Interview: Former Congressman Bob Ney of ‘Casino Jack’

Posted on May 5, 2010 at 1:57 pm

Bob Ney was a powerful Congressman (R-Ohio) brought down — and sent to jail — by the Jack Abramoff lobbying scandal. He is featured in “Casino Jack,” the new documentary about what happened. He now has a daily show on talk radio. He spoke to me about his decision to cooperate with the film and what he has learned.
Was this a chance for you to tell your side? Is that why you agreed to participate?
At first, I said I wasn’t going to do it. When I got out of what I call the Bush Housing Program, the federal prison at Morgantown, I had a lot of offers to do different shows and said no to them all, including this. And then I looked at Alex Gibney’s work, the Enron movie and “Taxi to the Dark Side.” I had lived in Iran and in Saudi Arabia and it’s a painful story, but it needed to be told. I met Zena Barakat and agreed to do the IFC story she wanted me to do. She told me Neil Votlz was going to do this film and that it was going to be more than the story of Abramoff, about what’s going on now, where does this lead. So, I think it’s a way for me to give back and second it’s a way of healing for myself and third, hopefully something will come out of it to make some changes.
What kind of change would make a difference? Public financing of elections? Is that the only way to keep the corrupting influence of political contributions out of government?
I didn’t before I resigned from Congress, and I chaired House Administration and oversaw election law. I thought we just needed full transparency. Then we get caught up in the waylay of “if you don’t go to Scotland,” “if you don’t eat at Jack’s restaurant,” the problem is solved. The swamp is drained. But the swamp was drained and re-filled. There’s a lot of good people on the Hill in both parties and I’ve been treated better than I deserve to be. But a lot hasn’t changed. Maybe on the surface it has changed. Maybe nobody’s been indicted. But that doesn’t mean the system has changed. There are still quotas, money from the leaders, more money than ever, and John McCain’s reforms made no difference. It leads me to the thought that there’s got to be something better. We can take care of the ethics, but the money flow is different, and I would now lean toward some type of public financing.
What are you proudest of from your time in Congress?
The help America Vote Act with Stenny Hoyer made it easier to vote and harder to cheat. Some of the housing initiatives I worked on with Maxine Waters, I’m proudest of that. And we tried to make the Capital a better place to be. We tried to make it safe and secure, a better working environment, following 9/11 and the anthrax, secure and safe but still usable.
Tell me about Jack Abramoff and what his motivations were, his judgment.
I think he was very idealistic. He got waylaid somewhere along the line as can happen to anyone. He had a chameleon-like appeal. He was the kind of guy where you had to watch what you had to say in front of him, an Orthodox Jew, so you wouldn’t suspect he would go too far with things. I think he believes some of the things were very justified, people tend to do that. “I’m doing this and that on the Hill, very important things, so certain things are okay.” In his mind I’m not sure that to this day he might not believe he did many things wrong.
That was a shocker. The fact of his religious nature, what he had in his heart, with his faith, he was always involved with some kind of charity. When I saw some of the emails, I thought, “Oh, my God,” that was a shocker.
People might think that a political contribution can make a representative change a vote, but that isn’t the way it works, is it?
In this business, whether it’s Jack Abramoff or the people currently on the Hill, it’s a buying of access. Is there a buying of a vote? There was not one time when Neil or Jack and I exchanged a “I’ll do that and you do this.” If there was, I would have been charged with bribery. That’s when you have $90,000 cash in your freezer. I’m not saying what I did was right. But he didn’t buy my vote with a dinner. There’s a buying of access, though. It goes in multiples. Leaders of both parties give money to members. They’ll say, “You’re really causing a lot of heartburn for us. Those guys have been good to us, help us out.” And you think, “I want to be a committee chairman.” I’ve got to get re-elected. He could help me raise $100,000. If you don’t go along, you might not get that help or they could give it to your opponent. Lobbyists don’t buy votes, but they buy access.
One of the most troubling parts of the movie is when you put statements into the Congressional record in support of SunCruz and critical of its original owner, Gus Boulis, at the request of Abramoff partner Michael Scanlon, onetime communications director for Congressman Tom Delay. It was a favor to someone who gave you a $10,000 contribution.
Neil and I talked, and Scanlon came to Neil. Though Jack badmouthed Scanlon all the time. I didn’t think they were even friends. We had no idea how entangled they were. They wanted something in the Congressional Record. We read it. So what? We put it in there. The Attorney General of Florida bad-mouthed Boulis. So we put it in there. We put it in again when Boulis stepped out.
I had no idea that Abramoff was using that to try to leverage something. I don’t think Neil did either. I trusted him. But we were dumb enough to do it twice. This is the biggest criticism I have of myself. I should have said, “What the hell is going on? Something doesn’t smell right. Something doesn’t feel right.” And then we read Boulis had been shot and killed. I was furious! Neil was furious. What are we into?
What can we do about the corrupting effect of money in politics?
A corporation is not a citizen. The Citizens United decision went too far. But I never liked the John McCain approach, come on. But McCain was touchy about his Keating problem and was going to clean the system up. If he had that problem today I’d have been keeping my bunk at Morgantown warm for him. Citizens United could be an opportunity for the Hill to make some changes but maybe not. They might close a loophole, but they have to keep their campaigns going.
Who are the most significant sources of money in politics?
Financial services is a very powerful group. I’ll give Pharma credit. When they buy access they buy it lock, stock, and barrel. Congress, the Senate, the White House, Republican, Democrat, rich, poor. They get to them all.

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Interview

TV Theme Songs (Part 2)

Posted on May 5, 2010 at 8:00 am

More great TV show theme songs! This time, I’m going to focus on shows about cops and detectives and crime.

The “Hawaii Five-O” theme suggests the pounding surf and adrenalin.

The theme of “The Rockford Files” has its hero’s rumpled charm.

No one wrote better theme music than Lalo Schifrin. His most famous is probably the theme for “Mission Impossible.” But I love his theme for “Mannix.”

The cool jazz theme for “The Man from UNCLE” gave it a James Bond feeling.

The trailer for the new “A-Team” movie has a nice reference to the classic theme with its slightly military tone.

Jan Hammer’s techno theme song for “Miami Vice” was electrifying.

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Television

Interview: Rich Christiano of ‘The Secrets of Jonathan Sperry’

Posted on May 4, 2010 at 1:59 pm

I spoke to writer-director Rich Christiano about making — and marketing — faith-based films.
You were really a one-man show behind the scenes for this film.
We have a good production team and worked hard on the distribution. This the third film we’ve put out theatrically. We learned a lot doing it. It played over 300 screens. We lot local churches to sponsor the movie in their cities. The churches that put forth the effort did well. We also worked with Christian radio. In Dayton, Ohio we ran 22 weeks because the radio station got the word out. In another city there was a pastor who really got behind the film and we did really well there. Promotion is the hardest part of it. We made sure we had local groups pushing the movie.
Is there a big audience for faith-based films?
The inspirational films have a lot of upside. One-third of this country goes to church each week and that’s our marketplace. And they’re an under-served audience. If everyone who goes to church would see our movie, we’d have “Avatar” numbers. Our society has changed over the last 20 years. If I’d told you back then there would be a weather channel, you would not have believed it. The Christian consumer group is now becoming more and more a player. They audience wants to watch these films; they just need to know they are there.
What do you hear about the way audiences respond to this film?
We’ve had wonderful reactions. There’s an emphasis to read the Gospel of John in the film. I heard from a lady who said her eight-year-old came home from the movie and read the Gospel of John. Then he wanted to go to Bible study like the boys in the movie. Another woman said her husband had drifted from the Lord. But when he came home he said three words that really lifted her spirit: “Where’s my Bible?” A 60-year-old lady told me her sister was visiting from Scotland and that she’d never, ever seen her cry until she saw this film. One of our sponsors in Fort Worth, Texas took his daughter to the film. When she saw a character change in the film, she told her father she wanted to show that she had been changed. There’s a strong message of forgiveness in this film. We’ve shown it in prison. Several of the prisoners wrote me a letter.
What can a movie convey better than a book or a sermon?
The church needs to recognize how powerful the audio-visual really is. I spoke to a man who was a church-goer and asked him if he could remember what his pastor preached a month ago. He couldn’t. I asked him if he could tell me about “The Wizard of Oz.” Even though he had not seen it for 15 years, he could remember all of the details.
Movies manipulate us, affect us, influence us. Most movies influence people away from the Lord. I want to use them to influence people for the Lord. There’s a spiritual battle going on and the Message of Christ is always being snuffed out. Movies are an entertainment medium, but every movie is religious because every movie has standards, every movie has a message about those standards. We’re trying to put forth films that are entertaining but put forth a message for the Lord, to inspire, to challenge thinking, to provoke spiritually, to make people think about eternity.
It was nice to see the film set in 1970 because that lends it a simplicity that suits its themes.
There’s no cell phones, no text messaging, no X-Box. I showed opening credits over pictures like old-school film-making. It’s like Mayberry with Bible study. It’s a throwback. It’s not edgy. It’s simply shot, no visual effects. It’s story-driven. It’s not an action film. It’s got laughs. And it’s got heart.

