We Own the Night

Posted on February 12, 2008 at 8:00 am

This is a curious hybrid combining contemporary language and violence with a retro set-up right out of a 1930’s James Cagney/Pat O’Brien movie and pulsating undercover law enforcement action of 1970’s films like Serpico and The French Connection.
The story is simple: two brothers find themselves on opposite sides of the war on drugs. Bobby (Joaquin Phoenix), is a nightclub manager with a gorgeous girlfriend (Eva Mendes as Amada). He loves the nightlife, he loves to feel important and respected, and he loves to feel that he is something of a rule-breaker. He loves to feel far away from his law enforcement relatives and has changed his last name to Green so no one will know he has cops in his family. His brother Joseph Grusinsky (Mark Wahlberg) hates anyone who breaks the law, especially drug dealers. his father Burt (Robert Duvall) wants to be proud of both of his sons.


Bobby and Amada show up at Joseph’s promotion ceremony, high and giggling. Joseph, Burt, and some of the other officers take Bobby upstairs to the church sanctuary to ask him to help them capture a drug dealer named Vadim (electrifying newcomer Alex Veadov), nephew of the club’s owner. The owner and his wife have treated Bobby like a member of the family. Bobby refuses — until catastrophe occurs and he has to think about who really is family and whose side he will be on.


Despite a powerful chase scene and some affecting performances, the movie’s retro slant makes it simplistic and superficial. Instead of commenting on the conventions of the past, it awkwardly tries to pretend that they are still in effect.

Parents should know that this movie has intense and graphic peril and violence, including a lot of gunfire. Many characters are wounded and killed. The plot concerns drug dealers and narcotics officers, and characters use and sell drugs, drink, and smoke. They also use strong language. A strength of the movie is its diverse characters, but there are some racial epithets.

Families who see this movie should talk about what made Bobby and Joseph alike and what made them different.

Families who enjoy this movie will also enjoy The Departed and classic crime dramas of the 1930’s like Angels With Dirty Faces.

Related Tags:

 

Drama Thriller

The Martian Child

Posted on February 12, 2008 at 8:00 am

There’s nothing wrong with a little fakery now and then if it smooths out some rough spots and eliminates some distractions. But this film goes past fakery into condescending phoniness that knocks the story off its tracks. What is frustrating is that it is so unnecessary and intrusive. We start out on the side of the characters, John Cusack as David, the grieving widower, a successful writer of science fiction, and Bobby Coleman as Dennis, a troubled orphan who spends all day in a cardboard box and says he comes from Mars. We want them to find a way to connect to each other. But every time the movie has a choice between what might really happen and ramping up the dramatic tension to raise the emotional stakes, it chooses the latter, until we begin to feel less engaged than resentful. My heart was ready to be warmed. But it never got above room temperature.matianchildbig.jpg
David and his wife had planned to adopt a child. After her death, he intends to cancel, but something about the boy in the box reminds him of his own time as a misfit kid. He knows that most people labeled “weird” as children never eradicate the weirdness; they just find a way to push it inside. In a sense, every adult who fits in lives in a kind of a box. Except that Dennis’ box is not only literally labled “Fragile — Handle with Care,” but someone has to point that out, in case we miss the point.
When Dennis says he is afraid of the sun, some ultra-strength sunblock and a gentle game of catch help to coax him out of the box. Dennis says that he is afraid that he will float up into the sky because “Earth’s gravity is weak. Mars is constantly pulling me back,” David creates a weight belt to anchor him to the ground. When he comes to live in David’s house, he tells Dennis to “think of it as a bigger box.”

