Dorothy Dandridge was one of the most beautiful and talented movie stars of the early 1950’s, a woman of mesmerizing star power as a singer and actress. She was the first African-American woman to be nominated for an Oscar as Best Actress (for Carmen Jones). Like her contemporary, Marilyn Monroe, she was a sex symbol whose own life was filled with loss and betrayal, and she died young of an accidental drug overdose.
On her birthday, let’s remember her at her best, as the fiery Carmen Jones, as the devoted teacher at a segregated school in “Bright Road,” and opposite Sidney Poitier in “Porgy and Bess.” And be sure to see Halle Berry’s magnificent performance in Introducing Dorothy Dandridge, with Bret Spiner as her devoted manager, Earl Mills.
Interviews about ‘Adam’ — Hugh Dancy and Rose Byrne
Posted on August 6, 2009 at 8:00 am
Hugh Dancy plays the title role in “Adam,” the story of a man with Asperger Syndrome, a form of social dyslexia that is on the autism spectrum. As the movie begins, Adam’s father has just died and he must learn to function on his own. Rose Byrne plays Beth, his new neighbor, who finds Adam’s inability to say anything but the literal truth an appealing quality because of her own losses and disappointments.
Hugh, one thing that really struck me in your performance was your walk, which really communicated a lot about the character. How did that develop?
It was a less conscious process than you might imagine. I never walked in my apt seven different ways to try to develop the right one. It was more learning the ways in which people are and are not tactile, being aware of the feeling of certain clothing, observation, obviously, and instinct. The first scene we filmed was the first one in the movie, the scene at my father’s grave. I waited until the camera was rolling and then had to walk away.
I was also impressed with your American accent and way of speaking — very different from the American accent you did in “The Jane Austen Book Club.”
It was as much about figuring out the voice as the accent. What I worked on was the delivery and tonality that is fairly typical of that condition. Getting that right and getting the rhythms right is what really mattered.
Tell me about what made you want to do this film.
What drew me to it was the way the character was treated, as a character as a bunch of symptoms. He is not labeled, until a good third of the way into the film, so you get to know him before you hear what his diagnosis is.
I understand that you and your fiancee, Claire Danes, have now both played characters with Asperger Syndrome.
She plays Temple Grandin in an HBO biopic. I had already finished this film before she took the role, so we shared research and we discussed both characters with each other.
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Rose, Adam is such an unusual and fascinating character that it must have been a challenge to make Beth and her concerns carry as much weight in the story. How did you make that work?
Beth had a crappy relationship with guys and a father who was overbearing and larger than life. Adam was the antithesis of all the people she was exposed to. And it was important that the romance took a while. That helped to make her role in the story stronger.
I was very interested in the way Beth’s clothes helped to convey her character. How did you work with the costume designer to determine what would best tell her story?
We talked about it a lot. Alysia Raycraft designed the costumes and she jumped at the chance to be creative with Beth and a little eccentric with the clothing. Beth favors vintage clothing, second hand things. We are a little surprised when we see how wealthy her parents’ home is because her clothes and apartment show that she has eschewed her middleclass-ness. A lot of the clothes were mine. Prada heels weren’t in the budget!
Oscar-winner Karl Malden died today at age 97. Read the superb obituaries from Adam Bernstein of the Washington Post and Jim Cheng of USA Today. Bernstein described his appeal very well, saying Malden “excelled in plainspoken, working-class roles.” He had a wonderful integrity and sincerity — which is why he became a spokesman for American Express Travelers Checks for 21 years. No one ever said, “Don’t leave home without it” with more conviction.
I think my favorite Malden performance was the idealistic priest in “On the Waterfront.” He played a clergyman again in another of my favorites, “Pollyanna.” Talk about fire and brimstone!