No True Scotsman Blogathon

Posted on September 10, 2021 at 9:23 am

A real Scottish accent is a joy to listen to and very difficult to imitate. Hollywood has not always managed an accurate Scottish accent (of course there are many different accents in Scotland, just like in every other country). So, why not have a blogathon paying tribute to the good, the bad, and the ugly of Scottish accents attempted by non-Scottish actors? The film critic known as Realweegiemidget Reviews put out the call, and film bloggers responded.

Copyright 2021 Weegiemidget

The invitation:

The world of film and TV, is as we know full of the variety of international life as we know it. This meaning that actors and actresses, sometimes have to go out of their comfort zone and try a new accent. This is usually like the nursery rhyme says, ie it can be “good, very good” or when “it’s bad it’s horrid”.

So this blogathon topic is one close to my Scottish heart. It’s loosely based on the No True Scotsman fallacy as described HERE… For your mission (should you choose to accept it), is to review a film, TV Movie, TV episode or TV series with a Scottish character in it and with a Scottish accent… BUT before you send me your Sean Connery / Gerard Butler / Sam Heughan / James McAvoy themed request, there is a catch…

This wee proviso is found here, in Darlin Husband’s full definition of the blogathon…

“An actor or actress playing a Scot even though they themselves are not Scottish”

These characters’ “accents” can be from anywhere in Scotland, good or bad and from any year or genre. BUT Please check IMDb first to make sure your character is not actually played by a Scot first. (I will not be accepting James Bond films as only Sean Connery gave him a Scottish accent and as we all know he was as Scottish as Billy Connolly).

I got a kick out of the post about “McMillan and Wife,” the Rock Hudson and Susan Saint James show I loved in the 70s.

Dell wrote about something called “Loch Ness Horror.”

“When Nessie showed up I was besides myself with giddiness. This thing is American B-movie ingenuity at it’s finest. It takes the movie from being run of the mill, forgettable trash, to so bad it’s awesome!”

Of course “Highlander” had to be included, and it was good to get the take of a real Scot.

“Highlander is a great-looking, funny and often dazzling fusion of The Terminator with sword and sorcery; if it seemed indigestible to critics in 1986, perhaps the time has come to embrace the story of Connor Macleod.”

More on “Highlander” from Stabford Deathrage.

“I’m not sure where this film actually takes place, but it’s the most amazing location, because everywhere you go during the present day, you hear Queen, and everywhere you go in the past, it looks like the Safety Dance.”

A deep cut from Caftan Woman! An episode of the classic early TV show “Wagon Train.”

“Accent-wise, Jeannie gives her Scottish characters a lovely soft lilt most pleasant to hear. Her inflection has that slightly foreign feel yet at the same time is comforting. You can understand producers wanting to utilize that aspect of Jeannie’s ability.”

The Taking Up Room site looks at “Christy.”

“One of the most popular characters on the Christy TV show was, by far, Doctor Neil MacNeill, and one of the most popular show arcs was the triangle between Christy (Kellie Martin), Neil and preacher David Grantland (Randall Batinkoff). Neil was wonderfully played by Stuart Finlay-McLennan, who seemed to burr with the best of ’em.

Only one thing: Finlay-McLennan is an Australian from New South Wales. His burr was about as Highland as Scotch tape.”

“Brigadoon,” of course, from The Classic Movie Muse:

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Marx Brothers Podcast

Posted on September 2, 2021 at 8:51 pm

All fans of classic films and film comedy will appreciate The Marx Brothers Council, an outstanding podcast devoted to Groucho, Chico, Harpo, and sometimes Zeppo Marx. A great episode to begin with is this one, including a fascinating interview with Hanna Mira, who shows Marx Brothers and other classic films to her students at a juvenile detention facility. The old black and white films from the era of these boys’ great-grandfathers could hardly be more distant from their experience, and yet they love them. She tells their stories with such empathy, humanity, and enthusiasm we almost wish we could be in her classroom.

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For Father’s Day: Great Movie Dads

Posted on June 18, 2021 at 8:00 am

Reminder: My ebook about 50 great movie fathers is available free this weekend. Some of my favorites:

Boyz n the Hood: Furious Styles

Laurence Fishburne plays a devoted father who wants his son to know about the challenges he will face.

To Kill a Mockingbird: Atticus Finch

Gregory Peck plays a lawyer who teaches his daughter about empathy.

Father of the Bride: Stanley Banks

Spencer Tracy plays the devoted but befuddled father who is emotionally and financially overwhelmed by his daughter’s wedding. (See also the remake with Steve Martin.)

Riding Alone for Thousands of Miles: Gou-ichi Takata

Ken Takakura plays an estranged father who pays tribute to his son by trying to complete his film.

