Comic-Con!

Posted on July 23, 2010 at 12:03 am

IMG_9884.jpgMy visit to Comic-Con 2010 began with a press conference for one of the most celebrated and anticipated films previewing here, the long-awaited sequel to the pioneering 1982 Disney film, about people getting sucked into computers, “Tron.” Steven Lisberger, who wrote and directed the original, told us that the first film was about what they anticipated computers could bring about; this one recognizes that audiences are only too aware of how pervasive computers have become in our lives. Stars Jeff Bridges and Bruce Boxleitner were there to compare the experience of acting in the first to the new one. The suits in this one are high-tech, molded around each actor’s body, threaded with fiber optics that light up (and create a buzz that drove the audio technicians crazy). After actor Michael Sheen (“Underworld,” “New Moon,” “Frost/Nixon”) described the way that even the actors would be so amazed by the glowing light from the suits they would forget to start acting, Boxleitner pointed out that in the original film, their wardrobe was “spandex and magic marker.” Jeff Bridges had something to add: “And dance belts!”
IMG_9886.JPGThen I met with Robert Popper and Peter Serafinowicz, creators and stars of the cult comedy hit British television series, Look Around You, shown on The Cartoon Network’s “Adult Swim” and out on DVD for the first time this week. “Our show is such a weird, weird show,” Serafinowicz said happily. “It’s creepy and bleak and not much happens and it is very slow.” “It’s super-surreal,” agreed Popper. Inspired by the over-serious and under-engrossing science films they saw in school when they were kids, Popper and Serafinowicz created hilariously demented parodies, with white-coated scientists explaining how ants build igloos, for example. Their affection for Monty Python and “Police Squad” is evident in the free-form looniness of the shows. And the DVD release has extra commentaries from some of the show’s biggest fans, including Michael Cera and Jonah Hill.
Later, I attended a panel discussion on “The Expendables,” written and directed by Sylvester Stallone and featuring just about every action star he could find. He appeared, along with co-stars Dolph Lundgren, Ultimate Fighting Champion Randy Couture, WWE’s Steve Austin, and former football player Terry Crews — plus a surprise appearance from Bruce Willis, who is in one scene in the film along with Arnold Schwarzenegger.
They talked about filming in Brazil, where they were allowed to use more explosives than permitted in the US, and about getting banged up in the stunts and fight scenes. Stallone, whose neck was broken by Austin in filming, said he did not mind getting hurt making films. “I didn’t get hurt in ‘Rhinestone’ or ‘Stop or My Mom Will Shoot,” and those did not turn out well.”
Couture told us that his biggest challenge was the very first scene filmed, a monologue he worked hard to memorize and to develop his acting skills. And then, when he arrived on the set, Stallone had rewritten it and given him a different monologue instead. Lundgren said what was hardest for him was the scene where he had to tell a joke. Stallone made him do it over and over — and then used the first take. Crews and Austin told the crowd about some explosives that went off faster and closer than they expected. “There’s no such thing as movie fire,” Crews told us. It was real and it was dangerous. The clips they showed were every bit as exciting (and gory) as anticipated.
But perhaps no film is as Comic-Con-friendly as next month’s “Scott Pilgrim vs. The World,” described on the poster as “an epic of epic epicness,” and based on the popular series of graphic novels. Director Edgar Wright brought a dozen of his stars including Brandon Routh, Alison Pill, Mary Elizabeth Winstead, and Michael Cera, who wore, throughout the entire presentation, a Captain America costume. It had nothing to do with the movie, but it was fun to see. The crowd went wild over introductory clips to show us all of the characters and nearly levitated out of their seats when Wright told us that he was going to show the entire film. I was not one of the lucky ones selected to be walked over to the theater with Wright, but can’t wait to see the movie.
IMG_9954.JPGI have also enjoyed my visits to the Exhibition Hall, filled with every possible kind of display for every possible kind of product relating to what the Comic-Con folks call “the popular arts,” including games, collectibles, books, movies, television shows, DVDs, original art, t-shirts, and, yes, comics, plus people to help you store, organize, and insure your collection. I had a nice talk with Dino Andrade, a voice-over actor (“Pop” in the Rice Krispies commercials, the Scarecrow in “Arkham Asylum”) who founded an online dating service for Comic-Con types called Soul Geek. It is a tribute to his late wife,
Mary Kay Bergman, who provided all of the female voices for “South Park” until she died in 1999 at age 38. He spoke to me very movingly about what they had shared and his hope of creating a place where other geeks, freaks, and fanboys and girls could find each other.
I also saw the first episode of “Nikita,” a new television series based on “La Femme Nikita” and the American remake, “Point of No Return,” about a woman assassin trained by a CIA-type organization who escapes. It stars the sensationally gorgeous and brilliantly talented Maggie Q. And I got a kick out of a new line of Hallmark greeting cards with themes from “Star Wars,” “Star Trek,” and “Twilight.” And the costumes, better than ever.
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Comic-Con 2010

