My Life in Ruins

Posted on October 6, 2009 at 8:45 am

Everything that made the adorable “My Big Fat Greek Wedding” so winning is missing from this tired and formulaic sitcom of a movie about an American tour guide in Greece. “My Big Fat Greek Wedding,” with writer/star Nia Vardalos, was filled with charm, heart, originality, and vivid detail. Now Vardalos stars — but did not write — “My Life in Ruins.” It is as tired as its title, a drawn-out sitcom of a movie that tries to charm us with thin jokes about ignorant tourists who travel around the world but don’t want to see anything.

Vardalos plays Georgia, an American of Greek heritage who went to Greece to teach but lost her job and is now stuck working for a small company with two tour buses. The other guide gets the one with the good air conditioning and the happy, easy-going customers. Georgia gets the bad bus, the bad hotels, and the cranky tourists. Plus the guy who is always making corny jokes (Richard Dreyfuss) — not that they are any better than the rest of the jokes in the movie — and some Australians who appear to be cheerful but whom no one can understand. Georgia sees this as a way to teach the visitors about the glory and history of Greece, to have them “bask in history” and “to be a part of the birth of civilization.” But they think they are on vacation and what she has in mind feels too much like work. All they want to do is eat ice cream and buy souvenirs.

And the new tour bus driver has a name that sounds like a bad word and a huge fuzzy beard. You think she’ll be surprised when she finds out that he speaks English and understands what she’s been saying? You’re right! You think it will be funny when it happens? You’re wrong. You think the tour bus driver will shave and turn out to be handsome so that Georgia can recover her “kefi” (Greek for mojo)? You’re right! You think it will make the movie entertaining? You’re wrong!

Vardalos looks uncomfortably skinny and as though she knows she could have written a better script. “Saturday Night Live’s” Rachel Dratch is wasted as the kind of tourist who is always looking for the Hard Rock Cafe or an international branch of Curves. And then there is the warring couple with the mopey teenage daughter who — here’s a surprise — won’t take the earbuds out of her ears. The stereotypes are not awful because they are predictable. After all, they become stereotypes because they happen so often. They are awful because they are so thin and superficial and phony. It is ironic that while Georgia is whining about how tourists do not appreciate the grandeur and history of the ancient ruins, the movie itself feels as though it is the cinematic equivalent of a chintzy souvenir. It is a shame to spoil the beautiful scenery with these vaudeville-era jokes. Georgia may find her kefi in this film, but the script never does.

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Comedy Romance

Year One

Posted on October 6, 2009 at 8:00 am

The two-doofus comedy probably goes back to ancient times, so why not set it there? The always-funny Michael Cera and the frequently-funny Jack Black join forces like Hope and Crosby in an only intermittently-funny movie that is just a series of sketches set in ancient days — prehistoric, Biblical, Roman, and Egyptian. Cera plays Oh, a gatherer, and Black is Zed, a hunter. They are pals who are evicted from their stone-age village and wander off, meeting up with Cain and Abel, Abraham and Isaac, and the residents of Sodom. In yet another “what was the MPAA thinking” moment, the film has been assigned a PG-13 rating, despite jokes about incest, circumcision, orgies, castration, and ingestion of human waste.

The juxtaposition of modern sensibility and prehistory provides some funny contrasts. Oh and Zed are amazed to see their first wheel and when they ride in their first vehicle they raise their arms as though they were in a roller-coaster, even though it cannot keep up with a guy strolling alongside. And then they get their first carsickness. Some things are eternal — like insecurity with the opposite sex, bullies, and the bad guys having English accents. And it is fun to see a modern perspectives combined with ancient situations.

But more doesn’t work than does. Cain does not just kill Abel; he pounds him — and any potential for humor — into the ground. It isn’t enough that a pagan priest be corrupt and gay; he has to be hairy. The movie is too spotty to be comic and too listless to be heretical. There’s no point to it, just a series of gags — in both senses of the word.

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Comedy

Imagine That

Posted on October 6, 2009 at 8:00 am

Title aside, there is not much imagination in this formulaic story of a daddy who discovers the value of his daughter’s imaginary friends — and then learns that it is his daughter who matters most of all. But I am an unabashed sucker for daddy-daughter movies, the little girl is adorable, and I was immensely relieved to see Eddie Murphy in a movie that is not terrible, so I found myself smiling.

Murphy plays Evan Danielson, who is very good at his job as an investment advisor but not very good as a husband and father. Although he and his wife Trish (the always-graceful Nicole Ari Parker) have recently separated, his primary concern is his competition at the office with Johnny Whitefeather (Thomas Haden Church), a competitor at the office who uses his Native American heritage to sell his investment ideas to clients.

