When a Movie Scares Your Child

Posted on August 25, 2012 at 8:00 am

There’s a viral video this week of a couple of children who were upset by the new Disney film, The Odd Life of Timothy Green.  SPOILER ALERT: The title character does not die, but he moves on to another place and that is hard on the couple who were hoping to be his parents.  Some children enjoy the scary-funny zombies, ghosts, and witch in ParaNorman but others will be disturbed by the decaying bodies and the ghosts showing the way the characters died.

Dr. Michael Rich’s blog, Ask the Mediatrician, has some very sensible and reassuring advice for parents whose child was upset by a film.

Help your daughter process what she saw and how she feels about it. Most concerning content can be managed well by talking to your child about it and helping her process it. Try the following:

  • Listen to your child. Have her tell you about the scene as she saw it, and what about it scared her. Then affirm her feelings, saying, “It sounds like that was really frightening for you. I can understand why it would be hard to fall asleep.”
  • Answer your child’s questions. Topics like death—and particularly murder and suicide—can be very difficult for young children to understand. Offer simple explanations that will be meaningful to her.
  • Comfort your child. Reassure her that she’s safe, and that the people she loves are safe. Offer hugs and stuffed animals to hold, especially at bedtime.
  • Let her set the pace. It may take her some time to process, but she’ll ask questions when she’s ready to. For weeks after seeing The Artist, my boys would sometimes questions like, “Why would he want to kill himself? Why is anything so bad?” Answer your child’s questions when she has them, waiting for her guidance as to what she needs reassurance about.
  • Forgive yourself. Don’t continue to feel guilty over making a judgment call that backfired. Remember that there will always be situations outside of your control that may upset your daughter. Use this as a learning experience and try to improve the next time around. If your daughter is invited to another movie that you won’t be able to watch first, maybe do some research on it online, or ask a trusted friend who saw the film if she feels as though it is appropriate for your daughter.

 

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Hope Springs

Posted on August 7, 2012 at 6:00 pm

Can this marriage be saved?

For decades, the Ladies Home Journal’s most popular feature has been its monthly he-said/she-said/therapist says looks at a marriage in trouble.  No matter how dire the problem — infidelity, money problems, blended family problems — somehow they (almost) always find a way to make it work.  Readers love it for three reasons.  One is the schadenfreude of reading about someone else’s misery and feeling better about our own problems.  It’s easy for fairy tale characters to live happily ever after; for the rest of us, it takes some work.  Another reason is the fun of thinking ahead to what the therapist will say to reassure us that we understand the intricacies of the relationships that for most of us are our life’s great adventure and purpose.  And third is that even more than our lives as individuals, no one is an island when it comes to marriage and whether we are married or single the strength of the relationships in the community matters to us.  Marriage can be a refuge of endless understanding and unconditional support.  Or it can be the loneliest and most desolate place on earth. Some marriages contain both.

“Hope Springs” is the name of the town an Omaha couple visits for intensive couples therapy.  And of course it is also the spirit that gets them there.  Meryl Strep is Kay, who works at a Coldwater Creek store in a mall, and Tommy Lee Jones is Arnold, a partner at an accounting firm.  They have been married for 31 years and are on a dismal sort of automatic pilot.  They sleep in different rooms and he dozes off to the Golf Channel every night.  They barely speak.  She wistfully hopes for some physical and emotional intimacy.  He does not let himself hope for anything.  She reads a book by a couples therapist and decides to spend $4000 for a week of intensive therapy in Maine, whether Arnold will go with her or not.  He is angry and uncooperative and she gets on the plane not knowing if he will join her.  At the last minute, he is there.

Arnold, still grumbling about being there and complaining about the cost of everything, is uncooperative at first.  But with gentle guidance from Dr. Feld (a sympathetic Steve Carell) he sees how important it is to Kay, and then he begins to see that it might be important to him, too.  It is very painful at times, but at least the pain is a feeling and that is better than the numbness that they have been living with.  Romantic movies are usually about people in their 20’s who fall in love.  But it is people in their 50’s and 60’s who really know what love is and how much courage it takes to stay in love.  And sometimes it takes them that long to learn that the clearest path to enduring love may not be that women’s magazine perennial, communication, but sharing laughter.  Arnold and Kay first begin to thaw when at dinner together he makes her laugh by imitating the therapist.

