The Real Story: Jordan Belfort, The Wolf of Wall Street

Posted on December 19, 2013 at 8:00 am

The most outrageous, over-the-top, and insanely unbelievable parts of Martin Scorsese’s new film, “The Wolf of Wall Street,” are true.  At least they are true as reported by the man portrayed by Leonardo DiCaprio in the film, Jordan Belfort, who told his own story in his book of the same name.  Massive fraud, massive substance abuse, massive money and massive spending, plus hookers, midget-tossing, secret Swiss bank accounts, and then more of all of the above.  He crashed a helicopter landing at his mansion when he was high.  He sank a yacht once owned by Coco Chanel when he was high.  He was high a lot, addicted to Quaaludes and taking up to 20 different drugs.

And he swindled people out of about $200 million.  In theory, he is supposed to contribute 50 percent of everything he makes to restitution for his victims, many of whom were financially ruined by being conned into buying terrible investments and not being able to sell out of them before they crashed because Belfort was selling his own shares first.  Of course, this is completely illegal.  Many people have criticized the film for glamorizing criminal behavior, including the daughter of one of Belfort’s co-conspirators.  Scorsese is reportedly going to add a cautionary statement to the film, but as is shown in the film itself, even a story in Forbes accusing Belfort of selling dodgy stocks at the time only resulted in more people wanting to come to work for him.  The point of view of the movie, for anyone who is paying attention, is no more on the side of Belfort than it was on the side of the crooks in “Goodfellas.”  His narrative voice is appealing because he is (somewhat) honest about his dishonesty, but it is not because he has any integrity.  He either does not see the point or he just doesn’t care.

There are those who will not be paying attention and will get the wrong message, either because they are dazzled by the lifestyles of the rich and crooked or because they are sociopaths in suits.  And there are those who will pay Belfort to give “motivational” speeches — not about taking responsibility for the harm he has caused but about making a lot of money. As Michael Maiello of Esquire Magazine put it: “He used to sell worthless stocks, now he sells himself.” 

Belfort is a crook, a liar, and a cheat with no regard for anyone but himself.  If this is how we treat/see him, we have to take responsibility, too.  He uses the words “loyal” and”loyalty” on nearly every page of the book and seems to have no sense of his own conscienceless and narcissistic lack of loyalty to anyone but himself, not his father, not his wife, not his partners, and certainly not his customers and clients.  When he saves the life of one of his colleagues (the version in the movie is exaggerated and it is is a different character and did not involve the “Popeye” element, but it did happen), his primary concern is whether the first responders and his wife will call him a “hero” enough times. Those who think there is anything to imitate in this movie should listen to the people whose lives were destroyed, like the wife of Belfort’s closest colleague (played by Jonah Hill in the film), and the customers who trusted him.

Jordan Belfort was a dental school drop-out turned salesman who founded a brokerage firm with the impeccably WASP-y sounding name of Stratton Oakmont.  He had learned some important lessons in his brief career at a legitimate firm.  First, as told to him on his first day by a broker played by Matthew McConaughey, no one knows whether stocks are going up or down and the primary purpose of brokerage houses is to remove money from customers and keep as much as possible.  Second, he found as he lost that job that he could have his own firm.

Because he spent years wearing a wire and testifying against his former colleagues (the movie makes it seem as though he tried to warn them but he did not), Belfort spent less than two years in prison, where he met Cheech and Chong’s Tommy Chong (serving a sentence for selling drug paraphernalia), who introduced him to an agent.  Belfort has now written two best-sellers (making over $2 million for the books and movie rights), travels around the world as a highly-paid motivational speaker, and is being played by Leo in a movie made by Scorsese.  New York Magazine writes:

According to a judge’s order, half of everything Belfort earns must go to the $110 million he is obligated to pay back to the more than 1,500 investors he fleeced. It’s a hefty order to fill, and according to the government Belfort has been negligent in his payments. Belfort denies he’s hiding money from the government—a skill he once perfected on Wall Street—and currently the parties are working toward a resolution. Belfort says he’s not making a nickel off his story and has signed over all proceeds and profits to the government.

LA Weekly reports:

On Oct. 11 Loretta Lynch, the U.S. attorney for the Eastern District of New York, filed a motion asking a judge to declare Belfort in default of his restitution obligations. The motion said that Belfort had only paid restitution of $243,000 over the last four years — despite income of $1.7 million from his two memoirs and the sale of the film rights, plus an additional $24,000 from motivational speaking fees.

Of the $11.6 million he’s paid as restitution so far, prosecutors allege, $10.4 million came immediately from forfeited properties, including several houses, cars and boats Belfort was forced to turn over to the government after being arrested.

His payments have slowed to a trickle in recent years, his attorney Robert Begleiter claims, because the agreement mandating he pay 50 percent of his income expired when his probation ended in 2009.