Posted on July 20, 2010 at 3:57 pm

comiccon logo.gifThis week in San Diego it’s all about the geeks and the fanboys. There will be Klingons and superheroes. There will be people who know far more about Futurama, Groo, Aqua Teen Hunger Force, and The Justice League of America than the people who created them. Sergio Aragonés will be up to mischief. Cast members from “Glee,” “Haven,” “Fringe,” “Chuck,” and next year’s shows will meet with fans. Stars of the 60’s and 70’s will be there to sign autographs. Great big movie stars will show up to cajole Comic-Con attendees to get the word about about their great big movies. And there will even be comic books.
And I will be there to tell you about it. Stay tuned!

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Silverdocs

Posted on June 23, 2010 at 6:21 pm

The greatest documentary film festival in America is Silverdocs, based in the American Film Institute’s gorgeous film exhibition spaces in Silver Spring, Maryland. It is an annual week-long festival that celebrates independent thinking, supports the diverse voices and free expression of independent storytellers, and fosters the power of documentary to enhance our understanding of the world. Anchored in the National Capital Region, where important global and national issues are the daily business, Silverdocs is marked by its relevance, broad intellectual range, and wide public appeal. Silverdocs was created through a unique alliance between AFI and the Discovery Channel, the festival’s Founding Sponsor.

This week’s participating films include:

“Freakonomics,” from the Oscar-winning director of “Taxi to the Dark Side” and the Enron and Jack Abramoff documentaries, and based on the best-seller that uses economics to explain behavior, not just markets.

Stephen Marshall’s “Holy Wars,” the story of two deeply committed men of faith – one a Muslim, the other a Christian – as they travel the world spreading messages they both feel represent “the truth.” The Muslim, an Irish convert living in London, advocates for a global jihad that will ultimately render his faith dominant. The Christian, living in the American heartland, sees Muslims as the enemy and considers it his duty to convert the unenlightened. What would happen if these two men were put in the same room together? This thought-provoking film is sure to push buttons and instigate discussions about the nature not of any one religion, but of extremism and tolerance.

“Making the Boys,” the story of the ground-breaking play (later a movie) “The Boys in the Band,” the first frank and sympathetic portrayal of gay men to achieve mainstream success.

“Restrepo,” from journalists Sebastian Junger (The Perfect Storm, War) and Tim Hetherington, who fully embeded themselves for a year with a platoon of U.S. soldiers stationed in Afghanistan’s Korengal Valley. The remote 15-man outpost, “Restrepo”–named after a platoon medic killed in action–is a stronghold of al Qaeda and the Taliban, and arguably one of the U.S. Army’s deadliest challenges. With unprecedented access and unflinching immediacy, “Restrepo” reveals the challenges, triumphs, despair and intense camaraderie among the men who wake up each day under fire, never knowing whether they will make it home again.

“The People Vs. George Lucas” Is there any film-maker with more passionate fans and more passionate critics than the man who gave us Luke Skywalker, Han Solo, and Jar-Jar Binks? One fan, director Alexandre O. Philippe, presents the cases for and against the legendary auteur. At the heart of the matter is this question: Is film the property of the artist who created it or that of the audience that claims and loves it as its own?

“Wo Ai Ni, Mommy” is a quintessentially American story of hope, love, race, conflict, identity, loss, and re-invention. A warm, affectionate Jewish family from New York adopts an eight-year-old girl from China. They change her name to “Faith.” At first, she is lonely and homesick. But within a year, she considers herself American and has to have help from an interpreter when she calls her former foster family back in China via Skype. For me, one of the highlights of this touching and insightful film is when the documentarian cannot help but be drawn out of her role as objective reporter to serve as a liaison in helping to bring Faith and her new family together by translating what they are saying.

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Why We Love Roger — Ebertfest 2010

Posted on April 26, 2010 at 2:28 pm

I am back home but still thinking about my spectacular trip to Champaign-Urbana for Ebertfest. You can get a glimpse of it here, with Chaz Ebert (Roger’s wife) introducing me as I introduce the film, “I Capture the Castle.”

I saw six of the films selected by Roger to share with his Ebertfest community. They were old (“Man With a Movie Camera” is a silent film from 1928) and new (“Trucker” was released last year), American and international, feature and documentary, fantasy and gritty. Every one of them was in its own way soul-enlarging and I enjoyed those I was seeing for the second time as much as those that were new to me. IMG_0317.jpg
I loved the panel discussions, too, both those I participated in and those I watched. But unquestionably the best part of my experience was meeting Roger’s far-flung correspondents, bloggers from around the world — Turkey, the Philippines, Egypt, China and then Canada, South Korea, England, and Mexico — who share a appreciation for movies and for good writing about movies. They are just passionate but thoughtful fans with points of view who write well and that was enough for him to reach out to them to contribute to his website. They were all there at Ebertfest, meeting each other for the first time after becoming great friends online. They very kindly treated me like a kindred spirit and I hope to stay in touch with them.
The festival is very much the reflection of its founder, hometown hero Roger Ebert. He is so good and so prominent we sometimes forget what a superb writer he is. I was very moved by his generosity of spirit in encouraging these young critics. It is his passionate engagement not just with the movies he reviews but with the world around him that is his greatest contribution. Thanks very much to Roger, Chaz, Nate Kohn, and the astoundingly organized Mary Susan Britt. See you next year!
Melissa Merli’s outstanding Ebertfest coverage for the News-Gazette.
The webcast of the full discussion I moderated of “I Capture the Castle” is online.

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News-Gazette Report on My Ebertfest Panel

Posted on April 25, 2010 at 9:28 am

Champaign’s News Gazette wrote a nice piece about our panel discussion on “Synecdoche, New York” with writer-director Charlie Kaufman. Reporter Melissa Merli called it “perhaps the liveliest post-screening discussion so far.”

said he explores themes in which he’s interested and that are going on in his life.

“It gets complicated and messy,” he said. “I usually don’t have an outline unless I have to pitch. I try to keep it honest and emotionally kind of naked.”

During the audience Q-and-A, Roger Ebert, who lost his speaking voice due to complications following surgeries for thyroid cancer, had his wife, Chaz, ask the Kaufman panel to discuss the film from the aspect of life and death. The critic said he watched “Synecdoche” at a time of illness and that it “enormously helped” him understand his life.

Kaufman said it was very meaningful for him to hear that. The writer-director also said the most any writer in general can offer as a creative person is to be themselves and to be as honest as they can be “because maybe then you can bridge a distance between you and other people” and make them feel less alone.

“We should recognize we are not in opposition to one another,” Kaufman said. “I think we live in an alienating culture that puts people at odds with each other. To what end, I don’t know.

“Worry about illness and missed opportunities and missed connections with people — that’s what I tried to put in the movie.”

For this panel and more, check out the Ebertfest webcast.

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