Coming Soon from Ryan Murphy “Prom” — With a Dream Cast Including Streep, Rannells, Key, Awkwafina
Posted on June 27, 2019 at 8:00 am
I am so excited about this! Ryan Murphy (“Glee,” “Versace,” “Nip/Tuck”) is bringing the Tony-nominated musical “Prom” to television with an all-star cast including Oscar-winner Meryl Streep, Tony-winner Andrew Rannells (“Girls,” “Book of Mormom”), “Key and Peele” star Keegan-Michael Key, “Oceans 8” and “Crazy Rich Asians” star Awkwafina, and pop princess Ariana Grande.
The story is about Broadway stars running away from terrible reviews of their new show who decide to get some good publicity by providing support to a girl who has been forbidden to bring another girl as her date to the school prom. Here’s a look at the show on Broadway.
Streep will play Dee Dee Allen, a two-time Tony winner who teams with Corden’s Barry Glickman in a flop musical about Eleanor Roosevelt. After career-ending reviews, they decide — along with Broadway babies Kidman as Angie Dickinson and Rannells (Book of Mormon) as Trent Oliver — to champion a cause to rehabilitate their careers. They find one in Emma, a high school senior in Indiana who isn’t allowed to go to her prom because she’s gay. A nationwide search led by casting director Alexa Fogel is on to fill the role of Emma.
Grande will star as Alyssa, a popular daughter of the head of the PTA. Awkwafina will play the group’s publicist Ms. Sheldon, and Key will play Streep’s love interest and Emma’s ally, Principal Hawkins.
The National Memorial Day Concert is an inspiring night of remembrance is dedicated to our men and women in uniform, their families at home and all those who have given their lives for our country. Co-hosted by Joe Mantegna and Mary McCormack and featuring an all-star line-up of dignitaries, actors and musical artists including: General Colin L. Powell, Sam Elliott, Patti LaBelle, Gavin DeGraw, Dennis Haysbert, Christopher Jackson, Alison Krauss, Amber Riley, Justin Moore, Jaina Lee Ortiz, Patrick Lundy & The Ministers of Music and the National Symphony Orchestra under the direction of Jack Everly.
A Capitol Fourth — Celebrate With the Beach Boys and Joshua Bell
Posted on July 2, 2018 at 8:00 am
Every year I look forward to the magnificent concert in front of the US Capitol Building on the 4th of July, broadcast on PBS. I’ve even been lucky enough to see it in person a couple of times.
This year, the Capitol Fourth concert features the Beach Boys, violinist Joshua Bell, Jimmy Buffett with the cast of his Broadway musical Margaritaville, opera star Renee Fleming, a capella all-stars Pentatonix, Broadway legend Chita Rivera, gospel legend CeCe Winans, the US Army Herald Trumpets, and “Pershing’s Own,” the magnificent US Army Band. Plus fireworks!
Tina Fey hosted the season finale of “Saturday Night Live” over the weekend, which means many months until the next opportunity to see their take on the news. If that seems like a very long time to wait, you can visit the Museum of Broadcast Communications in Chicago to see the SNL Experience, a wildly entertaining interactive exhibit that takes visitors through a week of creating an episode and the 41-year history of the show as well.
The exhibit, which covers two floors of the museum, includes iconic props and sets from the show’s history, taped interviews, and clips. It is a lot of fun to see items that bring back memories of classic SNL moments but it is fascinating to peek behind the scenes (literally) and see interviews with the writers, costume designers, and set designers who start with a blank page every week and somehow put together 90 minutes of material. Highly recommended!
It was a delight to talk to 10-times Daytime Emmy-nominated Sean Karp for The Credits. who answered my questions about sound editing and sound mixing. An excerpt:
Do our readers a basic service, and describe the difference between sound mixing and sound editing?
Basically, sound editing is taking all your different sound elements or sound files and editing together all the production sound that’s recorded on set when they shoot the film or TV show, which generally is dialogue, and then build a soundscape. That means creating the sound environment, so if stuff is taking place in the city so you will edit in all these background city sounds; the sounds of traffic, the sounds of people walking by, horns honking; that kind of thing. Then you’ll edit in all your specific sounds. Maybe there’s a gunfight, so we’re placing in all those gunshots and the sounds of the shell casings leaving the guns and dropping on the floor. Then of course there’s the music. The composer will create the score, but then a music editor will do some touch-ups to make it work better to picture. So that is sound editing; it’s basically putting to time all the sound elements to the picture.
Sound mixing is mixing all those elements for the final version. I’ve heard it described as almost like when you’re recording an album. Editing is doing all your tracking like I’m tracking my drums, I’m tracking my bass guitar, my lead guitar, my keyboards, my vocals; that’s sound editing, and then the mix is the mix as it would be for a song.
The goal is almost for your work to be invisible, then?
The rule of thumb is: if your work is noticed you did a bad job. The point is to help tell the story, to help the film draw people in and get caught up in the story. So if people are paying attention to the sound, then you really didn’t do a good job because they’re not in the story, they’re not being drawn in. Badly done sound can be much more noticeable than a really good, smooth job. It cuts the suspension of disbelief. A really good movie is going to draw you in, so it’s our job in post-production sound to help the director or the producers achieve that in the final product; it’s all about the experience for the person sitting in the seat.