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Directors Interview Spiritual films

Leap Year

Posted on May 4, 2010 at 8:20 am

A movie’s premise can be implausible and still work. The audience does not have to buy into whatever it is that the hero and heroine are after long as we believe that the movie’s characters believe in it. But in “Leap Year,” the premise and its ensuing complications are so preposterous that it just can’t work, despite the best efforts of its adorable leads and postcard-pretty settings. It has become something of a tradition to lead off the year with a weak romantic comedy, and we can cross the 2010 edition off the list.

The ones to blame here are screenwriters Deborah Kaplan and Harry Elfont, also responsible for the mind-numbingly painful Surviving Christmas and Made of Honor. Once, many years ago, they made a fresh and endearing little film about a high school graduation party with a cast of promising newcomers and a soundtrack of unexpected treats. That was “Can’t Hardly Wait.” But since then, they have made one formulaic, synthetic failure after another.

Their first movie had heart. Everything since then has been about what can get studio approval. These are “elevator pitch” movies — the premise is based on a successful film and can be summarized in an elevator ride, and the deal-makers rely on established stars with a lot of appeal to make it work. Their last movie tweaked “My Best Friend’s Wedding” by making the BFF who wanted to stop the nuptials the guy. This one takes the idea of the glossy “French Kiss,” the classics “I Know Where I’m Going” and “It Happened One Night” and about two dozen other squabbling-couple-dealing-with-a-disaster-prone-journey movies and, as Woody Allen once said of his mother’s cooking, “puts it through the de-flavorizing machine.”

Amy Adams in full twinkle mode plays Anna. She is, predictably, uptight, a bit of a control freak, and dying to have her perfect-on-paper boyfriend propose to her. But alas, he gives her diamond earrings instead of an engagement ring, just before he leaves for a meeting in Dublin. When her ne’er-do-well father (John Lithgow) — can his unreliability be the source of her need to be in control? — tells her that in Ireland, women can propose on February 29, she decides that in spite of her lifelong fear of flying, she will pop over to Dublin to pop the question.

But of course the best-laid plans of perky heroines in romantic comedies always go wrong, and here enters the complication. Handsome bartender Matthew Goode, for reasons that are too dull to go into, agrees to get her the rest of the way to Dublin, and all of the predictable problems line up like an obstacle course between us and time to go home. Car problems. Party crashing. Having to pretend to be married. Some flickers of romance that are quickly crushed by some un-funny contrivances and pratfalls. Sigh. Sigh. Sigh.

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Date movie Romance

The Tooth Fairy

Posted on May 4, 2010 at 8:09 am

Cute kid + The Rock in a pink tutu = movie deal.

After the success of The Game Plan, Dwayne Johnson (nom de wrestling: The Rock) has become the go-to guy for movies about taming the gentle giant. So once again, the fun is seeing Johnson playing an arrogant jock who is schooled by just about everyone.

This time, Johnson is a hockey player named Derek who has been knocked down to the minor leagues following an injury. His nickname is “The Tooth Fairy” because his blocking is so aggressive that it sometimes knocks out the opposing player’s teeth. He is proud that he leads the league in penalty time. But he is cynical and disappointed in his life, and when a young fan says he hopes to play professionally, Derek bluntly tells him that it will never happen.

Derek is dating Carly (sweetly played by Ashley Judd), a single mom with a cute little girl and a sulky middle school boy. Derek impatiently almost tells Carly’s daughter that there is no tooth fairy. That night, under his pillow, he receives a summons. Suddenly, he has sprouted wings and is wearing a pink tutu. For the crime of failing to believe, he has been sentenced to two weeks of duty as a tooth fairy. With guidance from an administrative fairy (the towering Stephen Merchant of the UK’s “The Office” and “Extras”) and the fairy godmother (a regal Julie Andrews), Derek is outfitted with all of the necessary equipment (including a male version of the uniform) and sent out to retrieve some teeth and tuck money under some pillows.

This turns out to be quite a challenge. Breaking into people’s homes for benign reasons is still breaking and entering, and Derek will need his shrinking gunk, amnesia powder, and invisibility spray. And there will be times when a tooth fairy emergency will come at the wrong moment, and misunderstandings will have to be straightened out. The film has a number of screenwriters who seem to have missed a meeting on consistency in the tooth fairy rulebook and the wings themselves are not very attractive. But everyone is game, the silly humor is good-natured, and Merchant is not the only one who has some fun making Johnson seem small.

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