Man on Wire

Posted on December 9, 2008 at 8:00 am

“Beacause it’s there.”Philippe Petit.jpg
George Mallory’s reason for conquering Everest applies to feats of exploration and adventure that include traveling to the moon. This documentary shows us that it also explains how a French teenager leafing through a magazine at his doctor’s office could see a picture of the plans for building the two World Trade Center towers and instantly decide that when they were built, he would string a wire between them and walk across it.
In order to make it happen, tightrope walker Philippe Petit trained and planned for years, and this film shows us the combination of meticulous preparation, whimsical optimism, a lot of hubris, and some well-timed luck combined to make it happen on August 7, 1974, 34 years ago today. The article-less title of the film comes from the designation on Petit’s arrest form. A combination of current interviews with the participants, archival footage, and some mostly understated re-enactments makes this as mesmerizing as the most intricate heist film, and we find ourselves rooting for the young man who wanted to dance in the air and never tried to explain why to himself or anyone else — or profit from his stunt. The result is an exhilarating film about a pure gesture of art, courage, and folly that seems enchantingly gentle. It is also wrenchingly poignant. Every shot of the two towers reminds us of the aspirations of those who built them and the immeasurable loss of 9/11. Every element of the plan to circumvent security reminds us of those who attacked the towers out of hatred rather than joy. All the more important to see this reminder of a moment when a man danced in the air for the pure pleasure of giving himself and the people who watched him a reason to smile.
So, if you cannot understand that there is something in man which responds to the challenge of this mountain and goes out to meet it, that the struggle is the struggle of life itself upward and forever upward, then you won’t see why we go. What we get from this adventure is just sheer joy. And joy is, after all, the end of life.
George Mallory

Parents should know that this film has some drug use and brief nudity with a post-wire-walking celebratory groupie.
Families who see this movie should talk about how people discover their dreams and what they should be willing to do to make them happen. How do the participants differ in their feelings about what happened?
If you like this, try: “Rififfi”

Related Tags:

 

Not specified

Children’s Museum of Manhattan Celebrates ‘Elephant Tales’

Posted on December 2, 2008 at 3:00 pm

MGM is releasing the DVD Elephant Tales, the story of two elephants and their journey to find their family, on December 9th. The Children’s Museum of Manhattan is celebrating the release of the DVD starting Tuesday, December 2 with a raffle to win one of five copies. The drawing will be held on December 7 at 4pm. In addition, CMOM has an interactive and multimedia-based program planned for Saturday, December 6 at 12, 2, 3, and 4 called “Tutu Elephant Ears.” Children will learn about the many ways elephants use their ears to communicate and stay cool and then they will make their own elephant ears with paper and markers.

Related Tags:

 

Not specified

Fred Claus

Posted on November 25, 2008 at 8:00 am

fredclausposter2.jpg
The predictable work and family and romantic complications ensue, but they are dragged out and overplotted as an efficiency expert (Kevin Spacey) comes in for some bah-humbug moments, threatening to outsource the entire operation. The movie could have used an efficiency expert as it drags on about half an hour too long and the ratio of laughter per minute declines. All that should matter in the movie are the two brothers. As long as we stay with them, the movie stays on the “nice” list.
Vince Vaughn has a literally off-beat vibe. His words tumble out in a rapidly syncopated tumble and his delivery vibrates like a plucked high tension wire. The words come out so quickly that it takes a moment to realize that he has just revealed something hilariously honest that even he does not seem to know he said. He is disarmingly frank about being a bit of a liar.
Director David Dobkin has worked well with Vaughn before (in the under-appreciated “Clay Pigeons” and the smash comedy “The Wedding Crashers”) and this movie about Santa’s brother is well-designed to take advantage of Vaughn’s strengths. The theme of sibling rivalry is perfect for showing off Vaughn’s gift for barely-under-the-surface resentment. And it is very funny to see the 6’4″ actor trying to interact with hundreds of elves and their Lilliputian environment.
The set-up is promising: If you think sibling rivalry is tough, imagine being the sibling of the most beloved figure in the world: Santa Claus (Paul Giamatti). And Vaughn is marvelous dancing with the elves and struggling not to be drawn to his irresistibly loveable brother. But plot digressions that take much too long to resolve and mangled special effects are a distraction and a nuisance.
According to this movie, Santa’s older brother Fred (Vince Vaughn) has spent hundreds of years feeling slighted and resentful. It turns out that when Nicholas became a saint, his entire family was granted perpetual life. So, Fred now lives in Chicago, where he is needs money to start his off-track betting operation, and where his meter-maid girlfriend (Rachel Weisz) is losing patience with his evasions and unreliability. Fred asks his brother Nick (Santa) for money. Mrs. Claus wants him to say no, but he tells her, “I’m a saint. Tough love’s a little difficult for me.” The best he can do is insist Fred come up to the North Pole to earn the money. So Willie (the head of John Michael Higgins on a little person’s body), the head elf, swings by in the sleigh to pick him up, and Fred gets whisked to Santa’s workshop by reindeer express.
Fred does not exactly fit in, physically or culturally. He gets into a tussle with the workshop’s DJ (the head of Chris “Ludacris” Bridges on a little person’s body), after one too many spins of sugary seasonal tunes. Fred shoves him aside and plays Elvis singing “Rubberneckin’.” The elves get so excited that the workshop turns into a rave, complete with mosh pit.
The predictable work and family and romantic complications ensue, but they are dragged out and overplotted as an efficiency expert (Kevin Spacey) comes in for some bah-humbug moments, threatening to outsource the entire operation. The movie could have used an efficiency expert as it drags on about half an hour too long and the ratio of laughter per minute declines. All that should matter in the movie are the two brothers. As long as we stay with them, the movie stays on the “nice” list.
Parents should know that this movie has some crude humor, including mild sexual references, potty jokes, a non-explicit childbirth scene, mild language, and some skimpy clothing. Some audience members will find it insensitive that Fred and the elves assume that boys will all want one gender-specific toy and girls will want another, though it does show one girl happily receiving the “boy’s” toy. And this is a rare Christmas film to recognize that some people belong to religions that do not celebrate Christmas or expect a visit from Santa. Some may also find it insensitive that the faces of full-size actors are imposed on the bodies of little people.
Families who see this movie should talk about Fred’s feelings about Nick. Why was it hard for him to feel good about his brother? Who was right about the naughty list? How can an efficiency expert be a help?
Families who enjoy this movie will also enjoy Elf (some crude humor) and The Santa Clause.

(more…)

Related Tags:

 

Not specified

Great Movie Costumes for Halloween

Posted on October 14, 2008 at 9:00 am

Rotten Tomatoes has some wonderful ideas for the best (and easiest) Halloween costumes inspired by movies. It includes classics like Indiana Jones and Carrie, current hits like Nurse Joker and some good ideas for friends to coordinate like Gogo Yurbari and the Crazy 88 from “Kill Bill” and costumes that are so easy to make that you can pick up everything at Goodwill for under $5, like The Dude from “The Big Lebowski” and Jay and Silent Bob from the Kevin Smith movies. Happy trick or treating!

Related Tags:

 

Not specified
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2026, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik