Leonard Maltin Answers Viewer Questions
Posted on November 12, 2013 at 3:59 pm
Leonard Maltin answers viewer questions on obscure (but cherished) Disney programs, the future of the movie business, “Citizen Kane,” Kickapoo Joy Juice, and more.
Posted on November 12, 2013 at 3:59 pm
Leonard Maltin answers viewer questions on obscure (but cherished) Disney programs, the future of the movie business, “Citizen Kane,” Kickapoo Joy Juice, and more.
Posted on October 27, 2013 at 8:00 am
One of my all-time favorite critics — and one of the nicest guys in this field — is Leonard Maltin. Be sure to check out his new series on YouTube.
Posted on October 18, 2013 at 3:59 pm
I was honored to be invited to talk about “Rush” for the Voice of America’s Russian channel!
http://www.youtube.com/watch?v=t4jwMn6ypsE
Posted on October 10, 2013 at 2:50 pm
The masterful critic Stanley Kauffman, whose writing career stretched over eight decades, died this week at age 97. Adam Bernstein’s perceptive Kauffman obituary in the Washington Post noted: “He was one of the few critics who could watch a 1997 Broadway play featuring Christopher Plummer portraying the talented but troubled actor John Barrymore — and remember seeing Barrymore onstage shortly before his death in 1942.” He was surely the last person writing about film who was watching films when they were still silent. In his reviews for The New Republic and other publications and his books he took positions that were often at odds not just with popular taste (he didn’t like “Star Wars”) but also with other critics (he didn’t like “Taxi Driver”). He didn’t try for wit and he was never snarky. But he looked for the best that film could offer and when he found it he was enthusiastic about championing then-obscure filmmakers like Jean-Luc Godard, Ingmar Bergman, Akira Kurosawa, Michelangelo Antonioni and Satyajit Ray.
Kauffmann was proudly literary in his tastes and in his own writing style. I’m proud to be quoted in the obit:
“He was passionately engaged with film’s highest aspirations as an art form and was at his most eloquent when films were most complex,” said Nell Minow, an author and movie critic. “He educated generations of film-watchers and filmmakers about how and what to watch.”
He will be missed, but his influence will shine forth from every review and every film that tries harder and reaches further.
Posted on October 9, 2013 at 3:59 pm
Chaz Ebert wrote to Rob Schneider to ask him about a story that was mentioned in many of the tributes to her late husband, Roger Ebert. Roger loathed Schneider’s movie “Deuce Bigelow: European Gigolo.” He memorably wrote that the film “is aggressively bad, as if it wants to cause suffering to the audience. The best thing about it is that it runs for only 75 minutes…..Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.” That last comment inspired the title of one of Ebert’s collections of bad reviews.
Chaz asked Schneider some questions, including: “When Roger was in the hospital you sent a beautiful selection of flowers with a sweet note. That melted our hearts. Roger talked about that for a long time. Not just the flowers, but the very act, and what one act of kindness can do to transform human relationships. He said it gave him a glimpse into what kind of person you were and it was humbling. What was your thinking behind sending the flowers and the get well wishes?”
Schneider’s response was thoughtful, personal, and very moving. He said that Ebert’s review was “mean but fair.” And that it made him reconsider some of his choices. ” s a Zen Buddhist I know there is no such thing as a one-sided coin. Every coin has two sides and it is our choice to decide if we only want to focus on one side or the other. Or we can choose to see that both sides are inseparable and part of the same coin. The other side for me was finally being free of the studio system and all its constraints and expectations….When Mr. Ebert’s book, “Your Movie Sucks!” came out I admit to feeling sore about it. You have to build a somewhat thick body armor to survive in show business. But the strange thing was, when I heard Roger was sick I felt terrible and my heart ached. Whatever bad feelings that were leftover melted away and all I remembered was thinking about how much I really admired and loved Roger Ebert and his work and how grateful I felt to him for introducing me to countless films from all over the world that became such an important part of my life and of my work.”
Most important, he said,
The day I heard Roger was sick, I decided that I would not be the person who thanked or remembered what someone meant to them only after they were gone. I asked the florist to make the most beautiful arrangement possible and I wrote a note to Roger from a real fan and grateful admirer and I think most importantly for him, a fellow lover of world cinema in all it’s varieties. I think I said simply, “Roger, thank you for sharing your love of cinema with all of us. I hope you are back doing what you love most soon, watching movies from your La-Z-Boy chair! Signed, Rob Schneider, your least favorite movie star.” And I am so very glad I did.
….
There is never only light or never only dark. But light-dark and dark light. These shades are the universe’s way of challenging us and testing us in this great game of life. Where hopefully we come to realize we are each a part of the whole, and the whole a part of each of us. In the big bang 14.5 billion years ago in some very real way, we were there.
That’s pretty cool I think. Maybe someone could make a movie about that.
If only.