The New York Times asked some of the stars of the big fall movies what movies they like to watch when they’re feeling down. Two of them picked “The Lion King” but for different reasons. Interestingly, most picked movies that meant a lot to them when they were kids, suggesting that it is partly about the content of the film but partly about taking them back in time that they find comforting. Perhaps the most surprising answer — and my favorite, though I’d never find that movie cheering — is from Tim Blake Nelson, who picks the documentary about underground comix legend R. Crumb. Nelson, who is a writer as well as an actor, expresses so beautifully what moves him about the film and about Crumb’s life.

In spite of a family whose level of dysfunction honestly cannot be described in words — making the film all the more essential — and a welter of his own debilitating social issues, R. Crumb remains resolutely true to who and what he is. His resilience and perseverance result in drawings as lacerating as Daumier’s, as distinct as Toulouse-Lautrec’s, and as beautifully, tragically human as Schiele’s — mostly in the milieu of underground countercultural cartoons and illustrations. The movie ultimately provides great hope in its depiction of an artist who simply won’t compromise, and who furnishes a way of seeing the culture that has impacted popular aesthetics to this day. As sad as it is, this makes “Crumb” one of the more strangely uplifting films I can name.