WETA Around Town: Nell Minow on “Megan Leavey”
Posted on June 22, 2017 at 2:52 pm
Posted on June 22, 2017 at 2:52 pm
Posted on June 20, 2017 at 2:50 pm
Posted on June 19, 2017 at 8:45 pm
It was a great pleasure to discuss “Band Aid” on WETA with my friends Robert Aubrey Davis and Travis Hopson.
Posted on June 12, 2017 at 2:31 am
They’re blaming the critics again. Quartz’s Ashley Rodriguez writes:
Pirates of the Caribbean: Dead Men Tell No Tales and Baywatch were never going to be critical darlings. The former is the fifth film in a franchise that should have been retired years ago, if Hollywood had any mercy at all. And the other is an action-comedy about lifeguards. Enough said. Both movies led the domestic box office to its worst Memorial Day weekend showing in nearly 20 years.
In the fallout, are Hollywood producers blaming the writers? The actors? Themselves? (Of course not.) No, they are reportedly blaming Rotten Tomatoes.
They say the movie-review site, which forces critics to assign either a rotten or fresh tomato to each title when submitting reviews, regardless of the nuances of their critiques, poisoned viewers against the films before they were released.
Don’t kill the messenger. If people want to show a little caution before spending the money for a movie ticket by checking with a trusted critic or even a quick look at an aggregate score, then that is their right. If the studios do not like the reviews, they should make better movies. The fact that the audience score is almost always higher than the critics’ score on Rotten Tomatoes is due to a selection bias; the people who buy tickets for a film do so because they think they will like it and once they’ve spent the time and money they are literally invested in the film. More important, that score is on Rotten Tomatoes for any potential ticket-buyer who would like to be guided by it.
Posted on June 11, 2017 at 1:56 pm
New York Times critics Manohla Dargis and A.O. Scott have listed their favorite films of the 21st century so far, with some help from filmmakers Kathryn Bigelow, Guillermo del Toro, Ava DuVernay, Barry Jenkins, Richard Linklater, Robert Pattinson and Michelle Williams. Like any such list/ranking, it is best seen as a conversation-starter and Netflix-queue refresher rather than any kind of canon. Their list includes my favorite film of the 21st century (so far), “Eternal Sunshine of the Spotless Mind,” but also one of my least favorites, “Million Dollar Baby.” I was glad to see “Inside Out” on the list, and “Inside Llewyn Davis” and the underrated Steven Spielberg film, “Munich.” (And got a kick out of their admitted split over “A.I.” which provokes very mixed feelings in me.) As always from these critics, it is fun to read and think about because of its thoughtful assessments, a rare chance for critics to take a more distanced look at some of their favorites.