The story and script are nothing special, though a little less sit-com-y than the trailer suggests.  And it hurries us through the last half hour, skipping some of the emotional beats necessary to earn the ending.  If these people got married in the 1980’s, it is hard to imagine Kay would be so reluctant to speak up earlier or that Arnold would be so one-dimensional.  But Streep and Jones are pure magic, creating nuance and complexity that goes beyond the script.  The fear, the longing, the tenderness of these characters are beautifully illuminated in performances of exquisite understanding. Streep’s face as she tries to pull together to courage to walk from her bedroom to his heartbreakingly mingles hope, terror, insecurity, resilience, and attempted sexiness.  They play people we think of as ordinary.  But Streep and Jones give them the extraordinary attention that illuminates the characters with such sensitivity that we want very much to see them live happily ever after.  They show us that the luckiest among us fall in love more than once — with the same person.

Parents should know that this film has some very explicit sexual references and pretty explicit situations and some strong language.

Family discussion:  Why was it hard for Kay and Arnold to talk to each other about their feelings?  What was the most important thing they learned from therapy?  Who among your friends and family has an especially strong and enduring relationship and what makes it work?

If you like this, try: “Two for the Road”

 

 

 

 

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Telstar’s 50th Anniversary — and My Dad

Posted on July 24, 2012 at 9:17 am

When you watch the London Olympics — or use your cell phone — keep in mind that it all began 50 years ago this week with the first telecommunications satellite broadcast.  My dad, Newton Minow, was one of the people who made it happen.  He wrote a piece for the Chicago Tribune about how it happened and why it mattered.  Here he describes some of what happened behind the scenes.

President Kennedy invited me to go with him on a tour of our major space installations. When we were in St. Louis at a McDonnell plant, he beckoned to me to his side and said he heard I was pushing communications satellites and asked me why I thought it was so important.

I said, “Mr. President, communication satellites are more important than sending a man into space because they will launch ideas, and ideas last longer than men and women.”

The president sent the Communications Satellite Act of 1962 to Congress to create a public-private entity to develop satellites; I testified 13 times before different Senate and House committees.

I remember at one Senate hearing that Louisiana Sen. Russell Long said, “You say this is one area where we are ahead of the Russians in space. What do you suggest we do to stay ahead of the Russians?”

I replied that we should try to get the Russians to adopt the same bureaucratic regulatory system we have for communications, especially to get the Russians to pass the American Administrative Procedure Act, which will tie them up in red tape.

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The Angelika Comes to Virginia!

Posted on July 10, 2012 at 9:20 pm

The Angelika theater in New York is legendary for the quality of its films and attention to detail in showing them.  With theaters in San Diego and Texas, the Angelika is now building their 27th theater in suburban Falls Church, Virginia.  I was lucky enough to get a tour of the construction site this morning and was blown away by what they are doing.  Everything is state of the art and beyond with the latest technology for projection and sound.  It will be available for conferences, meetings, parties and fundraisers.

The building is LEED certified and accessible.  There are eight screens, digital and 35 mm, and one outdoors for summer evening screenings under the stars.  The chef for the cafe was featured on “Top Chef” and they assure me the food will be delicious, easy to eat from your seat in the theater, and not noisy or smelly to make the neighbors won’t be distracted.  It is part of an enormous new development that includes a Target store and a variety of shops and restaurants, with plenty of parking and walking distance from the Dun Loring Metro.  It is scheduled to open in September.  Until then, check out the progress on Facebook and stay tuned for updates here as well!

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You Can Buy the House from “Planes, Trains, and Automobiles”

Posted on July 9, 2012 at 3:55 pm

Steve Martin spent an entire movie trying to get back there.  And now you can come home there every day.  The home that Neal Pane, Steve Martin’s character, lived in is on the market.  For $1.799 million.

The house is located on 230 Oxford Road in Kenilworth, Illinois, a suburb of Chicago.  The interior of the house does not match the movie, but it does have six bedrooms.  Any bids?

(Thanks to my mom for sending me this story!)

 

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