50 First Dates

Posted on February 10, 2004 at 7:31 pm

C+
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated PG-13 on appeal for crude sexual humor and drug references
Profanity: Very strong and crude language for a PG-13
Alcohol/ Drugs: Drinking, drug use, drug humor
Violence/ Scariness: A lot of comic violence, many people hit in the head
Diversity Issues: Diverse characters, disabilities used for humor
Date Released to Theaters: 2004
Date Released to DVD: 2004
Amazon.com ASIN: B0001Z3TXE

Lucy (Drew Barrymore) wakes up every morning with no memory of anything that happened since her brain was injured in a car crash 18 months before. For the rest of us, everything that happens in this movie is just too, too familiar.

Yes, it’s another Adam Sandler movie, which means that a sweet but very immature man will fall for a winsome young lady amidst many, many, many attempts to find humor in sexual orientation, the impact of steroid use on sexual function, the relative merits of different sexual partners, getting walloped on the head, getting walloped on the stomach, getting bit by a shark, various physical disabilities and impairments, and more references to penis size and sexual stamina than an e-mailbox full of spam.

Sandler plays Henry Roth, an affable marine veterinarian at a Hawaiian acquarium whose only long-lasting relationships are with the walruses and penguins and with the goofy guy who cleans the tanks (Rob Schneider). Henry has many, many short-term relationships with female tourists, which keep him safe from commitment. Then he meets Lucy, whose short-term memory impairment makes it impossible for her to make any kind of commitment. He can’t break her heart because no matter what happens, she won’t remember him. But he falls in love with her. The girl who can’t remember is the one he can’t forget.

Barrymore is as delicious as ever, and, as in The Wedding Singer, she and Sandler have an easy chemistry that showcases their offbeat appeal. Even with an exceptionally sweet and tender romantic conclusion, some audience members will find there is too little romance and too much gross-out humor (did I mention the part where the walrus barfs all over the sexually frustrated but mannish woman with an accent?). Then there are some who will think the romance is just a distraction while waiting for the next joke about penis size. Some will be sorry about the waste of talented performers like Dan (“Saturday Night Live”) Ackroyd, as Lucy’s doctor, and Sean (Lord of the Rings) Astin as Lucy’s lisping, steroid-using brother. There may also be some who just wish everyone would get out of the way of the beautiful Hawaiian scenery. This movie has something to disappoint just about everyone.

Parents should know that this movie has exceptionally gross and crude humor, with extremely strong language for a PG-13 and comments that could be considered homophobic. Humor is drawn from drug use, disability, and injury, all portrayed as grotesque, including a clouded eyeball and a lisp. There are sexual references and situations. The movie includes a tragic car crash and comic violence, including a gross sharkbite wound and many, many very hard bonks on the head. Those who have not yet seen The Sixth Sense should know that this movie gives away the surprise. One positive note is that diverse characters demonstrate compassion and loyalty.

Families who see this movie should talk about the memories they would put into a book or tape like the one Henry makes for Lucy. How does your family try to help the members who have injuries or disabilities? They might want to talk about the way that Henry tried to protect his feelings with casual affairs and why that became unsatisfying for him. Families might be interested in more serious treatments of brain dysfunction like Lucy’s. In the book that became Awakenings Oliver Sachs also wrote about a patient with short term memory loss, which inspired the legendary Harold Pinter to write “A Kind of Alaska.” A syrupy but touching book by Nicholas Sparks called The Notebook describes a couple like Henry and Lucy.

Families who enjoy this movie will also enjoy seeing Barrymore and Sandler together in The Wedding Singer. They will have fun with another comedy about someone who lives the same day over and over in Groundhog Day and another comedy about men who have many short-term relationships, Dirty Rotten Scoundrels. Families might like to compare Lucy to Dory in Finding Nemo — including the fact that both appear in movies with characters named Marlin!

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Movies -- format

Ever After

Posted on December 13, 2002 at 5:16 am

Drew Barrymore plays Danielle, according to her great-great-great grand- daughter the real inspiration for the story of Cinderella. Just as in the classic fairy tale, Danielle lives with her mean step-mother and step- sisters, after the death of her beloved father. They force her to do all the work. She meets the prince, goes to the ball wearing glass slippers, and runs away before midnight. But there are some big differences. No pumpkin coach, no fairy godmother, and no bibbity-bobbity-boo. This heroine is not meekly obedient. She stays on because she wants to take care of her home and the people who work there, because it makes her feel close to her father, and because she still hopes that somehow she will find approval from the only mother she has ever known.