Of course, no prosecutor would ever agree to ridiculous terms like that and Belfort’s lawyer has not produced any documentation.  I assume this is a delay tactic to enable him to hide his assets again.  They’ve changed the laws that protected Swiss bank accounts, so I hope they are searching the Cayman Islands and other notorious jurisdictions popular for hiding money.  I also hope he goes back to prison, this time one without a tennis court.

The federal investigator who spent years on Belfort’s case has to admit he is good at what he does.

“From a moral perspective, he was a reprehensible human being,” says Greg Coleman, the FBI special agent who made the case against Belfort. A specialist in financial frauds and money laundering, Coleman has been an agent with the Bureau for more than twenty years. “Admiration would be the wrong word, but from the perspective of manipulating the market, he’s one of the best there is,” Coleman says of Belfort….Agent and cooperating witness stay in touch, going out to dinner every so often when their schedules allow. “He tells a good story,” Coleman says of Belfort.

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The Real Story: Inside Llewyn Davis

Posted on December 16, 2013 at 8:00 am

“Inside Llewyn Davis” is not a true story but elements of the plot and characters are based on real-life folk music characters and locations from the 1960’s.   The Coen Brothers painstakingly re-created the settings of the era and recorded all the songs live to give them a more organic, authentic feeling.  The Guardian has a guide to the places visited by the title character for performing, scrounging, and arguing.  The title character, played by Oscar Isaac, is inspired in part by Dave van Ronk, whose book, The Mayor of MacDougal Street, tells the story the 1960’s folk music scene in Greenwich Village, with encounters with young stars-to-be like Bob Dylan and Joni Mitchell and older luminaries like Woody Guthrie and Odetta. Isaac does not look or sing like the 6’5″ van Ronk.  According to Rolling Stone:

Inside Llewyn Davis slips in more than a few details from Van Ronk’s memoir. Like Van Ronk, Davis spends time in the merchant marines, schleps to Chicago to unsuccessfully audition for the famed Gate of Horn club, rejects the idea of joining a Peter, Paul and Mary-style folk group, and complains to the head of his record company that he’s so broke he can’t afford a winter coat. Those close to Van Ronk insist that the troubled, largely solipsistic Davis, who spends the film dealing with a traumatic personal event, couldn’t be further from Van Ronk. “That character is simply not Dave,” says Wald. “People slept on his couch — he didn’t sleep on theirs. And the reason Dave became who he was in the Village was the way he welcomed anyone who cared about the music. Llewyn is clearly not that guy.”

Here van Ronk sings one of the songs performed by Oscar Isaac in the film.

Van Ronk’s former wife wrote about what the movie does and does not get right for LA Weekly.

There’s no suggestion that these people love the music they play, none that they play music for fun or have jam sessions, not a smidgen of the collegiality that marked that period.

Musicians supported each other. David and I had hordes of people in our apartment several times a week, many of them folksingers, many of them uninvited drop-ins who always were welcomed. I cooked; we talked politics; the musicians played. They introduced new songs and arrangements and often jammed. We had fun. If a new club opened, folksingers told each other about it and recommended one another to the club owner. When a new coffeehouse in Pennsylvania stiffed David, Tom Paxton refused to play there until David was paid. (He wasn’t and Tom didn’t.) When I received a series of obscene phone calls and the police said they couldn’t do anything, Gaslight performers “babysat” while I stayed home to study for graduate exams. Noel Stookey, Tom Paxton, Hugh Romney (later known as Wavy Gravy), Len Chandler, and others came over between their sets and hung out while I worked.

In the 1950s and ’60s, there were other folk-music scenes. The old-timey musicians; the bluegrass people; the people around Alan Block’s sandal shop; the people the real Jim and Jean hung out with. There was some interaction, but even if the people in those groups didn’t see each other daily or weekly, there was goodwill. No one would know that fromInside Llewyn Davis.

T. Bone Burnett produced the movie’s magnificent score, including a performance of “500 Miles” by a trio (Justin Timberlake, Carey Mulligan, and Stark Sands) that is reminiscent of Peter, Paul, and Mary.

http://www.youtube.com/watch?v=bwB2A9HHaCU

Broadway star Stark Sands plays a GI turned singer who shares a history with former soldier Tom Paxton and sings one of Paxton’s best-known songs, “The Last Thing on my Mind.”

 

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The Real Story: Dallas Buyer’s Club and Ron Woodroof

Posted on November 4, 2013 at 3:59 pm

“The Dallas Buyer’s Club” (expanding to wide release this week) stars Matthew McConaughey in the real-life story of Ron Woodroof.  He was a Texas man diagnosed with AIDS in 1986, when there was no safe and effective treatment, and given just one month to live.  He fought not just the disease but the system.  And in the course of his work to find treatment for himself and for other people with AIDS in his community over the next six years, he changed from a hard-living, harder-partying, pleasure-loving bigot to a brave, generous, passionate man of vision and compassion.  He smuggled drugs from Mexico into Texas and exploited a loophole to distribute them.  It was illegal to sell drugs, even legal drugs if they were not prescribed, but at the time it was not illegal to give them away.  Woodroof charged people with AIDS to join a “club” — and then the drugs were free.

