussion with writer/director Rian Johnson where he will receive the Distinguished Screenwriter Award. Additionally, Johnson and his film editor Bob Ducsay will be presented with the inaugural Variety Creative Collaborators Award and participate in a separate conversation that will not only focus on their current film but take a look back at their previous collaborations including “Looper,” “Star Wars: The Last Jedi,” and “Knives Out.” In “Glass Onion: A Knives Out Mystery,” Daniel Craig returns as detective Benoit Blanc who time travels to Greece to uncover a fresh mystery involving a new cast of colorful suspects, played by Edward Norton, Janelle Monáe, Dave Bautista, Kathryn Hahn, Leslie Odom Jr., Kate Hudson, Jessica Henwick, and Madelyn Cline.

Screening as the festival’s Saturday Centerpiece film is “Somewhere in Queens,” written, directed by, and starring Ray Romano. It is a family dramedy and love letter to New York’s largest boroughs and it is produced by MFF Advisory Board members Albert Berger and Ron Yerxa (“Nebraska,” “Little Miss Sunshine”). They will join Romano at the festival to discuss the film following the evening screening on Saturday, October 15. Co-written by Mark Stegemann, the film features an ensemble cast that also includes Laurie Metcalf, Jacob Ward, Tony Lo Bianco, Sadie Stanley, Sebastian Maniscalco, and Jennifer Esposito.

The Friday Spotlight Film is “The Whale,” directed by Darren Aronofsky, adapted by Samuel D. Hunter from his play. Brendan Fraser has received extended standing ovations for his performance as a reclusive English teacher living with severe obesity who attempts to reconnect with his estranged teenage daughter. The film also stars Hong Chau, Sadie Sink, Ty Simpkins and Samantha Morton. Fraser and Hunter will be on hand for a post screening conversation to discuss their collaboration.

MFF will recognize Stephanie Hsu with the Rising Star Award for her breakthrough performance in “Everything Everywhere All at Once,” opposite Michelle Yeoh. She will participate in a conversation following a special screening of the film after which she will be presented with the award. The box office hit film broke records by becoming A24’s first film to surpass the $100 million benchmark.

The event I look forward to most every year is the tribute to a composer. In honor of the 10th anniversary, many of MFF’s previous Distinguished Composer and Songwriter honorees will each have a selection of their works performed by a 40-piece orchestra. Joining the 10th Anniversary Concert celebration are songwriter Diane Warren, composers Mark Isham, Marco Beltrami, Kris Bowers, Charles Fox and the 2022 Distinguished Composer Award recipient Michael Abels. Abels is known for his genre defying scores for Jordan Peele’s “Get Out,” “Us” and this year’s “Nope.” He also composed the upcoming LA Opera production “Omar,” which is premiering October 22.

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