Perhaps because of the separation, Evan’s daughter Olivia (adorable Yara Shahidi) has become very attached to a security blanket she calls her “goo-ga.” When it is over her head, she talks to her princess friends. All of this is distracting and frustrating for Evan, who is caring for Olivia full-time while Trish is busy with work. But then he discovers that Olivia’s imaginary friends have some real-life insights into the companies he is analyzing. And as he spends time with Olivia to get access to the secrets of her imaginary friends, he discovers how much more important she is than any investment or promotion or client could ever be.

This much we knew going in. And parts don’t work at all. The entire Whitefeather plot line is clumsy and borderline racially insensitive, especially when it involves his son. There is too much about business and investments that will be confusing to children. Martin Sheen is underused. But DeRay Davis as Danielson’s former football-player friend is wonderfully natural and leaves us wanting to know more about his character.

Basically, it’s a little “Liar Liar” and a little “The Game Plan” and lighter-weight than both if such a thing is possible. But there is a reason this theme connects so successfully. As with “The Game Plan,” the little girl has the power in this relationship. She is not a bully or a brat and she is not selfish. She is wise and has a degree of control that is a very compelling and reassuring fantasy for children. By encouraging her father to do silly things she helps him to relinquish his own sense of control and need for success and connect to his capacity for fun and play. Shahidi and Murphy have an easy chemistry on screen that comes across as authentically sweet. Murphy will never be a subtle performer but he limits himself to just one role and seems to enjoy portraying the straight-laced but superbly professional Danielson and allowing him to thaw without overdoing it. And any time Murphy does not overdo it, that’s worth seeing.

What is That?

Posted on October 5, 2009 at 3:59 pm

Take a moment to watch this brief film about love and patience. It is worth your time.

Thanks to Jeffrey Seglin for bringing this to my attention.

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Shorts

Interview: Tiffany Thornton

Posted on October 5, 2009 at 8:00 am

Disney star Tiffany Thornton sings the classic “Some Day My Prince Will Come” on the spectacular new release of Disney’s very first animated feature, Snow White and the Seven Dwarfs. It is a two=DVD set with both Blu-Ray and regular DVDs and a lot of extras, including a sneak peek at the upcoming “Princess and the Frog.” I got a chance to talk to Tiffany about what it feels like to take on a song that is so well-known.

How did you get involved with this project?

I did the song “Let it Go” for “Hatching Pete,” but I was more rapping, and then I did a song for DisneyMania called “If I Ever Knew You,” and I hope I impressed them enough that they were willing to give me the opportunity to do this, and they flew out a producer from Nashville named Mark Hammond who was incredible to work with. I’m blessed to have been given the opportunity. I love this song because it’s not like a techno twist which is what you do a lot of times when you want to amp up a song that was originally a ballad. It has the ballad but also a mid-tempo, almost an up-tempo feel when it kicks in, so I hope people will enjoy that.

This is one of the classic Disney songs. How do you make it yours?

Mark did such a great job reconstructing the song. I’m really going to give him all the credit. He knew how to bring my voice out, get it to sound ethereal and princess-like but also to sound also like myself. I’m from Texas so I have that country thing in my voice going on. And I do all the background vocals, the harmonies and all of that stuff.

What is the most fun thing about singing for you?

The honest of it, really. I love acting and singing so much and could never pick one. With acting it’s fun to pretend to be someone else and that’s awesome, it’s like playing dress-up. But with singing, it’s you, being vulnerable, putting this voice out there, knowing people may criticize you and ridicule you. Because people are like that with music. Music is very expressive for a lot of people. I went through a break-up a few months ago and I was listening to Taylor Swift saying “Were you in the room when we were talking about that? How do you know all those things?” Music is really close to my heart and I just want to make sure people can feel that when I sing.

And who besides Taylor Swift is on your iPod?

Demi ‘s album that just came out, Here We Go Again, is incredible. I listen to her song “Got Dynamite” every time I go to the gym. And “World of Chances” which she wrote with John Mayer is a great song. At my photo shoot yesterday I listened to a lot of Carrie Underwood. And I love James Morrison and The Script, Matt Nathanson. I love those gritty guy voices. And Sara Bareilles I think is amazing.

If you could do any Disney song next, what would it be?

“Once Upon a Dream” from “Sleeping Beauty.”

When did you know you wanted to be a performer?

From day one! We put on performances in my front yard. I was always wanting to be in the spotlight. I made up songs, I wanted to be a cheerleader.

I was super-into really powerful singers. My mom and I jammed out to BeBe & CeCe Winans, Celine Dion, Whitney Houston. I’m not a singer because I’m on a Disney show; I’m a singer because God gave me a gift and I want to share it with the world.

And so what’s next?

I’m going to be singing a duet with Kermit the Frog in the Macy’s Thanksgiving Day parade!

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Actors Interview Music