James Gunn’s new “Superman” movie does not waste any time. We are quickly updated to learn that Kal-El/Clark Kent/Superman arrived from Krypton 30 years ago, he first appeared as Superman 3 years ago, he stopped an invasion 3 weeks ago, and he lost a battle for the first time 3 minutes ago.

And then we see Superman ( gallant, tender-hearted David Corenswet), bruised and bleeding. Superman comics are where I first learned the word “invulnerable,” conjuring up infinitely wondrous possibilities. But this Superman is hurt. Badly. He can barely summon the breath to whistle for Krypto.

That is not the only change that is going to rattle some of the fans. And I admit there was one change from the canon I consider unforgivable. Overall, however, I liked this version. In it, Superman is still feeling his way to who he is and what he has to give to the world. While it is (thankfully) not an origin story in the traditional sense, it is a story about a man from another place whose sense of himself is tied to his ideas about his origin, and the ideas of those around him as well. Is it right for him to interfere in world affairs? From his perspective, by stopping Boravia’s invasion of Jurhanpur he saved lives. But the invaders thought of themselves as rescuers, Can we turn over that decision to someone who has not been elected by anyone?

After Krypto gets Superman back to the Fortress of Solitude, he is healed with the help of some friendly robots and the power of the sun (fans will remember that Krypton has a red sun and it is the yellow sun that is the source of some of Superman’s powers). He watches the glitchy recording of his biological parents, Jor-El (Bradley Cooper!) and Lara (Angela Sarafyan), tenderly telling him how much they love him and urging him to do good for his new world.

Gunn wisely bypasses the whole “keeping the secret from Lois” storyline. Lois (Rachel Brosnahan) and Clark Kent are dating, and she knows he is Superman. They have a lovely chemistry, even when they are struggling with the challenges of the relationship. This gives rise to more interesting issues about their relationship but Gunn never forgets that this movie knows we’re here to see a superhero movie.

So there is a lot of action including a massive fault line headed toward a city, a gigantic dinosaur-ish monster, a guy who can turn himself into kryptonite, a mysterious adversary who can predict and thus block or outmaneuver every one of Superman’s moves. Superman is so tender-hearted he wants to save the monster’s life so it can go to some sort of zoo or be studied by scientists. There are soldiers attacking civilians, plus the equally pernicious social media misinformation and fake news.

There are also some other metahumans, people with superpowers who have formed something they are at least temporarily calling the Justice Gang (what is it with temporary names for superhero teams this year?). Nathan Fillion in a truly dreadful haircut plays Guy Gardner, not THE Green Lantern but A Green Lantern. Isabela Merced is Hawkgirl, and Edi Gathegi lives up to his title as Mr. Terrific, a super-genius who uses small, drone-like floating spheres that include holographic projection, hacking into other machines, and generating energy bursts. Anthony Carrigan appears as Metamorpho, who can transform his body into any element. We do not get to spend a lot of time with these, or with Perry White (Wendell Pierce), Jimmy Olsen (Skyler Gisando), or Ma and Pa Kent (Neva Howell and Pruitt Taylor Vince), but each makes a strong impression and lays the foundation for more in sequels and spin-offs.

Gunn, who wrote and directed as the kick-off to the new DC Studios, is not shy about who the bad guys are. Lex Luthor (Nicholas Hoult) is a selfish, bitter, bigoted billionaire who wants to control everything and hates immigrants, including those from other planets. He operates a brutal private prison in a “pocket universe” not subject to Constitutional protections from cruel and unusual punishment and due process. The vital importance of independent, fact-checked journalism is a core element of the storyline.

So is optimism, honor, and what we owe to each other. At one point, Lois tells Clark/Superman that they are very different. She says she is punk rock. “I question everything and everyone. you trust everyone you’ve ever met.” He says, “Maybe that’s the real punk rock.” He’s clearly speaking for Gunn, and for some of us as well.

NOTE: Stay through the credits for a mid-credit scene and another brief one ALL the way at the end

Parents should know that this is a comic book movie with extended peril and violence including torture and murder of an innocent man and a military attack on a civilian population. There are some disturbing images. Characters use strong language (s-word), and there is some kissing and a sexual reference.

Family discussion: Can you both question and trust at the same time? How do we decide what is trustworthy on social media and the news? Was Superman right to intervene in other countries?

If you like this, try: the Superman movies with Christopher Reeves and the comic books, and read up on the story of Jerry Siegel and Joe Shuster, the teenagers who invented Superman in 1938.