The step-mother, played by Anjelica Houston in her most evil “The Witches” mode, is not going to give it to her. She tells Danielle that she sees her as a pebble in her shoe. All she cares about is making sure that the prince chooses her elder daughter, Marguerite (Megan Dodd), as his bride. She is willing to lie, cheat, and steal to make it happen.

Meanwhile, the Prince (Dougray Scott) is not quite Charming. He appears arrogant, but is really just lonely and aimless. His parents want him to marry the princess of Spain, to cement a strategic alliance, but he wants to fall in love. He meets Danielle when she is in disguise as a courtier, to rescue a family servant sold by her step-mother to pay her debts, and he is very taken by Danielle’s passion and intellect.

The stepmother finds out about their relationship, and does her best to thwart it. When the prince finds out that Danielle is not really of noble birth, he is furious, at first. But it all ends happily ever after, even without a fairy godmother (though with a little help from Leonardo da Vinci).

Sumptuously filmed at medieval castles and chateaux, with gorgeous costumes, this is is a pleasure for the eye as well as the spirit. Danielle is a very modern heroine, smart, brave, honest, and able to save her prince as well as herself, if necessary. The script is clever (though wildly anachronistic in places), and while the accents come and go (and why do French characters speak with English accents, anyway?), the performances are excellent, with particularly engaging turns by Melanie Lynskey as the sympathetic younger step-sister and Judy Parfitt as the queen. It is one of the most delightful family movies of the year, maybe of all time.

Parents should note that some profanity in the theatrical release has been removed to secure a PG rating for the video, but there is still one expletive. There is some action violence, and a sad onscreen death. The plot may be a challenge to younger children, especially those expecting the story they know, so it is a good idea to prepare them, which can lead to a good discussion of different versions and points of view. Older children will enjoy Ella, Enchanted, by Gail Carson Levine, a different modern retelling of the Cinderella story. And everyone should see the more traditional versions, especially the wonderful Disney cartoon and the Rogers and Hammerstein musical starring Lesley Anne Warren in the original and Brandy and Whitney Houston in the remake.

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Drama Fantasy For the Whole Family Romance

Never Been Kissed

Posted on December 13, 2002 at 5:16 am

Drew Barrymore is completely adorable in this completely adorable story about Josie, a former high school ugly duckling, now a copy editor for the Chicago Sun Times. She wants to prove herself as a reporter and her first assignment is to go undercover as a high school student to report on what is going on in the lives of teenagers.

She finds that more than proving herself as a reporter, she wants to use her adult competence to triumph over her hideously humiliating memories of being unpopular (her nickname was “Josie Grossie”) and find a way to fit in. But it turns out that the skills it takes to succeed as an adult have nothing to do with the skills it takes to succeed in high school. When she does find a place with “The Denominators,” the school’s brainy (nerdy) crowd, she is happy. But pressed by her editor to fit in with the cool kids, she relives her old experience of frustration and embarassment.

Meanwhile, her brother Rob (David Arquette in his most appealing performance), has found that the skills that made him very successful in high school have been of no use since. Wanting to help Josie — and to return to the place where he was happiest — he, too enrolls in the high school, and is not only immediately dubbed “cool” by the entire student body, he is able to make Josie cool, too.

Josie is at last noticed by the most popular boy in school, and is thrilled when he invites her to the prom. And she begins to fall in love with her handsome English teacher. Her entire office is mesmerized by her daily adventures, which they watch through a hidden camera.

All of the predictable complications ensue, and all are resolved in a finale that is more romantic than persuasive, but fun.

This is the best of the recent spate of teen-centered comedies, with a genuinely sweet and romantic story and some perceptive comments about life in high school. It also has a heroine who believes in waiting for the right person to kiss, even if that wait takes quite a while.

Parents should know that there are some sexual references (Josie’s friend at the office brags about her sex life, but envies Josie’s views on love) and that in one scene Josie unknowingly eats some hash brownies and as a result behaves very foolishly. A “sex talk” is played for humor, and involved putting condoms on bananas. A young girl offers to have sex with Rob. He is clearly tempted, but knows that it would be wrong, and he turns her down. In general, however, this movie’s values are of self-respect and of making decisions about sexual involvement based on love and maturity.

Families who see this movie should talk about why high school is such a clique-ish stage of life, and what kids think will be different in college and afterward. Why did Josie want so badly to meet the limited standards of high school popularity? Why did her friends at work envy her? Why didn’t she tell the truth earlier?

Families who enjoy this movie will also enjoy Barrymore’s “Ever After.”

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Comedy High School Romance
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