There are oh so many stories for children about orphans and about people who are sent to live in creepy, mysterious old houses. The Willoughbys, based on the book by Lois Lowry, tweaks those and some of the other conventions of children’s stories, and turns some of them upside down. But one key element remains the same: children have an adventure. They are brave, they solve problems, they stick together, and they end up better off than they started. And all of that happens in a movie that is a a delight for the eyes, with wildly imaginative settings and clever details. There’s even a candy factory that’s half Willy Wonka and half Pac-Man.

Deliciously gruesome (but not quite as much as A Series of Unfortunate Events), it is the story of four red-headed siblings who live in a gothic mansion squeezed between skyscrapers, with acid narration from a nearby cat (Rickey Gervais).

The Willoughbys have lived there for generations and their history hangs heavily over them. Literally. There are huge portraits of ancestors, all sporting the thick yarn hair scowling down at today’s Willoughbys.

Also scowling, when they bother to notice them, are the Willoughby parents (Martin Short and Jane Krakowski), who devote all of their affection and attention to each other and can barely be bothered to notice that they have children, much less talk to them or feed them. The oldest is Tim (Will Forte, who worked with director Kris Pearns on “Cloudy With a Chance of Meatballs 2”). Then there’s his sister Jane who loves to sing (Canadian pop star Alessia Cara). By the time the twin boys were born, the Willoughby parents couldn’t be bothered to think of two names or provide them with two sweaters. So they are both called Barnaby and share one sweater between them.

In a conventional story of an intolerable home, you might expect the children to run away. But this is a story that likes to turn things upside down. Tim likes the house and is determined to uphold the grandeur he associates with the ancestors and the Willoughby name.  He and Jane come up with an idea: their parents should run away from home. So they arrange an extended trip for their parents, a trip that just might include some dangerous activities.

What they don’t expect is that their parents might send a nanny (Maya Rudolph, delightfully whacky).  Never having been treated with kindness, Tim does not trust her at first. Also, there is an orphan baby left on their front stoop. The children drop her off at a candy factory run by a a man who looks a little foreboding but also like he’s made of candy named Commander Melanoff (Terry Crews).

And so the Willoughby children end up going on an adventure that is colorful,  funny, exciting, and satisfyingly heartwarming. The government’s child protective services are unnecessarily demonized but the message of resilience that we can create the families we want if nature gets it wrong the first time is very welcome.

Parents should know that this movie includes comic peril and violence (no one hurt) and humorously portrayed child neglect and abandonment themes.

Family discussion:  How do Tim and Jane have different ideas about the way to solve their problems? Did you ever misunderstand someone’s words as Tim did with the nanny?

If you like this, try: “A Series of Unfortunate Events” and “Cloudy With a Chance of Meatballs”

Some of my favorite movies are about kids and teenagers making music. Maybe some of these will inspire you to make some of your own.

Bandslam: The focus is on the manager of the high school band here, named after a line from absurdist literary giant Samuel Beckett. An exceptionally smart script and some rocking songs plus a supporting cast that includes Lisa Kudrow and a surprise cameo from one of the biggest rock stars of all time make this one you’ll want to watch more than once.

A Joyful Noise:  Pure cinematic sunshine with comedy, romance, drama, and gorgeous music featuring Queen Latifah and Doily Parton as competing singers in a gospel choir. Most of the members are adults, but the sweet relationship — and sweet duet — from teens played by Keke Palmer and Broadway star Jeremy Jordan is a highlight.

The Sound of Music:  One of the most popular family films of all time is based on the story of the real-life von Trapp family, who escaped from Nazi-controlled Austria and performed as singers in the United States before they settled in Vermont.

Sing Street: This is the rare movie that not only recognizes and portrays the  experience of finding music that introduces you to yourself; it goes farther than that. It is as close to re-creating the experience as it is possible for a movie to be. Watching this movie is not like remembering what it is like to be 14 and have your soul restored through rock and roll. It is like being there, but having it all work out the way better than you could have wished.

Selena: Jennifer Lopez is as vibrant as the star she plays in a biopic about the popular singer who was killed by her former assistant.

Almost Angels: Disney’s 1962 film is based on the real-life Vienna Boys Choir. They may sing like angels, but they get into mischief like kids.

Coco: A young boy loves music, but his family does not want him to play. He goes on a journey to the afterlife and learns important lessons about music, family, and he man he thought was his hero.

High School Musical: Even Disney was surprised by how popular this movie became. It deserved every bit of it; I love this sweet story and it was so much fun to see the cast reunited and singing with the kids from the DisneyPlus series sort of-sequel on the terrific Disney Family Sing-Along special. This is my favorite song from the original.

