Is ‘The Love Guru’ offensive or funny or both?

Posted on June 17, 2008 at 3:18 pm

Mike Myers’ new comedy “The Love Guru,” which opens on Friday, has already led to complaints from members of the Hindu community for “lampooning Hinduism and Hindus and using Hindu terms frivolously.” Beliefnet has invited Hindu leaders, publications and groups, including Hindu Janajagruti Samiti to explain their feelings about the movie.
Poking fun is one thing, but if it creates a sense of belittling others’ faith, then it is wrong. Those who claim such protest movements as marring the tolerant spirit of Hinduism seem to be ignorant about the basic tradition of Hinduism that encourages peaceful debates, won on their intellectual merit.
More information about the concerns of this community and their protests are available online.

Deepak Chopra
, who appears in the movie and whose friendship with Mike Myers inspired the film, says:
As viewers will find out when the movie is released this summer, no one is more thoroughly skewered in it than I am–you could even say that I am made to seem preposterous. If I don’t take offense and some Hindus do, that doesn’t make me superior or more mature or even innately tolerant. I just know the difference between a belly laugh and a diatribe.love guru.jpg
If “The Love Guru” were a sermon delivered in St. Patrick’s Cathedral, comedy would turn into religious propaganda. The premature outcry against the movie is itself religious propaganda. Worse than that, the protestors expose the insecurity of Hindus who don’t believe that their faith can stand on its own…Silliness often has wisdom hidden just beneath the surface–perhaps “The Love Guru” will, also, since Myers laced his Austin Powers farce with a message about tolerance–but if you can’t accept silliness in the first place, you are likely to be immune to wisdom, too.
The deeper irony is that the phrase “Hindu fundamentalism” is a paradox to begin with. The more purely you follow Hinduism, the more you tolerate differences, because God is seen everywhere.
People who want to learn more or express their own views can do so in this discussion group.

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‘Get Smart’ Then and Now

Posted on June 17, 2008 at 2:00 pm

The New York Times has a great feature on adapting the 1960’s television show “Get Smart” for the big screen, staying true to the spirit of the original and with in-jokes for the fans but updating it and making it appeal to new audiences.
This page has some scene by-scene comparisons — take a look.

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Based on a television show

Fool’s Gold

Posted on June 17, 2008 at 10:00 am

fool%27s%20gold.jpgAn adventure-romance-comedy about a just-divorced couple who join forces in pursuit of sunken treasure reunited Kate Hudson and Matthew McConaughey of How to Lose a Guy in 10 Days. Despite the considerable — and well-displayed — charms of its stars, there is not enough adventure, romance, or comedy to make it work.

Tess (Hudson) has just divorced Finn (McConaughey), mostly for being hopelessly unreliable. Or, as someone says to her, not without some sympathy, “You married a guy for the sex and then expected him to be smart.” She is working as a steward on a yacht owned by the fabulously wealthy Nigel Honeycutt (Donald Sutherland). When Finn shows up with a story about a lost Spanish ship carrying gold and jewels, Nigel thinks it might keep his celebutante daughter Gemma (Alexis Dziena) on his boat and out of the tabloids to see if they can find it.

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Action/Adventure Comedy Genre , Themes, and Features Romance

Under the Same Moon

Posted on June 17, 2008 at 7:00 am

under%20the%20same%20moon.jpgAs the title suggests, there is a little bit of fairy tale moondust sprinkled over this story of a nine-year-old boy who runs away from his home in Mexico to find his mother in Los Angeles. As with all fairy tales, the magical glow makes possible engagement with some heart-wrenching themes that might be too disturbing if told in a more straightforward manner.
Rosario (Kate del Castillo) has come to the United States because it is the only way she can care for her family. Her son Carlitos (Adrian Alonso) lives with his grandmother in Mexico. Carlitos and Rosario do their best to stay closely involved with each other. He even asks her to describe in detail what she sees around her from the pay phone where she makes her weekly call to him so he can picture her as clearly as possible. But after four years, both of them wonder whether getting the money from America is worth being so far apart for so long.

(more…)

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Movies about the End of the World

Posted on June 16, 2008 at 8:32 pm

Beliefnet’s Paul Asay has put together a gallery list of movies about the apocalypse or the end of the world. Some are better as movies than others — I thought “The Day After Tomorrow” was pretty poor. Some deal with the end of our civilization and some skip all that and imagine what would follow. It leaves out some I would suggest like “Tank Girl,” “On the Beach,” “Idiocracy,” “The Fifth Element,” “Judge Dredd,” the Matrix trilogy, the Terminator trilogy, “The Rapture,” “Robocop,” “Southland Tales,” “Silent Running,” and “Sunshine.” For those who want more information, there’s a whole book on the subject:

Many thanks to loyal friend of this blog jestrfyl for suggesting this entry. Any other suggestions for the list?

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