Let me be the first to suggest that “Golden” be nominated for a Best Song Oscar. This animated story of a Korean pop trio who battle demons to save humanity has a bunch of bangers, but “Golden” is not only the best on the soundtrack but better than several recent Oscar winners.

“KPop Demon Hunters” is an unexpectedly entertaining mash-up of two seemingly unrelated genres. It works because it is colorful, funny, imaginative, and above all heartfelt and sincere.

Rumi (Arden Cho), Mira (May Hong), and Zooey (Ji-young Yoo) are the pop trio Huntrix. They are not only musical superstars and demon hunters; they are the best of friends. They are the inheritors of the skills and responsibilities of demon hunters through the ages, protecting the world with mad fighting skills and the magic of music and its connection to the fans, which spreads a protective shield called the Honmoon over the earth, woven from their music. (There is a charming glimpse of their forebears, trios through the decades.) If they can eradicate the demons completely, the Honmoon will turn gold.

This has a personal importance for Rumi. She has not told Mira and Zooey that she is half demon, as revealed by the “patterns,” markings on her arms and neck. Turning the Honmoon golden will make her fully human.

The demons are ruled by Gwi-Ma (Lee Byung-hun). When he becomes angry at the failures of his demons to defeat Huntrix, a centuries-old demon named Jinu (Ahn Hyo-seop) makes a proposal. If Gwi-Ma will erase the memories that haunt him, he will fight Huntrix on their own turf: he will form a boy band, the Saja Boys. Their first song, “Soda Pop,” is an instant hit. The battle is on — musically and with weapons. A devastating diss track is as important as the swords. But so is the the power of telling hidden truths.

The voice talent includes Ken Jeong as Huntrix’s manager Bobby, and Joel Kim Booster and Daniel Dae Kim as multiple characters. There is some silly humor but there are also are intense fight scenes and a sad death as a character who sacrifices himself to save others. There’s also a six-eyed bird wearing a hat and pajama pants with teddy bears and “choo-choo trains.” And, as noted, some excellent songs.

Parents should know that this film includes a lot of fantasy-style violence and a sad death. There are references to despotism and evil.

Family discussion: Why did Rumi think she could not tell Zoey and Mira the truth? Why did she trust Juni? Why did he trust her?

If you like this, try: the music and videos of BTS

“Heads of State” is an action comedy starring John Cena as Hollywood action star turned US President Will Derringer, Idris Elba as military turned British Prime Minister Sam Clarke, and Prianka Chopra-Jonas as British super-spy and lover of silly puns, Noel. Will is a friendly, optimistic guy who may not know much about politics or policy but brings his skills as a communicator to the White House. He has high approval ratings from American voters. And some of the movie’s best jokes are the titles and descriptions of his blockbuster movie franchise, where he is referred to as “the venom in denim.”

This does not impress Sam, whose approval ratings are sinking, and who believes, understandably, that the job requires seriousness, thorough study, and substance rather than popularity. Sam says that Will still hasn’t figured out the difference between a press conference and a junket to promote a film. “You know your lines but you’re not believable in the part,” Sam says.

This is, of course, just the right set-up for antagonists-to-BFFS on a journey, a relationship forged by common enemies. With three powerhouse performers so well cast for comedy and action, the movie is guaranteed to be entertaining, despite predictable twists. For me, the balance tipped too far into the carnage for an action comedy, with dozens and dozens of anonymous bad guys mowed down, and the comedy not as sharp as it should be. On the other hand, there are a lot of cool locations, the action scenes are exciting, Jack Quaid shows up midway though (and in a mid-credits scene) to liven things up, so all in all a pleasant streaming time-waster.

It begins with the real-life annual food fight, La Tomatina in Buñol, Spain,  with participants hurling tomatoes at each other. Noel is under cover as a television journalist covering the event, but she is really there to track down an international arms dealer named Victor Gradov (Paddy Considine). But Gradov is clever and has decoys to distract them. Things go badly. Sam’s intelligence briefing reports that they have all been killed.

Will is arriving to meet with Sam before they go to a NATO meeting with other world leaders. The aides to both men urge them to try to be cordial, but the always cheery Will bears a grudge over Sam’s support for his opponent and Sam has no respect for Will’s superficial grasp of the issues. The aides decide that Will’s giving Sam a ride to the meeting on Air Force One will be a way to show good will and solidarity.

But Gradov’s thugs have taken over the plane. It crashes and explodes and the two heads of state are assumed to be dead. They survived, thanks to the sacrifices of the Secret Service. In order to make sure they are not attacked again they have to stay off the grid and walk through Belarus.

There are various encounters along the way, with fight scenes to determine who is “gym strong” vs. “strong strong.” The highlight, as noted above, is Jack Quaid as a US operative in a safe house, whose character deserves a movie of his own.

Parents should know that this film has a lot of mayhem for a PG-13, with many characters killed, mostly but not all anonymous bad guys. There are guns, knives, martial arts, explosions, plane crashes, and chases. Characters use some strong language.

Family discussion: What were Sam’s and Will’s most valuable qualities as world leaders? How could they improve to be better?

If you like this, try: “My Fellow Americans,” with Jack Lemmon and James Garner, and this year’s “G20” with Viola Davis and the wildly deranged “Rumours” from director Guy Madden

There’s a cheeky moment at the beginning of the latest in the series about dinosaurs brought back to life, originally based on the book by Michael Crichton. (I think it is very funny that the screenwriting credits say “based on characters created by Michael Crichton,” when the only “characters” in the movie based on his book are the dinosaurs.) We think we know where it’s going when we hear a roar and see the tops of the high trees rustling, then shaking.

We sit back, expecting a dinosaur. But no, it’s just a helicopter. And then there’s another wink at the audience, a close-up harking back to the first film, one of the greatest shots in film history. But this time, it’s not a dinosaur in the rearview mirror. It’s just a traffic jam. Caused by a dinosaur. But at this point, the stuck driver we zero in on not wonderstruck or terrified. He’s just annoyed, as he might be if he was just being blocked by construction.

All these years after the dino DNA was extracted from the amber, humans have acclimated to, even bored with the idea that prehistoric creatures are a part of 21st century life.

Most of them have died off. The scary ones are pretty much located in the equator, closest to their habitat 66 million years ago, before they went extinct. That area is now off limits to all humans.

But one thing we’ve learned from the previous films and from ancient Greek tragedies about hubris and from pretty much all of human history is that the greatest adaptive and the greatest self-destructive quality of human beings is that we just don’t like being told what we can’t do. And so, screenwriter David Koepp, who has been writing these films since the first one, faces his greatest challenge in trying to give the human characters a new reason to put themselves in danger by going back to the dinosaurs again, what Alfred Hitchcock called the MacGuffin (or Maguffin), the simplest possible explanation of what it is the heroes need to get or accomplish.

In this case, it’s….dino DNA. Martin Krebs (Rupert Friend), the representative of a pharma company, approaches adventurer/soldier of fortune Zora (always-game Scarlett Johansson), whose specialty is getting people and objects into and out of places they are not supposed to be. For money. He tells her his company can make a revolutionary new medication that can forestall heart disease, adding as much as 20 years to people’s lives, if they can get samples of DNA from three of the largest dinosaurs, found only in the forbidden equator territory. It has to be taken from no more than 10 meters from the three biggest and they have to be alive because blah blah biology blah blah we need a reason for our characters to get into risk getting eaten situations. See: MacGuffin

Martin brings along a paleontologist, Dr. Henry Loomis (Jonathan Bailey, as magnetic and charming as he was in “Wicked,” even with an American accent).

Zora brings Martin to her long-time friend and colleague, the dashing Duncan (Mahershala Ali). He is the boat captain who will transport them, with his crew. Meanwhile, Reuben (Manuel Garcia-Rulfo) is out on his sailboat with two daughters and one’s boyfriend. Once we have had a chance to get to know them (cute little girl played by Audrina Miranda, useless teenage boyfriend played by David Iacono, for quasi comic relief and something of a redemption arc). The sailboat is toppled by a gigantic swimming dinosaur. Will our group in search of dino DNA take a detour to rescue them? Yes.

And then, what we came for: dinosaurs chasing (and eating) people. And, just to mix it up a bit, some people chasing dinosaurs. A sprinkle of humor (useless boyfriend), a touch of warmth (useless boyfriend becomes useful), a very brief detour into morality and some might say politics only because everything seems to be political these days, but mostly the aforementioned chasing. The actors do as well as possible to hold their own on screen opposite leviathans, benefitted by Ali’s rakish charm and core of integrity, Johansson’s toughness-with-a-heart portrayal of Zora as someone who has seen the worst of humanity and perhaps done some, too, but never became cynical, and Garcia-Rulfo as a wholeheartedly devoted to his daughters.

