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Why and when do we pray? — “Then She Found Me”

Posted on May 13, 2008 at 9:00 am

Oscar-winner Helen Hunt returns to the screen in the upcoming “Then She Found Me,” adapted from the book by Elinor Lipman. Hunt not only stars — she co-wrote and directed the film, which is about a teacher who tries to cope with the immature husband who abandons her (Matthew Broderick), the sensitive single father of one of her students who cares about her (Colin Firth), the sudden appearance of her biological mother (Bette Midler) after the death of her adoptive parents, and overpowering desire to have a baby.

Hunt’s character, April, is an observant Jew, like her adoptive parents. Her biological mother, Bernice, is not observant in any religion. At the doctor’s office, about to undergo artificial insemination, Bernice suggests that April pray. April refuses. And then, almost unheard of in a Hollywood film (and not in the book, either), the two of them have a private discussion of the meaning and importance of prayer. Do we pray when we feel closest to and most trusting of God or when we feel most lost and bereft? One reason April cannot bring herself to pray at this moment is that it will require her to think about just how much it means to her and to think about the role the connection that God plays in her life. She does not want to think about either. She does not want to give up the notion that this thing she is doing is human — and therefore controllable, not divine. We see for the first time how sensitive Bernice can be and how much she cares about April, how well she understands how much April needs to be more honest with herself about what is going on.

April does pray. But I wonder if the prayer she says is the one a real-life observant Jew would say in those circumstances. I guessed she would say Mishaberach, a prayer of healing, or Shehekianu, a prayer of gratitude and being in the moment. Instead, she says the oldest and holiest of prayers, the Shema. Perhaps the screenwriters use that prayer because it is the most widely recognized. Or perhaps, in her moment of greatest hope and anguish, April would reach back to the first prayer she learned, the one that reminds us that God is One.

The Great Debaters

Posted on May 12, 2008 at 6:00 pm

Great%20Debaters.jpg In 1935, the debate team from a tiny all-black college took on the top white team in the country and they won. This is that story, Oprah-fied to be sure (Winfrey’s company produced the film), but powerfully told by director Denzel Washington, who also stars as the team’s coach, distinguished poet Melvin B. Tolson.

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Mad Money

Posted on May 12, 2008 at 4:00 pm

What force on earth is strong enough to unite an upper middle class suburban housewife, a poor African-American single mother and a young, spaced-out rock n’ roll fan living in a trailer? Why, the opportunity to steal from the government, of course.
“Mad Money” is a conventional heist comedy about a plot to steal money from the Bureau of Printing and Engraving. Diane Keaton, Queen Latifah and Katie Holmes star as low-level employees of the Bureau who come up with a complicated plan to get around the elaborate security procedures. Working together beneath the notice of government officials, the three women combine their roles to walk off with bags of used money that has been returned to the Bureau to be destroyed. Each of them has a different justification for their decision to steal — a special need or a past injustice that the money will cure. mad_money.jpg

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Gregory’s Girl

Posted on May 12, 2008 at 8:00 am

B+
Lowest Recommended Age: Middle School
MPAA Rating: PG
Profanity: None
Nudity/ Sex: Mild references, some peeping
Alcohol/ Drugs: None
Violence/ Scariness: None
Diversity Issues: A theme of the movie
Date Released to Theaters: May 26, 1982

Gregory (John Sinclair) is a gangling but amiable Scottish teenager who is mildly befuddled by just about everything, especially Dorothy (Dee Hepburn), who takes his place on the soccer team. In contrast, the girls he knows, including his ten-year-old sister, seem to understand everything (except why boys are so fascinated by numbers) in this sweet, endearing comedy with a great deal of insight and affection for its characters.

Movie trailers — too many, too much information, or the best part of the show?

Posted on May 11, 2008 at 10:29 pm

In honor of Mother’s Day, my wonderful husband took me to…a movie (yes, my request). It was preceded by six trailers. That was fine with me — I love to see what’s coming. But many people don’t like them. They think that they give away too much or that it’s like paying to watch commercials. The Alliance of Women Film Journalists has a new survey on movie trailers.
I’ll be posting my favorite new trailer on the site later this week.