I love to read other critics’ reviews. When movies are good, they’re very, very good, but when movies are bad, they’re better. Paris Hilton’s new movie, The Hottie & the Nottie at least inspired two of my favorite critics and gave them a chance to demonstrate their own insight and humor. Now that’s hot.
Jeanette Catsoulis in the New York Times:

One would think that after increasingly embarrassing forays into reality television, the Internet and the penitentiary, Paris Hilton might have taken a moment to reflect on her choices. Or perhaps not: with “The Hottie & the Nottie” Ms. Hilton proves yet again that introspection — not to mention shame — is as alien to her as a life without paparazzi. Custom designed for its smirking star (who is also an executive producer), this tasteless train wreck asks only that she preen and prance on cue.

Desson Thomson in the Washington Post:

“Hottie” could have been a witty, playful affair in which love is played up against beauty and Hilton’s larger-than-life presence is the inside joke at the heart of everything. But Nate’s quest to end up with Cristabel is as hopeless as Wile E. Coyote’s, forever chasing that elusive Road Runner. That he gets close enough even to befriend her is laughable. Like Nate, we are mere Notties. And we are supposed to feel oh-so privileged for getting to watch Paris through the glass.