School of Rock: Just try to watch this movie without wanting to form you own rock band. Jack Black plays a substitute teacher who tells the students of a posh private school that all they need to learn is music that sticks it to the man.

The Rocker: This neglected gem features an astonishing cast of soon-to-be movie stars including Bradley Cooper, Emma Stone, and Josh Gad (plus future hit-maker Teddy Geiger) in the story of a former rock drummer (Rainn Wilson) who joins a high school band. The cast also features comedy all-stars Christina Applegate, Jeff Garlin, Will Arnett, Fred Armisen, Jane Lynch, and Jason Sudeikis.

Imba Means Sing: The Grammy nominated African Children’s Choir is the subject of a documentary.

Boychoir: Dustin Hoffman and Eddie Izzard star in a film about a young boy who joins a choir.

Girl Crazy/Strike Up the Band/Babes in Arms: Mickey Rooney and Judy Garland made a series of “let’s put on a show” musicals that are still a lot of fun, especially Girl Crazy, with irresistible Gershwin songs like Embraceable You, Bidin’ My Time, But Not For Me, and Fascinating Rhythm.

Lemonade Mouth/Camp Rock/Cheetah Girls: Disney Channel’s movies about kids forming music groups are not great cinema but they are tuneful treats.

First it was a movie with a young Christian Bale that never found an audience. Then it became something of a hit on video. Then it was a Broadway  musical. And now that musical is available on Disney Plus.

And of course you can watch the original, too.

Those feeling most sharply the loss of NCAA March Madness this year will be able to get some of what they miss with “Jump Shot,” a documentary produced by one of the all-time NBA greats, Steph Curry, about the man he considers one of his most significant forbears,  the late Kenny Sailors, who invented the jump shot. Yes, someone invented the jump shot, and almost as remarkable as trying to imagine basketball without jump shots, this documentary will satisfy those who don’t know who Steph Curry is as well as those who can recite the stats from his career going back to his college days at Davidson. Kenny Sailors invented the jump shot when he was a teenager. But then he went on to a life well-lived, in which the jump shot and basketball were only one part. And to pay tribute to his example, a portion of every payment for watching the film will go to helping provide food to people in need as a result of COVID-19.

Did Sailors really invent the jump shot? Here’s what the New York Times said.

People of reliable authority have said that if they had to pick the one whose prototypical jump shot was the purest, whose mechanics set in motion a scoring technique that thrilled fans and helped transform a two-handed, flat-footed, essentially earthbound affair into the vertical game it is today — giving rise, quite literally, to marksmen like Oscar Robertson, Jerry West, Rick Barry, Michael Jordan and Kobe Bryant — it would be Sailors.

Sailors grew up in a Wyoming small town. He loved basketball and played one-on-one with his big brother every day. His brother was big, 6’5″. Sailors was only 5’7″. He couldn’t get past his big brother. So, he began to jump. And as someone once said in a movie, he had the hang time of a helium balloon.

The documentary has archival footage and contemporary comments from athletes, including Curry and Kevin Durant, sports journalists, and Sailors’ family and friends. Sailors took his college team to a national championship as he and all of the other players knew they would not be continuing to play basketball; they were all going into the military to fight in WWII. Sailors became a captain in the Marines, and then, after the war, played professional basketball long enough to qualify for a pension. And then, for his wife’s health, they moved to rural Alaska, where he coached high school students in every sport they offered plus girls’ basketball, which was not offered until he insisted on it.

It is a touchng love story, and it is a story of a life of grace, integrity, and service, with a quality we do not see very often, decency. Sailors’ quiet humility and selfless dedication are even more inspiring than his innovations in basketball.

Parents should know the movie has references to illness and aging and a sad death.

Family discussion: What was most important to Kenny Sailors? What would you like to change about sports?

If you like this, try: “Dogtown and Z-Boys” about some teenagers who also transformed their sport

You can have your own indie film festival at home now with some new releases:

Phoenix Oregon: James Le Gros plays a bartender and would-be graphic memoirist (James Le Gros) who has lost his way. The outstanding cast includes Lisa Edelstein as a liquor distributor, Dietrich Bader as the restaurant owner, and especially Jesse Borrego as the perfectionist chef who joins forces with the bartender to open a bowling alley.

Standing Up, Falling Down: Billy Crystal gives one of his all-time best performances as a doctor with a number of issues, including substance abuse, who befriends a would-be stand-up comic (Ben Schwartz). Grace Gummer is terrific as the comic’s sister.

And check out a new streaming service for indie films, Topic.