(more…)

Related Tags:

 

Not specified

No Reservations

Posted on February 12, 2008 at 8:00 am

It may be a three-star movie about a four-star chef, but it is still a sweet summer treat and a great date night hors d’oeuvre.
Kate (Catherine Zeta Jones) just does not understand what everyone’s problem is. All she wants is to have every single detail in her kitchen meet her uncompromising standards. And for every single detail in her life to be as easy for her as coming up with an exquisite new recipe to enchant her foodie groupies. Is that too much to ask?
Apparently, it is, because the owner of the restaurant where Kate presides (one could never say “is employed”) has insisted that she get therapy if she would like to continue to preside. It is not good for business if Kate insults customers who fail to appreciate the subtle flavors and delicate complexities and just want undercooked steak. So, Kate goes to therapy, where she recounts the details of her food preparation in terms so swoonably delectable that for a moment both patient and therapist get a glimpse of a perfectible world. But that would mean a world in which we could be in control. And Kate is reminded of just how little control she has when her adored sister is killed in an automobile accident, leaving Kate as guardian for her young niece, Zoe (Little Miss Sunshine’s Abigail Breslin).

(more…)

Related Tags:

 

Comedy Remake Romance

Interview: Eran Kolirin, writer-director of “The Band’s Visit”

Posted on February 10, 2008 at 8:00 am

“The Band’s Visit” is a bittersweet story about isolation and connections. Israeli writer-director Eran Kolirin talked to me about the movie, his first feature film, which follows an Egyptian police band on their way to perform at an Arab cultural center in Israel who mistakenly end up in the wrong city, an isolated outpost where they have to spend the night.

Was there a true story that inspired this movie?

No, not at all. It began with the image of the main character, dressed in a very strict police uniform singing an Arabic song.

A very strict police uniform? That’s a good way to describe it. The image of those pale blue dress uniforms is so striking.

It was an aestheic decision. It is a movie of contraction most of the time. In the frame, in the picture, there is all this monochromatic scenery, and then there is a man who is totally the opposite.

Are the Egyptians in the movies played by Egyptian actors?

All of the actors are Israelis, but two are Israeli-Palestinian and one is descended from Iraqi Jews. Identity in Israel is very complex. My own family is seven generations in Jerusalem. Sasson Gabai, who plays the Lieutenant-colonel, the leader of the band is Jewish by religion, Israeli from his ID card, but comes from an Arab country so he has an Arab background. Saleh Bakri, who plays one of the other Egyptians is Israeli by nationality, Palestinian from his cultural identify, Arab also, and Muslim from religion.

Were there problems of communication or cultural or political clashes between the actors?

You get along fine when you work together.

band%27s%20visit.jpg

Related Tags:

 

Interview

Andy’s Airplanes: Interview with John Pierre Francia

Posted on February 8, 2008 at 8:30 am

I spoke to producer/creater John Pierre Francia, who was inspired by his experience as a flight instructor to create a new DVD series about a boy who flies a different airplane to a new place every week, learning about geography, history, science and culture, and making new friends.

Andy’s Airplanes is a show and a company centered around a 8-year-old little boy. He is a sweet, loving character with a thirst for adventure and learning and he is kind. Everyone knows and loves Andy because he is interested in the places and people he finds. Most shows have the rude kid. We don’t have the kid with the bad attitude. Though we were told to have more conflict, we believe there’s enough natural conflict, in the logistical challenges he faces. It is enough to see him learn and have adventures. His best friend is Yaygrr, a black-footed ferret. He loves Andy and he’s the pratfall character, the one gets into trouble when he eats too much at the luau. Every time he’s on screen the kids light up.

In Episode 1, Andy flies to the USS Ronald Reagan and learns about aircraft carriers. He participates in a simulated dogfight. He loses pretty quickly to Angel, the admiral’s daughter, and they quickly become friends. Andy is not bothered by being beaten or by a strong girl. In another episode, Andy learns about Polynesian culture and volcanoes and meets Akele and teaches her how to fly. The series has very strong girl characters and there will be recurring roles. Andy might see Angel when he goes to other cities.

Each episiode ends with real kids from the place Andy goes. Our core audience is 2-8 but older kids love the real kids part.

We have a big reading and learning agenda for the series. Kids will learn true aviation principles. We will teach kids about navigation, and that will give them some strong math and science skills. Microsoft is creating a flight simulator plug-in for kids and it will be narrated, so they can fly Andy’s plane.

Related Tags:

 

Interview Movie Mom’s Top Picks for Families
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2024, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik