Comic-Con: The Director Mash-Ups

Posted on July 24, 2011 at 11:45 am

One of the great pleasures of Comic-Con is hearing film-makers talk to us about their movies.  But it gets exponentially better when we get to listen in to them talk to each other.  The infinitely generous Guillermo Del Toro (he gave out his email address and invited fans to write to ask to visit him on set) shared the stage at Comic-Con’s largest venue in two separate events, one with Jon Favreau and one with protege Nicolas Winding Refn.

Del Toro co-wrote and produced a remake of the cult classic “Don’t Be Afraid of the Dark.”  The original, a 1973 made-for-television movie starring Kim Darby and Jim Hutton was about a young wife who discovers scary creatures in a house she has inherited.  In the new version, it is a little girl living with her father (Guy Pearce) and his new girlfriend (Katie Holmes) who hears the creepy rasp, “Saaaaaally, Saaaaaaally….”  In the first-ever Comic-Con event from impressive new studio Film District, he appeared to discuss the film with Danish director Refn, of “Drive,” also produced by Del Toro.  “It is our duty to produce first-time film-makers,” Del Toro, told the crowd.  He spoke about the power of fantasy.  His background was in special effects and creature fabrication and he speaks lovingly of the monsters he creates and the importance of details.  “Context is everything in a fable because every story has already been told.”  Refn said that “tracking is good, but still imprints on our brains.”  He loves the images where what matters is what is behind, when what is in the background engulfs the image.

Later, Del Toro appeared with Favreau to compare and appreciate each other’s approach.  Favreau, as shown in “Iron Man,” likes mechanical effects.  Del Toro (“Hellboy”) takes advantage of whatever illusions technology can provide. “There was not a single real thing in ‘Pan’s Labyrinth.'”   Favreau called in Del Toro for advice on some of the action scenes in “Cowboys & Aliens.”  And he urged us all to be on the lookout for a new book about Del Toro’s “Bleak House,” his very own haunted mansion.  Speaking of which, one thing these two directors have in common is forthcoming films based on Disney theme park attractions.  Favreau is working with Michael Chabon on “The Magic Kingdom,” and Del Toro will direct “The Haunted Mansion,” which will do its job if it erases the memory of the Eddie Murphy version.  Del Toro assured us that this one will not be a comedy.

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Comic-Con, Part 2

Comic-Con, Part 2

Posted on July 23, 2011 at 10:00 pm

I got to meet with the stars of three upcoming films from Lionsgate today. First was Australian Joel Edgerton and British Tom Hardy who play estranged brothers from Pittsburgh in “Warrior,” the story of a mixed martial arts championship bout that pits them against each other. Oh, and their father is played by Nick Nolte. I’ve seen it, and it is as fun as it sounds, sort of like two Rockys kicking and punching each other. They arrived two months before shooting to work on their fight skills (and “East coast with a blue collar edge” accent).  “I have mad love for Pittsburgh,” Hardy told us.  Working with Nolte was a huge draw, especially since the movie has a “70’s vibe,” he said.  “He’s got a face carved from the rock of method acting.  Very specific.”  Edgerton liked the way the story had “two protagonists marching toward the same battlefield.”

Dominic Cooper talked with us about “The Devil’s Double,” an amazing true story of a man hired to impersonate Saddam Hussein’s son Uday.  Cooper plays both roles.  “I loved it,” he said.  “Completely exhilarating.”  While it was a challenge to work without another actor to help develop the scene, he was grateful for the opportunity to take a break from the exhaustion of playing the psychotic Uday to play the double, “a good man, an observer, watching the madness play out.”  To find a way to reach into the character of Uday, who had “nothing I could find any remorse for, my way in was ‘why was he like this?'”

And then we spoke to the producer and three stars from the new “Conan the Barbarian” movie, coming out next month. Producer Fredrik Malmberg told us he worked for ten years to bring this movie to the screen. His primary focus was to return to the original spirit of Conan’s creator, Robert E. Howard, rather than try to remake the John Milius, Arnold Schwarzenegger classic of the 1980’s. “Schwarzenegger was his own special effect,” he said. “We are going back to the source material, back to Howard.” It was good to be back at Comic-Con, where the deal for the movie was made four years ago.  Jason Momoa and Rachel Nicols talked to us about playing Conan and Tamara, as he was eating all of the meat out of a Subway sandwich.  “Meat every two hours, bland, no salt, lift heavy weights, and sword training,” was his description of the regime required for the role.  Nichols talked about her character, who at first “has no idea who she is, what she is going to represent,” but “an innate warrior.”  And they spoke about filming in Bulgaria, which “offered up a lot” in terms of terrain and climate.

Dreamworks brought in the cast and the people behind “Fright Night,” who talked to us about remaking the 1985 horror film about the suburban teen with a vampire next door.  That film’s star, Chris Sarandon, appears in the remake, written by Marti Noxon, something of an expert on vampires from writing and producing “Buffy the Vampire Slayer.”  The tone had to be updated, she explained.  “The boys would be aware of genre conventions.  We live in a ‘Twilight’ universe.”  It retains some of the humor of the original, “but in a very grounded way.  People are funny in a scary situation, not in a funny situation.”  But, she assured us, “it’s not campy because that makes you not believe the scary part.”  Colin Farrell, who plays Jerry, the neighbor, told us he views the character as enjoying the threat he imposes on the boys in the neighborhood, but he is “debonair, cultured, suave.” He “treats humans like a cat treats a ball of wool, like playthings.  He has no human virtues.”