The dinosaurs are (still) hugely (in all senses of the word) impressive. The way they move, the weight that digital effects often fails to get right, the scale/size, all spectacular. The movie seems to lose track of the set-up at the beginning about a lab experimenting with cross-breeding and mutating dinosaurs, but so much is happening it is understandable. Perhaps they’re saving that for the next one. We’ll be there.

Parents should know that this is a very intense and scary movie with constant peril and some graphic and disturbing images. Characters, including a little girl, are in danger and many characters are eaten by dinosaurs. There are brief sexual references and a reference to weed.

Family discussion: If you knew you could cure a disease by taking a risk like this, would you do it? Do you agree with the decision made by Henry and Zora? What are the upsides and downsides?

If you like this, try: the previous “Jurassic” movies and Crichton’s book

“F1” is exactly what summer blockbusters are supposed to be, exciting, romantic, funny, glamorous, and purely entertaining.

It has a classic set-up, and if it seems reminiscent of “Top Gun: Maverick,” it is because it has the same producer and director. It’s pretty close to the same movie with cares instead of airplanes plus a touch of “Ted Lasso.” Also, it’s a classic set-up, guys with exceptional skills and cocky attitudes showing off, having conflicts, taking risks, and overcoming obstacles, all looking very, very cool.

Formula One is ” the highest class of worldwide racing for open-wheel single-seater formula racing cars.” We’ve seen Formula One racing in films like “Rush” and “Ford vs. Ferrari,” based on true stories, and the documentary “Senna,” and Netflix series based on the life and death of Brazilian champion Artyn Senna.

Brad Pitt stars as Sonny Hayes, a race car driver who is “not a has-been but a never-was.” Once considered, with his long-time friend Reuben (Javier Bardem) to be the most promising up-and-coming young racers in Formula One, his career, like his car, went off the track. Now he takes any chance he can to race. He’d drive in a soapbox derby if that was all he could find.

Here’s how cool he is. He wins a low-stakes race with dash and skill, then waves off the trophy. He is “a guy who makes teams better.” He stops to do his laundry at a coin-op, when an old friend walks in. It is Reuben (Javier Bardem). Once they were young up-and-coming hot shots on the cover of a racing magazine. Now Reuben has an F1 team and a talented but undisciplined driver, and he needs Sonny’s help. At first, Sonny turns him down. But if he doesn’t agree to join Reuben’s team he’ll never know if he could have been the best of the best and we wouldn’t have a movie.

Reuben’s hot shot is Joshua Pearce (Damson Idris), who is both threatened by and contemptuous of Sonny. He asks, ‘When was the last time you won a race.” “Sunday.” “I mean a F1 race.” “Same as you.” This is full of tough talk, like “Who said anything about safe?” Game on!

And do I need to even mention that the team’s head of car mechanics is a beautiful Irish woman named Kate (the terrific Kerry Condon of “The Banshees of Inisherin”)? Wait for the scene where they play Texas Hold ‘Em.

Fi is a place where people have many different ways of expressing emotion by the way they take off their headphones and they get excited over finding a way to cut their time by half a second.

The film mostly avoids making Pitt a sage elder. He’s not Crash Davis in “Bull Durham,” one final season as he passes the baton and some life lessons to a talented but undisciplined newcomer. (If the young competitors were talented AND disciplined there would not be much of a movie unless they had time to put in some huge setback or make him the Iceman in contrast to the Maverick.) Pitt, like Sonny, in every sense of the term is running his own race. Pitt is an actor of exceptional range but this role is smack dab in the middle of his sweet spot. He appears effortless, but it is the kind of effortlessness that requires superb understanding and control.

Like the plane scenes in “Top Gun: Maverick,” the race scenes in this film set a new standard, placing us inside the 200 mph action. For me, the pit stop scenes were some of the best, and I also liked seeing how many people it took, rows of people with headphones staring into screens almost like a rocket launch. The dialogue is sharp and smart, and if the plot twists are low in surprise they are high in satisfaction. So is this very entertaining film.

Parents should know that this movie includes intense racing scenes with some serious accidents. There are sexual references and a non-explicit situation and characters drink and use strong language.

Family discussion: How are Sonny and JP different and how are they similar? How does Sonny make teams better?

If you like this, try: “Rush,” “Grand Prix,” “Winning,” “Gran Turismo,” and “Ford vs. Ferrari”