The movie was written by Craig Borten, who had the opportunity to interview Woodroof for 20 hours before he died in 1992.  As usually happens in feature film versions of real stories, there were some additions and changes.  Woodroof is depicted as a rodeo competitor in the film, which is not true.  Aisha Harris reports in Slate that “Woodroof was only a rodeo enthusiast, not a rider; these details, as Borten explained to me, were used as a metaphor for his character’s struggle and ability to survive far longer than his doctors said he would—a ‘lassoing of the bull.’”  Two of the film’s most important characters, the sympathetic doctor played by Jennifer Garner and the transgender Rayon played by Jared Leto, each represent several different people who helped Woodroof.

What is true is the most improbable parts of the movie.  A homophobic man who lived entirely for selfish, reckless pleasure became a passionately dedicated activist who challenged the medical and legal system to help people he would previously have feared or hated.

Harris notes that Woodroof’s family, a sister and daughter, were not included in the film.  In an interview with The Daily Mail, his sister said that the photographs of the emaciated McConaughey as Woodroof are painful for her to see.  “The pictures of Matthew are breathtaking though. They look so like what Ronnie looked like when he was sick and how the disease progressed. Matthew is definitely looking like he’s gone down that path. His eyes, that is the main thing, the way he is doing his eyes.  I’m not looking at his body as much as his face and his face certainly taken on the look of someone with AIDS. Matthew is so in character it is unreal.”

 

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12 Years a Slave: The Real Story

Posted on October 21, 2013 at 6:26 pm

Time Magazine has researched the real story behind “12 Years a Slave,” comparing the film to Northrup’s book and found most of it depicted as Northrup described it.  SPOILER ALERT — here are a few of the facts they researched.

Mary Epps injures Patsey in a jealous rage

Ruling: Fiction

Northup does write in his autobiography about Epps’ affection for Patsey (Lupita Nyong’o) — and the jealousy aroused in Epp’s wife. However, he never writes anything about Mary (Sarah Paulson) becoming moved to violence or, as the movie shows, hurling a decanter at her face. Patsey did, however, suffer greatly from Epps’ alternative affection and rage, getting both raped and beaten, especially when Edwin was trying to prove to Mary his lack of affection for Patsy.  

Northup was forced to whip Patsey  

Ruling: Fact

Patsey leaves the plantation to borrow a bar of soap from a neighbor. Epps did not believe Patsey’s story and compelled Northup to whip her as punishment.

Northup is saved, thanks to a letter written by a kind-hearted carpenter named Bass

Ruling: Fact

Samuel Bass (Brad Pitt) did have a discussion with Epps about slavery as portrayed int he movie, leading Northup to believe he could trust Bass with a letter home. Bass sent the letter and had several nighttime meetings with Northup to report back on the letter’s progress. For a good deal of time, the letter received no response, and Bass even offered to go up to Saratoga himself and tell Northup’s friends about the situation once he could afford to do so. However, Northup’s friends received the letter sooner than that: they make the trip South and save Northup.

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An Astronaut on “Gravity”

Posted on October 13, 2013 at 3:21 pm

What do astronauts think of Gravity?  Mark Kelly wrote about his reaction to the George Clooney/Sandra Bullock space movie in the Washington Post.  “I’ve spent a total of 55 days in space so I know what to look for, and Cuarón really was able to capture what it looks like inside and outside of a spacecraft.”

Of course, I would fail you as an astronaut and an amateur film critic if I did not touch on the big misconception of “Gravity.” A key plot point involves a space station falling out of orbit because it was hit by debris. But that just doesn’t happen. Likewise, blowing up stuff in orbit makes a big mess, but it doesn’t send a giant field of shrapnel hurtling at high velocity toward a spacecraft that is circulating Earth in an entirely different orbit.

I can say this with confidence, because I’ve dealt with my fair share of space junk. In January of 2007, China intentionally targeted and destroyed one of its satellites, and it made a big mess in orbit. Six months later, I commanded space shuttle Discovery on a mission to the international space station . As one can imagine, we were concerned about the additional space junk. But we knew that we only had to put some distance between us and the debris.

You also can’t just point at things in space, head off in that direction and expect to get there. In June of 1965, Jim McDivitt tried to rendezvous his Gemini 4 spacecraft with a spent rocket casing — and he failed.

At the time, NASA didn’t understand that by pointing at something and accelerating, you increase your altitude, slow down and instead move away.

Today, we know that the best way to join up with another spacecraft is a slow procedure that takes an entire day in the space shuttle — too long for the supercharged momentum of a movie.

But the truth is, most of this doesn’t matter. Cuarón has given us a glimpse of the awe that is the universe beyond our atmosphere. And physics aside, he does it remarkably well.

 

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