You’d think that after helming the Starship Enterprise and three X-Men movies, Patrick Stewart would be an old hand.  But his first-ever visit to Comic-Con is on behalf of…”Dorothy of Oz,” an animated film opening in the summer of 2012.  It is based on a book written by the grandson of Oz creator L. Frank Baum and Stewart’s co-stars include Lea Michele (Dorothy), Kelsey Grammer (Tin Man), Jim Belushi (Lion), Martin Short (the villain), and Dan Ackroyd (Scarecrow).  He talked to me about the great advantage of doing voice work as an actor — being allowed to overact!

 

More coming soon — stay tuned.

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How to make a gif

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Comic-Con 2011, Day 1

Comic-Con 2011, Day 1

Posted on July 22, 2011 at 1:25 am

Any day I get to talk to Guy Pearce, Carey Mulligan, Ron Perlman, get to hear the latest on “Twilight: Breaking Dawn, Part 1,” and get to hang out with Power Rangers and the Madagascar Penguins is a very fine day indeed.

In case I haven’t mentioned it lately, I love Comic-Con.  Last night, we got to preview the Exhibition Hall and watch episodes of some upcoming television shows, including a story of a community of witches from Kevin Williamson (the “Scream” movies)  called “The Secret Circle” and a thriller with echoes of “Quantum Leap” and “The Bourne Identity” called “Person of Interest,” starring Michael Emerson, Taraji P. Hensen, and James Caviezel.  Today I attended a press conference for the cast of “Twilight: Breaking Dawn, Part 1.”  Fans who had lined up for days to get into the panel discussion in Comic-Con’s largest room, the 6000-person capacity Hall H, hit the jackpot when some of the cast stopped by to say hello.

Elizabeth Reaser (Esme) spoke about the satisfaction of exploring a character over a series of films, and Ashley Greene (Alice) mentioned she had grown up playing her character.  They all said that they enjoyed filming the wedding scene, though it was a challenge due to the level of security necessary to keep the details a secret from the fans.  Kristen Stewart (Bella) said they had “Secret Service-style” protection and that she ended up wearing a Volturi cloak to cover her wedding dress.  They joked about finding an extra in Brazil who looked so much like Lautner they had to move him to the back so that the audience would not get confused and think that Jacob had somehow shown up to spy on Bella and Edward (Robert Pattinson).

When asked about their biggest challenges in this film, Stewart said it was mothering an animatronic baby and Lautner said it was the scene where he had to “walk into the room intent on killing this baby, stop, twist, and imprint, whatever that means.” He said he spent a lot of time talking to author Stephanie Meyer about what she had in mind.  And Pattinson said his biggest challenge was having to take his shirt off.  “In the book, Edward’s body is there every three pages, but I’ve managed to avoid it until this one.”

Ron Perlman and Carey Mulligan spoke to a small group of reporters about their stylish upcoming thriller “Drive,” along with director Nicolas Winding Refn.  Ryan Gosling plays a stunt driver who gets pulled into intrigue and violence to protect a young mother.  Perlman told us that like his character, he is a Jew who always wanted to be an Italian.  Perlman is drawn to the culture and food of Italy, but his character wants to be a powerful criminal.  The character in the original script was not fully described.  Perlman liked the way Refn worked with the actors on “unearthing the world and what our value and function was in the story.”  Mulligan described her relationship with Gosling in the film as the “calm center with chaos all around.”  They are surrounded by “witty, intelligent, terrifying characters” while they are almost silent.  Refn told us that “It came out of my not liking talking.  Silence is the greatest word.”  He also said, “Music gets me going.”  In the film he used 70’s electronic music to match the main character’s vintage car.

More coming soon — stay tuned.

 

 

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Comic-Con 2011

Comic-Con 2011

Posted on July 20, 2011 at 3:55 pm

I’m on my way to Comic-Con 2011, this year featuring the first glimpses of Twilight’s “Breaking Dawn — Part 1” along with Steven Spielberg’s “The Adventures of Tintin,” the Colin Farrell remake of “Total Recall” and “In Time,” a thriller with Justin Timberlake and Amanda Seyfried.  You haven’t heard about some of these?  That’s the fun of it; Comic-Con is where it all begins.  It’s not just movies.  “True Blood,” “Lost,” and “Glee” got the word out via Comic-Con and this year we will see get updates on longtime fan favorites like “Buffy” and hear about the new projects from some Comic-Con regulars like Kevin Smith and Joss Whedon.

Entertainment Weekly points out in the current issue that back in 1976 a film no one had ever heard up sent a rep with a card table to sell the Con’s first promotional posters for a movie whose release was still a year away.  Those posters are now sold (if you can find one) for $3000 and this year, that same film will be saluted with an elaborate booth in support of its six-movie Blu-Ray release with never-before-seen footage: Star Wars: The Complete Saga (Episodes I-VI). What will this year’s attendees know about before anyone else?  Stay tuned for my reports — and of course my always-popular pictures of the attendees in costume.

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Conference on Movie Criticism at Northwestern

Posted on April 8, 2011 at 8:52 pm

Northwestern University is hosting a three-day conference April 21-23 called Illuminating the Shadows: Film Criticism in Focus, with top critics from around the country discussing the past, present, and future of serious writing about film.  All sessions are free and open to the public.  The event also features four screenings, including Errol Morris’ new documentary, “Tabloid,” about a former North Carolina beauty queen who, in 1977, kidnapped her Mormon sweetheart and a racy pre-Hayes Code 1933 film from director Raoul Walsh called “Sailor’s Luck.”  Through on-stage discussions and introductions to a slate of critically acclaimed contemporary and archival films, Illuminating the Shadows will provide insight into the role film criticism, and film writing more generally, has in our contemporary, media-saturated cultural life and how critics and writers on film view the work they do.

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