Made of Honor

Posted on September 16, 2008 at 8:00 am

“Made of Honor” has gloss and bounce and some of the core elements of a mainstream chick flick/date movie. Sexiest Man Alive runner-up in lead role? Yep, Dr. McDreamy himself. I’ve been a Patrick Dempsey fan since he did the African anteater dance in Can’t Buy Me Love. Does he get his comeuppance? In a romantic comedy, it’s always a good thing if someone gets a comeuppance. Yes, that’s here, too. And much of the movie concerns wedding plans, usually a reliable plot line. Consistent with wedding custom, it has something old (boy meets girl, boy loses girl…), something new (we’ll get back to that later), something borrowed (the plots of “The Wedding Planner,” “My Best Friend’s Wedding,” half a dozen “Friends” episodes featuring Ross and Rachel, etc. etc.), and something blue (some of the humor pushes the PG-13 limits to the edge). But it leaves out a few other essentials.

Ten years after college, Tom still sleeps with as many beautiful women as possible, not-so-gently informing each of them that he has “rules” — no one gets him two nights in a row, no one gets to visit his apartment, no one meets his family, etc. etc. The one constant in his life is his weekly time with college pal Hannah (Michelle Monaghan of “Gone Baby Gone”), his best friend. When she returns from a six-week business trip to Scotland engaged to a bonny broth of a Mr. Right (think the Laird of Right), Tom suddenly realizes that it is Hannah he truly loves. She wants him to be her Maid of Honor and he accepts because he thinks it will help him stop the wedding and prove to Hannah that he’s the one.

Despite Dempsey’s charm and charisma, the character he plays is hard to root for, more a male fantasy than a female one. The screenwriters and director seem mystified by women and sometimes even downright misogynistic, never a good thing in a chick flick. Women all take one look at tom and sigh, endlessly willing to do anything from write their phone numbers on Starbucks coffee cups to jump into (or back into) bed with him, one even yelling “Service me!” Three different times, the movie makes fun of an elderly lady who mistakes a sex toy (glow in the dark!) for a necklace. Not funny even once. Tom is immature and self-centered. He has no job, no interest in anything but hanging out with his basketball-playing buddies, having sex with many different girls, and his weekly date with Hannah, which is primarily about making him feel good. Even when she gets engaged, it never occurs to him to think about what would make her happy. The movie avoids the usual formula of making the designated loser in the marriage sweepstakes obviously wrong for Hannah but forgets to substitute some other reason to root for Tom. As happens too often these days, the movie relies on vulgarity instead of wit, insults instead of banter, and recycled ideas instead of anything fresh. It is so sloppy it does not know the difference between a blog and a post or between a museum conservator and a curator and has homophobic (literally) locker-room humor that would be considered childish by 14-year-olds. When the highlights of the movie are seeing Dempsey juggle china and a wedding video featuring Elizabeth Hasselbeck, you know the script is a couple of bridesmaids short of a wedding party.

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Comedy Romance

Miss Pettigrew Lives for a Day

Posted on August 26, 2008 at 8:00 am

miss%20pettigrew.jpgA delicious retro romp about a failed nanny who finds her true calling when she transforms the life of a flighty singer, this film is designed around two fabulously entertaining stars, Frances McDormand and Amy Adams.
McDormand is Miss Pettigrew, who begins her day fired from her umpteenth nanny position and with absolutely no prospects. When the placement agency refuses to send her on another interview (“She found you rather difficult and that is, I am afraid, a recurring theme”), Miss Pettigrew steals the address of a prospective employer and shows up to find herself immediately in the midst of complete chaos. Delysia (as in Delicious) Lafosse (Amy Adams) is a singer who is currently involved with three different men. One of them is asleep in her bed, and another is on his way over. Miss Pettigrew’s calm demeanor, resourcefulness, and ability to think fast in a crisis make her immediately indispensable to Delysia, who rewards her with a makeover.

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Comedy Romance

What Happens in Vegas…

Posted on August 25, 2008 at 6:00 pm

A romantic comedy needs to get us on the side of its couple as individuals and on the side of romance. This one fails by giving us characters so crude and unlikeable that even the star wattage of Cameron Diaz and Ashton Kutcher cannot make us care. Most of the movie centers on their attempts to torture each other during a six-month court-ordered period of living together and marital counseling (from Queen Latifah, whose no-nonsense diagnosis of what is wrong should have been applied to the screenplay). The audience may feel that they are being tortured as Joy (Diaz) and Jack (Kutcher) battle over sweaty socks and whether the toilet seat is left up.

what-happens-in-vegas-photos-032408-10.jpgJoy is humiliatingly dumped by her fiancee (SNL’s Jason Sudeikis) in front of all of their friends. Jack is fired by his father (Treat Williams) for not taking the job seriously. They meet when they both take off for Vegas to get away from their disasters. So, of course, they create an even bigger one. They get completely drunk and wake up the next morning married. They quickly agree to an annulment until they win a $3 million jackpot. A judge (Dennis Miller) orders them to live together (“I sentence you to six months hard marriage”) to try to make the marriage work before he will decide how to allocate the money. And so Joy and Jack scheme to get each other to give up, then to give cause for divorce by cheating. And then, just as they begin to appreciate each other, there is time for one more setback.

