Hard to imagine myself saying this, but it would have been better if Jacqueline Susann had written this movie. It would have been dumb and unbelievable and even grotesque, but it would not have been boring.

The tag line for the movie is “Talent isn’t everything” and indeed, that is its theme. Bette Midler plays Jacqueline Susann, sensationally untalent-ed but best-selling author of the very sensational “Valley of the Dolls.”

Susann has just one goal in life — to be famous. She wants “mass love.” And that’s the problem with the movie. It has clever dialogue and bright direction, but it wants us to love Jackie as much as her adoring husband does (the title is taken from his favorite comment about her). We can feel sympathy for her. She has an autistic child and becomes very ill with breast cancer. It’s fun to see her triumph over her stuffy editor’s urgings on grammar, consistency, and taste. And it is always nice to see someone’s dream come true.

But this dream is so selfish, so trashy, so empty that we just don’t like or believe her. The movie’s point of view seems to be that a fantasy of fabulousness wrapped up in Gucci pantsuits and manicured poodles is enough to engage us. Jackie herself would never have created a character so shallow — not a female character, anyway.

Parents should know that in addition to a sour moral vaccuousness, this movie includes explicit sexual references.

For Black History Month, take a look at this neglected gem about the first black baseball player to play in the major leagues. The primary appeal of this movie is that Robinson plays himself (with Ruby Dee as his wife). It is forthright about the racial issues, but inevitably appears somewhat naive by today’s standards.

Connections: Dee appears as Robinson’s mother in a worthwhile made-for-television movie called “The Court-Martial of Jackie Robinson.” Older kids might enjoy the episode of the Ken Burns “Baseball” series that covers the integration of the major leagues. And mature teens should see “Bingo Long Travelling All-Stars and Motor Kings,” a lively (and sometimes raunchy and violent) story about the last days of baseball’s Negro League.

Tom Selleck and many of preschoolers’ favorite TV figures like Barney, Miss Frizzle of the Magic Schoolbus, the Puzzle Place kids and Sheri Lewis explain concepts like trustworthiness, fairness, caring, and citizenship in this entertaining and enlightening video. It comes with a workbook to help parents reinforce the ideas, and can serve as a good starting point for family discussions of values.

This Oscar-winner for Best Actor and Best Foreign Film is a “fable” is about a father’s love for his wife and son in the midst of the Holocaust. Writer/director Roberto Begnini stars as a Chaplinesque character who charms a beautiful teacher by creating a world of gentle magic around them. The first half of the movie is their sweet love story, with only faint foreshadowing of the tragedies that lie ahead.

But then Begnini and his wife and child are sent to a concentration camp. To protect his son’s life, he teaches him to hide from the guards during the day. To protect his son’s heart, he constructs an elaborate fantasy that they are participating in a very difficult contest to win the ultimate prize, a real tank. And his son finds that this make sense, and he goes along with it.

This movie inspired a lot of controversy from people who said that it was an inaccurate portrayal of the Holocaust, and that it was wrong to set a comedy, even a gentle bittersweet one, in a concentration camp. But the movie is never less than respectful of the suffering during the Holocaust, and of the impossibility of any kind of real portrayal of that experience. Even “Schindler’s List” is not a portrayal of the Holocaust. That experience is fundamentally incomprehensible. The best we can hope for from art is that it gives us glimpses. This movie gives us such a glimpse, but it is really about love, and the indominability of humanity even in the midst of inhumanity.

We often see in life and in movies that people react to extreme adversity by magnifying whatever sense of control they have left — think of Mrs. Van Dam’s focus on her coat in “The Diary of Anne Frank,” absurd in light of the fact that they never go outside, so she has no real need for a coat, but important because somehow she has chosen the coat as a place to locate her sense of herself as not having lost everything. In “Life is Beautiful,” the father focuses on his special talent for creating a feeling of magic to protect his son from the worst reality of the Holocaust, the sense of utter betrayal. Very importantly, he gives his son a sense of control, by letting him think that he has made the choice to participate in the contest. And knowing that he has kept his child’s faith intact gives him a sense of control, and purpose, that keeps him going.

This is an excellent movie for families to watch together, to discuss not just the historical framework but challenges that parents face when they see their children learn about tragedy and unfairness.

One of the most beloved heroines of children’s literature is brought to life in this movie based on the classic series of books by Ludwig Bemelmans about the “twelve little girls in two straight lines” who live in “a small house in Paris that was covered with vines,” and especially “the smallest one,” Madeline. Bemelmans’ gorgeous water colors turn into gorgeously photographed Paris, set vaguely in the 1950s, setting the stage for Madeline’s night-time race to the hospital for an appendectomy, her fall into the Seine and rescue by the brave dog Genevive, and her adventures with Pepito, the son of the Spanish ambassador. Frances McDormand (whose performance in “Fargo” won an Oscar) plays Miss Clavel, the nun who cares for her charges with imagination, wisdom, and love, and courage. Nigel Hawthorne (of “The Madness of King George”) plays stern Lord Covington, who wants to sell the small house covered with vines and close down the school.

Young children, especially fans of the books, will enjoy the film. Newcomer Hetty Jones is a spunky Madeline, brave enough to say “Pooh Pooh” to a tiger, smart enough to know that if she asks Pepito to be extra quiet he will find some way to do something noisy, and determined enough to find a way to stop Lord Covington from selling the school his late wife loved so dearly.

Parental concerns: Miss Clavel’s tolerance of the girls’ misbehavior (a riotous debate over whether the girls should eat a chicken Madeline had seen before it was killed, a late night kitchen raid), a kidnapping that younger children might find scary, and the overall absence of parents (Pepito’s parents are loving but rather neglectful, Madeline is an orphan).