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The Banker

Posted on April 2, 2020 at 9:51 am

B +
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some strong language including a sexual reference and racial epithets, and smoking throughout
Profanity: Some strong and racist language
Nudity/ Sex: Sexual reference
Alcohol/ Drugs: Drinking and smoking
Violence/ Scariness: Some peril
Diversity Issues: A theme of the movie
Date Released to Theaters: April 3, 2020

Copyright Apple 2020
“The Banker,” now available on Apple TV+, is three movies in one, all of them vivid, engaging, and compelling.

First, it’s a heist in plain sight movie, and all, or pretty much all, strictly legal. Two black men, Bernard Garrett (Anthony Mackie) and Joe Morris (Samuel L. Jackson) start a business in the pre-Civil Rights Act era when it was not only legal but the universal practice to keep people of color not just out of the neighborhoods where white people lived and worked but out of the places that make property ownership possible, the business that sell homes and office buildings and the people who provide the financing for those purchases.

Second, it is a “My Fair Lady”-style Cinderella makeover fairy tale movie, about taking someone who has the heart to be more than he is and teaching him the language, manners, and skills necessary to have credibility in the highest levels of society, or, in this case, business and finance. Garrett and Morris need a white man to pretend to be the president of their enterprise, so they recruit Matt Steiner (Nicholas Hoult), a genial construction worker, and teach him their version of “the rain in Spain stays mainly on the plain,” how to do (or pretend to do) complex valuation computations in seconds and how to play golf, so he can display the (apparently) effortless credibility needed to do big-money deals.

Third, it is a very personal underdog story of heroes to cheer for, two very different men, both played with exquisite precision, working together against near-insurmountable odds to overturn a virulently oppressive system.

Garrett has a head for numbers even as a young boy, where he listens in on the conversations of men of business as he shines their shoes. As a young man, he understands that the ability to own property is as critical to financial stability, social parity, and equal opportunity as the kind of political organizing that is getting started at the same time. Morris is already a savvy businessman with clubs and real estate holdings. Their personalities are very different — one a quiet, devoted family man, the other a good-time guy. But they both know how things work. They know how to make themselves invisible, pretending to be limo drivers or janitors to get access to the places of power while their front-man pretends to know what he’s doing. (One problem with the film is its failure to give Nia Long more of a role than the ever-supportive wife, though this ever-talented actress lends the character some dimension.)

We know from the beginning, opening on a Senate hearing with some harsh questioning, that powerful people are going to try to stop Garrett and Morris from taking some of their power. This movie, with MCU star-power portraying real-life superheroes, gives some of it back to them.

Parents should know that this film has some strong and racist language, some sexual references, scenes in clubs and bars, and some historical depictions of racism.

Family discussion: What did Morris and Garrett have in common? Who is most like them today? What should they have done about Steiner?

If you like this, try: “Hidden Figures” and “Self Made,” and read more about Bernard Garrett and Joe Morris.

Our Costume Designer Daughter — Profiled in The Credits

Posted on April 1, 2020 at 6:44 am

Copyright Rachel Apatoff 2020
We are so proud of our daughter, Rachel Apatoff, profiled on the Motion Picture Association’s website about the industry, The Credits. She talks about her first job as a costume designer on a low-budget upcoming feature film, and about how all production has stopped due to COVID-19.

It wasn’t just the flow of costumer jobs that stopped. It was a halt in momentum for her dream agenda: to be a fully dedicated costume designer. Last fall, that momentum had begun when she was hired for her first feature film as a designer. Operating with “a quarter of the money it should have had,” it was a challenging shoot. But for Apatoff, the experience was “was astonishing, exhilarating, thrilling, even in the most frustrating and hair-tearing moments. You’re working 100 hours a week, you’re not getting paid anything, and your project is impossible and it’s still the most fun to be able to say, ‘Okay, this character feels sad and lonely in this scene and we’re going to show that by having her wear her dead dad’s old sweatshirt because, you know, she wants to feel more loved and safe.” You get to dive so deep into the little nitty-gritty details of how people feel about their situation and about themselves, and how they present themselves as a result.”

We are very, very proud of our brilliant, beautiful, accomplished, and kind-hearted daughter.

Steven Spielberg and AFI Announce the AFI Movie Club for At-Home Fans

Posted on March 31, 2020 at 12:55 pm

The American Film Institute (AFI) announced today the launch of AFI Movie Club – a daily virtual gathering to leverage our collective love of film on behalf of optimism in this time of global uncertainty. AFI Trustee Steven Spielberg introduced the inaugural film, THE WIZARD OF OZ, in a video that reminds in a timely manner, “There’s no place like home.”

AFI – the authority on American film – will continue to select an iconic movie each day for the world to watch together, creating a communal viewing experience during these unprecedented times of social distancing. Other special guests will announce select AFI Movies of the Day in short videos posted on AFI.com and social media platforms. Audiences can “gather” at AFI.com/MovieClub to view the featured movie of the day with the use of their preexisting streaming services. The daily film selections will be supported by fun facts, family discussion points and exclusive material from the AFI Archive to enrich the viewing experience. Audiences can continue the conversation online using the hashtag #AFIMovieClub.

“AFI’s goal is to live in a world of art above anxiety,” said Bob Gazzale, President and CEO. “We’re honored to have Steven Spielberg, the greatest storyteller of our day, lead the way.”

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