As Joaquin Phoenix’s “Joker” comes to the screen this week, we take a look at previous incarnations of Batman’s most popular villain:
1. The Joker made his debut as a serial killer whose poison left victims with a gruesome rictus “grin” in the very first Batman comic, created by Bob Kane, Bill Finger, and Jerry Robinson. He was originally intended to be killed off, but the editor at DC liked him and he appeared in nine of the first twelve Batman issues.
2. Cesar Romero played Joker in the campy 1960’s television series.
3. My personal favorite — Jack Nicholson played Joker in the Tim Burton “Batman” movie opposite Michael Keaton.
4. Heath Ledger won a posthumous Oscar for his Joker, in the Christopher Nolan Dark Knight movie with Christian Bale.
5. I’m not a fan of Jared Leto’s Joker in “Suicide Squad,” but you have to admire his commitment.
6. The great Mark Hamill provides the creepy laugh and voice of the Joker in the animated series.
7. And now Joaquin Phoenix takes over in the first film to make Joker the lead character (we only glimpse future Batman Bruce Wayne as a young boy).
While, of course, we love the main characters of our favorite films, often truly great characters and performances end up unnoticed, unremembered, or under appreciated simply because the characters were supporting, relegated to the background, or deemed less than perfect per society’s norms of the time.
With this concurrent Twitter challenge and blogathon, we hope to celebrate the bridesmaids instead of the brides, small parts with big heart, and the characters who are way too familiar with the background and the friend zone.
Follow along on Twitter or Instagram! #BridesmaidChallenge2019
Throughout cinema history, films by and about women have enthralled audiences, accrued awards and honors worldwide and scored at the box office while influencing out social social mores and enriching our cultural conversation. Although some Hollywood honchos and haters assert that female-centric movies are less likely to be commercial successes, our list proves them wrong. Movies that tell women’s stories have legs.
Released to celebrate Women’s History Month, AWFJ’s REAL REEL WOMEN List is an annotated roster of 50 fascinating real women whose remarkable true stories have been told in narrative features since the earliest days of moviemaking. The REAL REEL WOMEN List is a companion to AWFJ’s WONDER WOMEN List of iconic fictional females, published as a five-part countdown series in 2016.
AWFJ members selected our 50 iconic REAL REEL WOMEN from more than 150 nominees, all of whom have had their stories told in watch-worthy films. Short essays about our REAL REEL WOMEN’s lives, accomplishments and the films made about them have been written by AWFJ members Betsy Bozdech, Liz Braun, Sandie Angulo Chen, Carol Cling, Leslie Combemale, Linda Cook, Laura Emerick, Marilyn Ferdinand, Alexandra Heller-Nicholas, Kimberley Jones, Loren King, Sarah Knight Adamson, Cate Marquis, Brandy McDonnell, Jennifer Merin, Nell Minow, Lynn Venhaus, and Susan Wloszczyna.
We hope that reading about these REAL REEL princesses and pilots, artists and actors, poets, political activists and other women from all walks of life will prompt you to add all the films about them to your watch list, and that you’ll then be motivated to seek out and enjoy additional current and classic movies about other real women whose stories are memorialized in cinema.
One of my contributions to the list was Fanny Brice, unforgettably portrayed by Barbra Streisand in “Funny Girl.”
Fanny Brice, born Fania Borach, was the daughter of Jewish immigrants who dropped out of school as a teenager to work in burlesque and began her association with vaudeville impresario Flo Ziegfeld two years later. She headlined the Ziegfeld Follies from 1910 through part of the 1930s. Best known in sketch comedy as bratty little girl “Baby Snooks” and performing songs like the comically self-deprecatory “Second Hand Rose,” her signature was the heartbreaking torch song, “My Man,” which inspired her first film, My Man (1928). She played herself in the Oscar-winning The Great Ziegfeld (1936), acted in several other films, and had a hit on radio with the “The Baby Snooks Show,” but there is no question that her own fame has been eclipsed by the performer who starred as Brice on Broadway and in her first film—Oscar-winner Barbra Streisand in Funny Girl (1968). It was a perfect match—one brash, prodigiously talented, unconventionally pretty, New York Jewish singer equally adept at comedy and drama portraying another. Streisand sings “Second Hand Rose,” “My Man,” and original songs created for the Broadway show, including the now-standard “People.” The story of Brice’s determination and resilience despite the heartbreak of her marriage to a handsome scoundrel is now a classic and prompted a sequel, also starring Streisand, that told more of Brice’s story, 1975’s Funny Lady. Brice helped pave the way for unconventional-looking lead performers, and her few films are well worth watching.
Kyle Buchananand Jordan Crucchiola lead off with one of the most vivid characters in the history of movies, aging theatrical star Margo Channing, as played by Bette Davis in “All About Eve :”
How do you create a memorable female character? It helps if you get it right from the very beginning, as Joseph L. Mankiewicz did in his screenplay for All About Eve when he introduced the woman who would be played by Bette Davis. “The CAMERA follows the bottle to MARGO CHANNING,” wrote Mankiewicz in his stage directions. “An attractive, strong face. She is childish, adult, reasonable, unreasonable — usually one when she should be the other, but always positive.”
Norma Desmond stands down the corridor next to a doorway from which emerges a flickering light. She is a little woman. There is a curious style, a great sense of high voltage about her. She is dressed in black house pajamas and black high-heeled pumps. Around her throat there is a leopard-patterned scarf, and wound around her head a turban of the same material. Her skin is very pale, and she is wearing dark glasses.
Few women but Audrey Hepburn could truly live up to this description in “Breakfast at Tiffany’s:”
The girl walks briskly up the block in her low cut evening dress. We get a look at her now for the first time. For all her chic thinness she has an almost breakfast-cereal air of health. Her mouth is large, her nose upturned. Her sunglasses blot out her eyes. She could be anywhere from sixteen to thirty. As it happens she is two months short of nineteen. Her name (as we will soon discover) is HOLLY GOLIGHTLY.
One of the best screen couples has got to be Nick and Nora Charles from “The Thin Man.” If you haven’t had the pleasure of falling in love with them onscreen, rest assured that this description of Nora will do it for you:
NORA CHARLES, Nick’s wife, is coming through. She is a woman of about twenty-six… a tremendously vital person, interested in everybody and everything, in contrast to Nick’s apparent indifference to anything except when he is going to get his next drink. There is a warm understanding relationship between them. They are really crazy about each other, but undemonstrative and humorous in their companionship. They are tolerant, easy-going, taking drink for drink, and battling their way together with a dry humor.