Finding Nemo: Marlin

Albert Brooks provides the voice for the fish who swims through the ocean to find his son.

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Best Movie Fathers Book — Free for Father’s Day June 17-21

Posted on June 17, 2021 at 12:05 am

In honor of Father’s Day, my eBook, 50 Must-See Movies: Fathers is FREE today through Father’s Day, this weekend, June 17-21, 2020.

What do “Wall Street” and the “Star Wars” saga and, seemingly, about half the movies ever made have in common? They are about fathers. In “Wall Street,” Charlie Sheen plays the ambitious Bud, who respects the integrity of his blue-collar father, played by his real-life father, Martin Sheen. But Bud is dazzled by the money and power and energy of Gordon Gekko (Michael Douglas). The movie will up the ante with Bud’s father’s heart attack as we see him struggle between the examples and guidance of these two male role models.

Copyright 20th Century Fox 1977

In “Star Wars,” Luke (Mark Hamill) does not know until halfway through the original trilogy that (spoiler alert) the evil Darth Vader is his father. He was raised by his aunt and uncle, who are killed very early in the first film, but the father figures who are most meaningful in his life are the Jedi masters Obi-Wan Kenobi and Yoda. Like Bud in “Wall Street,” Luke must choose between the good and bad father figures. Like Luke, Harry Potter is raised by an aunt and uncle, but he finds a true father figure later. For Harry, it is headmaster Albus Dumbledore. In opposition is He Who Must Not Be Named. Like Luke, Harry has the opportunity for great power on the dark side, but he lives up to the example set for him by Dumbledore.

The first stories ever recorded are about fathers. The central human struggle to reconcile the need for a father’s approval and the need to out-do him is reflected in the “hero of a thousand faces” myths that occur in every culture. In Greek mythology, Zeus is the son of a god who swallowed his children to prevent them from besting him. Zeus, hidden by his mother, grows up to defeat his father and become the king of the gods. Ancient Greece also produced the story of Oedipus, who killed his father and married his mother, and The Odyssey, whose narrator tells us “it is a wise man who knows his own father.”

These themes continue to be reflected in contemporary storytelling, including films that explore every aspect of the relationship between fathers and their children. There are kind, understanding fathers whose guidance and example is foundation for the way their children see the world. There are cruel, withholding fathers who leave scars and pain that their children spend the rest of their lives trying to heal. There are movies that reflect the off-screen real-life father-child relationships. Martin Sheen not only played his son’s father in “Wall Street;” he played the father of his other son, Emilio Estevez, in “The Way,” which was written and directed by Estevez, and which is about a father’s loss of his son. Will Smith has appeared with his son Jaden in “The Pursuit of Happyness” and “After Earth.” John Mills appeared with his daughter Hayley in “Tiger Bay,” “The Truth About Spring,” and “The Chalk Garden.” Ryan and Tatum O’Neill memorably appeared together in “Paper Moon.” Jane Fonda produced and starred in “On Golden Pond” and cast her father Henry as the estranged father of her character. Jon Voight played the father of his real-life daughter Angelina Jolie in “Tomb Raider.” And Mario Van Peebles, whose father cast him as the younger version of the character he played in “Sweet Sweetback’s Badasssss Song” made a movie about the making of that film when he grew up. It is called “Badasssss!” In the role of Melvin Van Peebles he cast himself.

Director John Huston deserves some sort of Father’s Day award. He directed both his father and his daughter in Oscar-winning performances, Walter Huston in “The Treasure of the Sierra Madre” and Anjelica Huston in “Prizzi’s Honor.”

Some actors known for very non-paternal roles have delivered very touching performances as fathers. Edward G. Robinson is best remembered for playing tough guys, but in “Our Vines Have Tender Grapes” he gave a beautiful performance as a farmer who loves his daughter (Margaret O’Brien) deeply. Cary Grant, known for sophisticated romance, played loving – if often frustrated — fathers in “Houseboat” and “Room for One More.” “Batman” and “Beetlejuice” star Michael Keaton was also “Mr. Mom.” Comedian Albert Brooks is a devoted father in “Finding Nemo” and “Finding Dory.”

