Posted on April 21, 2022 at 5:50 pmB +
|Lowest Recommended Age:||Mature High Schooler|
|Profanity:||Very strong language, crude sexual references|
|Nudity/ Sex:||Crude sexual references|
|Alcohol/ Drugs:||Alcohol and drug use|
|Violence/ Scariness:||Extended acton-style peril and violence, characters injured and killed|
|Date Released to Theaters:||April 15, 2022|
I’m not sure what it says about where we are in history that 2022 has become the year of movie meta-verses but, oh, forget it, “The Unbearable Weight of Massive Talent” is a total hoot, and hilarious fun on every one of its meta-levels.
Oscar-winning actor Nicolas Cage is played by….Oscar-winning actor Nicolas Cage as a heightened (and lessened) version of himself, the best. and by that I mean most committed version of that since John Malkovich in “Being John Malkovich.” The movie version of Nicolas Cage has all of his credits, a dozen of which are amusingly referenced throughout the film. And the movie version plays on news reports of Cage’s sometimes-volatile personal and financial life, with a second Nicolas Cage playing the younger version of himself and with the situation that set up the film. Movie Nicolas Cage (just referred to as Cage from now on) loses out on a big role in a film and is locked out of his hotel room for failure to pay. His 16-year-old daughter is barely speaking to him because he is so self-involved. His agent (Neil Patrick Harris) tells him he has been offered a million dollars to attend a birthday party in Mallorca. He reluctantly accepts.
At first, he something of a diva, insulting his host, Javi (a sublimely unhinged performance by Pedro Pascal). Surprisingly, it turns out that Javi is something of a kindred spirit, almost as in love with cinematic story-telling as he is. Javi’s unabashed fanship is also a solace for Cage’s bruised ego. Perhaps less surprisingly, in fact most predictably, like everyone else who strives for an encounter with a movie star, Javi has written a script.
This is when the CIA shows up (Tiffany Haddish and Ike Barinholtz). Javi is an international arms dealer and they think he has kidnapped the Spanish President’s daughter. They cannot get into Javi’s compound, so they want Cage to spy for them.
The story works on many levels, as the kind of buddy story Javi wants to write, as the kind of action story they conclude they can get financing for, and above all as a knowing comedy with many references to Cage’s wide-ranging oeuvre, from “Cross 2” to “Guarding Tess,” “The Wicker Man” to “Con Air,” “Face-Off,” and “The Rock,” and to over-arching issues of the way movies tell stories and the way movies get made. Of all the Cage movies it nods to, the most foundational one is “Adaptation.,” itself a meta-movie about cinematic story-telling (and a lot of other themes), with Cage playing a version of the movie’s screenwriter and talking to himself, or close to himself, because he plays twins.
And like that film it is is very funny. Cage and Pascal have terrific chemistry and are clearly having a blast. Sharon Horgan is terrific as Cage’s ex-wife, but Barinholtz and Haddish are under-used and the mayhem is not always as effectively handled as it should be to work as action or as commentary on action. Or maybe it is commentary on the silliness of action. By that time, there are so many layers you are likely to have found at least two or three to enjoy.
Parents should know that the movie has very strong language and crude sexual references, alcohol and drug use, and extended and intense peril and violence, with many characters injured and killed.
Family discussion: Why did Nicolas Cage want to spoof himself this way? What do you learn from his conversations with his younger self? Why was it hard for him to connect to his daughter?
If you like this, try: Some of the movies referred to in this one like “Con Air,” “The Rock,” and “National Treasure” and “JCVD” with Jean-Claude van Damme spoofing himself and his films