A Controversial Choice for a Judah Maccabee Film

Posted on September 12, 2011 at 8:00 am

The story of Judah Maccabee, one of the greatest warrior heroes in Jewish history, could make a great movie.  He led the first revolt against religious oppression in 167 BCE.  His victory is celebrated by Jews around the world each year at Hannukah.

One of the most successful directors in Hollywood is behind the project, someone whose previous film about a rebellion was an Oscar-winner.  But that director is Mel Gibson, whose anti-Semitic tirade when he was arrested for drunk driving and portrayal of the ancient Jews in his controversial “The Passion of the Christ” suggests that he may not be the person to tell this story.  Gibson has said repeatedly that this is a movie he wants to make.  But his choice of screenwriter is also sure to raise concerns.  It is Joe Eszterhas of “Basic Instinct,” “Flashdance,” and “Showgirls.”

Abraham Foxman, national director of the Anti-Defamation League, released a statement: “We would have hoped that Warner Bros. could have found someone better than Mel Gibson to direct or perhaps even star in a film on the life of the Jewish historical icon Judah Maccabee. As a hero of the Jewish people and a universal hero in the struggle for religious liberty, Judah Maccabee deserves better.”  They have asked Warner Brothers to “reconsider” Gibson’s involvement.

I am skeptical about Gibson’s ability to tell this story, not because I think he will promote stereotypes or bigotry but because I think his increasing fascination with anger and violence will give the story the wrong focus.  I hope I’m wrong.

 

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9/11 in the Comics

9/11 in the Comics

Posted on September 11, 2011 at 8:00 am

Today nearly 100 cartoonists in the Sunday comics observe the 10th anniversary of the terrorist attacks of September 11, 2001.  Every family should take some time to read through them to appreciate the many ways the comic artists and writers have found to tell the story of that day of terrible losses and extraordinary heroism.

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Comic book/Comic Strip/Graphic Novel
Tribute: Cliff Robertson

Tribute: Cliff Robertson

Posted on September 10, 2011 at 11:09 pm

Oscar-winner Cliff Robertson died today at age 88.  He is best remembered for his portrayal of a young John F. Kennedy in PT-109 and for the role that won him the industry’s top acting prize, Charly, a mentally disabled man who, through a medical experiment, briefly becomes a genius.  He was Peter Parker’s Uncle Ben in “Spider-Man” and also appeared as an ambitious political candidate in “The Best Man” and the guy who loses Kim Novak to William Holden in “Picnic.”

Robertson was also a man of great courage and integrity.  In 1977, he discovered that a studio executive was embezzling from him.  While many in Hollywood did not want to speak up about what turned out to be a systemic theft, Robertson insisted on going public.  The executive was given a small fine and a short jail term; Robertson was essentially banned from working in film.  He established the Sentinel Award to recognize annually the selfless act of coming forward for the sole purpose of righting a wrong. The award carries the inscription, “For Choosing Truth Over Self.” His example will be as enduring as his performances.

May his memory be a blessing.

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Actors Tribute

Warrior

Posted on September 8, 2011 at 6:09 pm

Imagine if Rocky, instead of fighting Apollo Creed, got into the ring with another Rocky.  And they were brothers.

I know, I know, but somehow it works in a surprisingly affecting story of the sons of an abusive alcoholic who have not seen each other since they were teenagers and end up fighting each other for a mixed martial arts championship title.

That’s the magic of movies.  Somehow, they can take a story of a welder who does post-modern dance numbers in a Pittsburgh bar and dreams of being a ballerina or cartoon characters are live in old-time Hollywood and feel real-er than real life.  As cheesy as this movie gets, it keeps raising the emotional stakes over and over again until we just tap out and go with it, largely because of full-hearted, powerhouse performances from Tom Hardy and Joel Edgerton.

Tommy (Hardy) comes home.  He’s been away a long time.  His father, Paddy (Nick Nolte) is glad to see him, but Tommy says he wants to deal with his father only as a trainer.  He has no interest in catching up or mending their estrangement.  He just has one goal, to win a $5 million mixed martial arts championship.

Brendan (Edgerton) has a good life as a high school science teacher with a family.  His wife says, “I thought we agreed that we weren’t going to raise our children in a house were their father gets beat up for a living.”  But paying for his daughter’s health care has put the family at risk of losing the house.  He needs a lot of money fast and the only way he knows to get it is to win the mixed martial arts championship.  He goes into training with an old friend.  Cue the montages.

The script by writer/director Gavin O’Connor (“Miracle”) is as corny as an “up close and personal” Olympics athlete profiles, but as effective, too.  Every time you think you’ve made up your mind who to root for, it switches around on you, and then switches around again.  The fight scenes are powerful, but in large part due to the emotional weight given to Tommy and Brendan by Hardy and Edgerton.  The final bout, well, its a knock-out.

 

 

 

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