Tower Heist

Posted on November 4, 2011 at 10:09 am

If the Occupy Wall Street crowd decided to make it movie it would be “Tower Heist,” the story of 99%-ers stealing back from a 1% guy what he stole from them.

Alan Alda has a lot of fun playing a bad guy for a change, a Madoff-style villain named Arthur Shaw who takes a daily swim in his rooftop pool with an enormous painting of a hundred dollar bill along the bottom. He lives in the penthouse of a luxury building in New York with an attentive staff under the perfectionist eye of building manager Josh Kovacs (Ben Stiller). The employees entrusted him with their pension money and when he is arrested for securities fraud they realize that the money they saved and counted on for retirement has disappeared. Luther, the doorman (Stephen McKinley Henderson) is so disconsolate he attempts suicide. And Josh is so frustrated and furious that he plots a heist to steal some of their money back, with the help of a lowlife neighbor named Slide (Eddie Murphy, who co-produced). Josh has spent years protecting Shaw and the other wealthy residents of the building by creating an unbreakable security system. And he has spent years losing to Shaw in their online chess game. Will he be able to take Shaw’s king?

Co-scripter Ted Griffin wrote “Oceans 11” so he knows that heist films depend on three things: (1) We have to be on the side of the thieves and it helps to have them steal from an arrogant bad guy. Check. (2) It has to be a challenge with some enormous logistical obstacles to outsmart. Check. And (3) there have to be some unexpected problems for our anti-heroes to solve as the caper is underway. Check again.

It is a pleasure to see Eddie Murphy, who co-produced, funny again in a live action film, playing a character who might be an older, less smooth relative of his “48 Hours” Reggie Hammond. Instead of trying to play all the parts himself, he blends into a top-notch ensemble cast that includes Téa Leoni as an FBI agent, Gabourey Sidibe of “Precious” as a maid who is handy with locks, an abashed Matthew Broderick as a failed Wall Streeter evicted from the building, and Michael Peña and Casey Affleck as accomplices. We could use a lot more Leoni (any movie could use more Leoni) and the conclusion feels awkwardly tacked on, but it is timely and fun.

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Comedy Crime

Ghost Town

Posted on December 30, 2008 at 8:30 am

Bertram Pincus, D.D.S. sees dead people. And he’s very crabby about it.

Bertram (Ricky Gervais, creator and star of the original British version of “The Office”) doesn’t much like any kind of people, living or dead. He likes being a dentist because the people he deals with mostly have their mouths full of cotton. After a bad reaction to the anesthetic during a colonoscopy has him “dead” for seven minutes, he can suddenly see ghosts everywhere and they start following him around like the Verizon wireless network. They all want him to do something so that they can rest in peace but he has no more interest in helping them than he does with the living humans in his life, including his partner, his patients, or the very pretty woman who lives in his building.

It turns out she is Gwen (TÃ©a Leoni ). Her late husband Frank (Greg Kinnear) is the most persistent of the ghosts because he wants Bertram to stop Gwen from marrying a human rights lawyer (Billy Campbell). Betram decides the only way to do that is to woo her himself.

The story is creaky and predicatable — a little humiliation humor here, a little learning that it’s relationships that matter there, not to mention the colonoscopy humor. Director David Koepp is better known as a screenwriter (“Spider-Man” and “Indiana Jones and the Kingdom of the Crystal Skull”). The script is over-long and clunky and his visual sense is a little claustrophobic and sit-com-ish. But Gervais and Leoni are so completely charming that they make it work. It isn’t often that you see a couple really connect in a movie. Usually that moment is glossed over with a syrupy montage or having them discover that they both collect bottle caps or something. But here the easy and genuine (and sometimes politically incorrect) laughter Bertram and Gwen share keeps us smiling with them.

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Hollywood Ending

Posted on December 13, 2002 at 5:17 am

Woody Allen’s films seem to get whispier and more ephemeral every year. For all its small pleasures “Hollywood Ending” is so light it nearly floats off the screen.

Allen plays Val, a movie director who is brilliant but so neurotic that no one will work with him. His ex-wife, Ellie (Tea Leoni) arranges for him to have one last chance to direct — a movie set in New York that seems perfect for him. Her new boyfriend Hal (Treat Williams) is reluctant to trust Val with a $60 million movie, but he goes along with it because Ellie wants Val to do it, and he trusts her to keep Val under control.

The problem is that Val is so neurotic that just before the film is supposed to begin shooting, he develops hysterical blindness. His agent, Al (real-life movie director Mark Rydell) persuades him that blindness is no reason not to go ahead and make the movie.

So, Val shoots the movie. The only people who know the truth are Al and a Chinese student hired to translate for the cameraman, who does not speak English. Despite the fact that the director never looks anyone in the eye and his directions make no sense, everyone keeps talkng about his artistic “vision” and his leading lady tells him that she loves the way he looks at her.

Various mix-ups and pratfalls later, the movie turns out to be a $60 million mess, but there is indeed a Hollywood ending and almost everyone lives happily ever after.

Allen gets a lot of credit for poking fun at his own reputation, and there are a couple of movie industry jokes that will be funny for anyone who watches “Entertainment Tonight” or reads “People.” The movie has some great lines and some funny scenes, especially when Val and Ellie get together for their first business meeting and it keeps exploding into recrimination about their divorce. “Will and Grace’s” Deborah Messing is delicious as Val’s airhead girlfriend, who does leg stretches while she talks on the phone and whose only response to hearing that he is breaking up with her is, “Am I still in the movie?”

Overall, though, the movie feels a little tired. Not one character is as distinctive as any of Anne Hall’s family members or the robots in “Sleeper.” This is middle of the road Woody Allen — a pleasant diversion for his fans, but it won’t make any new ones.

Parents should know that the move has some sexual references and situations, including adultery. There is some strong language and a reference to drug use.

Families who see this movie should talk about why people sometimes put up obstacles to realizing their dreams. What made Val decide to reconcile with his son? Why wasn’t it possible earlier? Why did Woody Allen name the male characters Val, Al, and Hal?

Families who enjoy this movie will also enjoy “Curse of the Jade Scorpion,” “Sleeper,” and “Take the Money and Run.”

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Comedy Drama Satire