There are memorable movie fathers in comedies (“Austin Powers,” “A Christmas Story”) and dramas (“To Kill a Mockingbird,” “Boyz N the Hood”), in classics (“Gone With the Wind”), documentaries (“Chimpanzee,” “The Other F Word”), and animation (“The Lion King,” “The Incredibles”). There are great fathers (“Andy Hardy,” “Call Me By Your Name”) and terrible fathers (“The Shining,” “Winter’s Bone,” “The Spectacular Now,” “The Barretts of Wimpole Street”). There are fathers who take care of us, as well as they can (“John Q,” “Toni Erdnmann,” “Lorenzo’s Oil,” “Leave No Trace,” “The Road,” “Extraordinary Measures”) and fathers we have to take care of (“I Never Sang for My Father,” “Nothing in Common”). All of these stories are ways to try to understand, to reconcile, and to pay tribute to the men who, for better or worse, set our first example of how to decide who we are and what we will mean in the world.

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Happy Mother’s Day! And Some Great Movie Mothers

Posted on May 9, 2021 at 7:00 am

The movies have given us warm, loving, mothers, evil, abusive mothers, even alien mothers. Some of my favorites are featured in my book, 50 Must-See Movies: Mothers, including these.

Claudia Before they went on to co-star in the luminous romance, “The Enchanted Cottage,” Dorothy McGuire and Robert Young played a young married couple in this sweet neglected gem based on the books by Rose Franken.  Claudia and David love each other very much and he finds her innocence very appealing.  But her immaturity leads to many problems.  A neighbor thinks Claudia is flirting with him and without consulting David she impulsively decides to sell their farm.  And she is very dependent on the loving mother she adores but takes for granted.  Claudia’s is about to face two of life’s most demanding challenges – her mother is dying and Claudia and David are going to become parents themselves.  So Claudia’s mother has to find a way to help Claudia grow up.  Watch for: a rare film appearance by the exquisite Broadway star Ina Claire as Claudia’s mother

Guess Who’s Coming for Dinner There are two great mothers in this talky, dated, but still endearing “issue movie” about inter-racial marriage from 1967.  Katharine Hepburn’s real-life niece Katharine Houghton plays her daughter and what Houghton lacks in screen presence and acting experience is less important than the genuine connection and palpable affection between the two of them.  The question may seem quaint now, but as filming was underway, inter-racial marriage was still illegal in 17 states.  The Supreme Court ruled those laws unconstitutional that same year.  Hepburn is electrifying in what she knew would be her final film with her most frequent co-star and real-life great love, Spencer Tracy.  And the distinguished actress Beah Richards is brilliant as the mother of a son who says his father thinks of himself as a “colored man,” while he just thinks of himself as a man.  Watch for: Hepburn’s expression as her daughter describes falling in love

Claudine Diahann Carroll was nominated for an Oscar for her performance as a single mother in this ground-breaking 1974 film, one of the first to portray a domestic employee as a real person with her own home and family, and one of the first to provide an honest look at the perverse incentives of the “Great Society” welfare programs.  Claudine is the mother of six who has to keep her work as a housekeeper and her relationship with a genial garbage worker (James Earl Jones) a secret from the social worker because they put at risk the payments she needs for her children.  Watch for: the very romantic bathtub scene

Dear Frankie Emily Mortimer plays Lizzie, the divorced mother of a young deaf son in this heartwarming story set in Scotland.  She is devoted and very protective.  She does not want him to know the truth about his abusive father (the source of his deafness), so she tells him that his father is a merchant seaman.  The letters he receives from all the ports of call full of details about all the places he has been are really written by Lizzie. When the ship comes to their town, she has to find someone to pretend to be his father.  Watch for: Lizzie’s explanation of the reason she writes to Frankie —  “because it’s the only way I can hear his voice”

Imitation of Life This melodrama about two single mothers, one white and one black, who join forces has been filmed twice and both are worth seeing.  The best remembered is the glossy, glamorous 1959 version with Lana Turner and Juanita Moore.  Lora (Turner) and Annie (Moore) are brought together by their daughters, who meet at Coney Island.  Lora, a struggling actress, needs someone to help look after her daughter and Annie needs a job and a place to live.  Annie moves in to be the housekeeper/nanny.  She and Lora have a strong, supportive friendship, though Lora and both girls take Annie for granted.  As the girls grow up, Lora’s daughter is resentful of the time her mother spends on her career and Annie’s daughter resents the racism she confronts even though her skin is so light she can pass for white.  Watch for: the most elaborate funeral scene ever put on film, with a sobbing apology from Annie’s daughter (Susan Kohner)

Please Don’t Eat the Daisies Doris Day stars in this film loosely based on Jean Kerr’s hilarious essays about life as Kate, the wife of a theater critic (David Niven) and mother of four rambunctious boys.  While most of the film’s focus is on the marital strains caused by her husband’s new job and the family’s new home, the scenes of Kate’s interactions with her children are among the highlights.  It is clear that while she tries to be understated about her affection and sometimes frustration, she adores them.  Watch for: Kate’s affectionate interactions with her own mother, played by Spring Byington

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