Screenwriter Dana Fox was also responsible for “The Wedding Date,” which suffered from a similarly ugly premise. Romantic comedies can be sexy, even naughty, but they have to have a charm and buoyancy that is quickly deflated by crude, gross humor. It makes the main characters unlikeable. There is no reason to believe in either their enmity or their growing affection so we never connect to them or care about the outcome. It is supposed to be endearing that this couple gets blind drunk and gets married, that he pees on the dirty dishes in the sink and removes the bathroom door to annoy her, that she shows a cab driver one breast (she negotiates him down from two) to get a free ride. It is not. It is supposed to make sense that Jack’s vulgar jokes endear him to the executives at Joy’s company. It does not. We are supposed to see why Joy and Jack begin to care about each other. We don’t. It isn’t funny enough and it isn’t romantic enough. In other words, what should have stayed in Vegas is this movie.

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Comedy Romance

List: the Hendricks’ Top Relationship Movies

Posted on August 13, 2008 at 8:00 am

Authors and consultants Kathlyn and Gay Hendricks (Conscious Loving, Attracting Genuine Love, Five Wishes, and The Corporate Mystic) teach seminars in conscious relationships and “bodymind vibrance.” They have complied a list of their top relationship movies, movies that combine “artistic merit with the ability of the movie to shed light on the inner workings of relationships and how to maximize their potential. In addition, all the movies we selected share that elusive quality known as heart.” moonstruck.jpg
All of the films on their list are worth watching and discussing. Here’s their list, with my comments. Their discussion appears in two parts on their Huffington Post column. Here are the first five:
1. Moonstruck This is one of the most romantic movies ever made. The Henricks picked it for Nicolas Cage’s speech about victimhood and responsibility, but I’d pick it for its acknowledgment that true love does not always make you happy but it always makes you feel alive.
2. The Holiday I like this movie in spite of myself. It is not very clever or witty but I love the love stories, not just Kate Winslet and Jack Black and Cameron Diaz and Jude Law but also Kate Winslet and Eli Wallach as her neighbor, a screenwriter from Hollywood’s golden era.
3. The January Man This was a surprising choice because it is a little-known thriller. The Hendricks picked it for just one scene at the beginning and they are right that it is a good model about how to talk honestly about relationships.
4. Truly, Madly, Deeply One of the wisest and most touching love stories ever made, this is about loving and letting go as a young widow (Juliet Stevenson, utterly luminous) must choose life for herself after a great loss. It has a rare romantic lead performance by the magnificent Alan Rickman and there is a magical scene when the two of them are reunited.
5. Monsoon Wedding Every possible variation of family relationships is lovingly explored in this wonderful story of the importance of honesty and loyalty.

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For Your Netflix Queue Lists Romance

Wall?E’s Favorite Movie: Hello Dolly

Posted on July 12, 2008 at 8:00 am

Wall∙E’s curiosity about the world and capacity to feel loneliness is part of what makes him such a vivid character in Pixar’s latest hit. And nothing in the film conveys those qualities more effectively than his affection for the 1969 movie musical Hello, Dolly! It may be quaint and stylized but it perfectly suits the storyline, especially the numbers we see Wall∙E watch, with the characters singing about taking chances, trying out new experiences, and falling in love.”Hello Dolly!” was not successful on its original release. It was the victim of poor timing. First, though it was filmed earlier, the release was delayed because by contract it could not be in theaters as long as the play was running on Broadway. Second, it was released in 1969, when audiences were caught up in the political and cultural turmoil of the 60’s, and it felt too big (it is over two hours long) and out of touch. There was also some hostility to the casting of the 20-something Barbra Striesand in the title role, a character who is supposed to be middle-aged, replacing the star of the play, Carol Channing. But today it is easy to be as charmed as Wall∙E is by this story of four different couples taking a chance on love and the character who encourages them all and then has to learn a few lessons herself. Here are his favorite numbers: (more…)

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