Happy Birthday, Lauren Bacall

Happy Birthday, Lauren Bacall

Posted on September 16, 2009 at 3:59 pm

Has there ever been a better movie entrance line than “Anybody got a match?” delivered by 19-year-old Lauren Bacall to 40-something Humphrey Bogart in To Have and Have Not? Bacall said her iconic look, head tilted a little downward, glancing upward, came from her nervousness. She was so terrified that her head was shaking, and that was the only way to hold it steady. But it was dubbed “The Look” and it made her a star.
Director Howard Hawks nicknamed Bacall’s character “Slim” after his wife who discovered Bacall on a magazine cover. Hawks told Bogart he was going to do something that had not been tried before. “We are going to try an interesting thing,” he told his star. “You are about the most insolent man on the screen and I’m going to make a girl a little more insolent than you are.”
Bacall played a woman who knew enough to teach Bogart a few things, including how to whistle. She won her co-star’s heart in this film, on and off-screen, and how could he resist? Happy birthday, Ms. Bacall!

Related Tags:

 

Actors
Tribute: Patrick Swayze

Tribute: Patrick Swayze

Posted on September 14, 2009 at 10:43 pm

Patrick Swayze died today as he lived and performed, with class and grace.

Swayze’s association with iconic appearances in Dirty Dancing, Road House, Point Break, and Ghost
are so towering that we forget sometimes what range and skill he showed as an elegant drag queen in To Wong Foo Thanks for Everything Julie Newmar, as a motivational speaker with a dark side in Donnie Darko, and as an eager finalist for a job as a Chippendale’s dancer on “Saturday Night Live.” No one could say that line about putting Baby in the corner and make us believe it like Swayze. He was a superb performer and a class act. He handled his illness with dignity and courage. I wish there was a psychic like the one Whoopi Goldberg played in “Ghost” who could bring him back for just one more dance.

Related Tags:

 

Actors Tribute

Beth Grant

Posted on September 7, 2009 at 3:51 pm

Two awful movies released last week, “Extract” and “All About Steve,” give me an opportunity to discuss one of my favorite topics, character actors. One of the best appears in both of them, the wonderful Beth Grant. Character actors are those people who seem vaguely familiar, but don’t often get mentioned in reviews or photographed on red carpets. They play the family members, best friends, thorns in the side, co-workers, explainers, or, often, the fiances/fiancees who get dumped so that the big romantic arc of the movie can reach a successful conclusion.

Beth Grant works steadily and often plays high-strung, picky types, as in “Little Miss Sunshine” and “Donny Darko.” Her appearances in these two most recent films provide some of the very few bright spots. I especially liked seeing her in “All About Steve” in a less straight-laced role.

Here is one of her most famous scenes, from “Donnie Darko:”

I was lucky enough to meet her at the Critic’s Choice awards in January of 2007. I made a short video of her dancing at the party afterward. She was gracious and completely charming.

So, cheers, Beth Grant! I hope you’re in a better movie next time, but know whether it is as good as “Donnie Darko” or as awful as “All About Steve,” you will never let me down.

Related Tags:

 

Actors Great Characters

Molly Ringwald Remembers John Hughes

Posted on August 12, 2009 at 1:38 pm

Molly Ringwald has a touching tribute to John Hughes in today’s New York Times. While she had not spoken to the very private writer-director for 20 years, she and co-star Anthony Michael Hall spoke on the phone about the way he had influenced and inspired them both.

I still believe that the Hughes films of which both and I were a part (specifically “Sixteen Candles” and “The Breakfast Club”) were the most deeply personal expressions of John’s. In retrospect, I feel that we were sort of avatars for him, acting out the different parts of his life — improving upon it, perhaps. In those movies, he always got the last word. He always got the girl.

Ringwald gave one of the best performances of the 1980’s in “Sixteen Candles” as the girl whose family was so caught up in her sister’s wedding that they forgot her birthday. At a time of life when most people are protective, internal, and very concerned about looking cool, Hughes coaxed her to show her vulnerability but also to create a character who knew who she was. Ringwald writes about how he gave her confidence.

John saw something in me that I didn’t even see in myself. He had complete confidence in me as an actor, which was an extraordinary and heady sensation for anyone, let alone a 16-year-old girl. I did some of my best work with him. How could I not? He continually told me that I was the best, and because of my undying respect for him and his judgment, how could I have not believed him?

Thanks to Laine Kaplowitz for bringing this to my attention.

Related Tags:

 

Actors Directors

Meryl’s accents

Posted on August 11, 2009 at 3:59 pm

Slate has put together a magnificent compilation of some of Meryl Streep’s best accents but what I think of when I watch this is the astonishing range of the performances behind them. It is almost impossible to imagine that it is the same person playing the steely nun, the Holocaust survivor, the Australian mother accused of killing her child, the Danish writer, the barfly. Look at the difference between her portrayals of two women with Irish accents, one Irish, one Irish American. The stunning achievement of her performance as Julia Child is not the accent, or even her ability to appear to add six inches of height, but the way she creates a complete and true character within the larger-than-life and very caricature-able personal characteristics so familiar to so many people. It is a clever trick of writer/director Nora Ephron to include in “Julie & Julia” a clip of Dan Ackroyd’s “Saturday Night Live” parody of Child’s television persona as a compelling contrast to the subtle and endearing character Streep is able to create from the same raw material. Charlie Rose had a marvelous interview with Ephron and Streep about the film, where Ephron said that two of the movie’s best moments, so immediate and effective that both appear in the trailer, were both improvised by Streep. I was also very interested that Streep said she found it liberating when she decided her job was not to re-create the actual historical figure of Julia Child but to portray Child the way she was seen by blogger Julie Powell half a century later. This enabled her to bring in to the portrayal not just Child’s mannerisms but Streep’s own mother’s expansive and generous sense of joy.

Related Tags:

 

Actors Shorts
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2026, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik