Susan Glatzer on her Swing Dance Documentary, “Alive and Kicking”

Posted on July 18, 2017 at 1:37 am

Copyright 2016 Magnolia

The director of the new swing dance documentary “Alive and Kicking” knows her subject from the inside out. Susan Glatzer is a swing dancer herself and “part of the dance world,” which she vividly depicts in the film as an exceptionally joyous, generous, and connected community. My interview with Ms. Glatzer is now on the website of the Alliance of Women Film Journalists.

Here is an excerpt:
“Each dance is so special because it’s how each partner is interpreting the music and reacting to their partner. So as Andrea Gordon says in the film, it’s almost like you dance with someone you have never met before and by the end you feel like you can finish each other’s sentences because you’re connecting on a very, very basic human level of touch and movement and music and improvisation and trust. There is that incredible connection that goes well beyond ‘we have a shared passion.’
You’ll never have the same dance and you’re always looking for that next high with somebody else. You go on to the next person, the next partner but that’s when you get the sense of community. And you can go to a town where you do not know anyone and have an instant community of people who will welcome you….
It’s not about having a beautiful line; it’s being a badass, and it’s being silly and goofy. The whole point of this is: take the time, have fun, be silly, be goofy, be as crazy as you can be. The competitions are really intense and people do amazing stuff but at the end they all just want to dance with each other and cheer each other on. Everybody just wants to see something great and have fun and then we all have a good time and dance with each other.”

Alive and Kicking” is now available on streaming and DVD.

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Directors Interview

David Lowery on “A Ghost Story” — The Costume, the Pie, the Story of Grief

Posted on July 17, 2017 at 12:35 pm

My interview with writer/director/editor David Lowery is on HuffPost.  He explains the mechanics of the surprisingly complicated ghost costume worn by Casey Affleck through the film, and the already-legendary scene of Rooney Mara eating an entire pie.

It definitely started with Charlie Brown. We initially thought that were going to take a childlike image of a ghost, the Halloween costume that everyone knows from Charlie Brown and finds some pathos in it. But to find that pathos we really had to develop that symbol, that image that costume to a degree we hadn’t expected.

Copyright 2017 A24
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Directors Interview Writers

Interview: Zoe Lister-Jones, Writer/Director/Lyricist/Star of “Band Aid”

Posted on July 6, 2017 at 7:07 pm

For rogerebert.com, I spoke to writer/director/lyricist/star Zoe Lister-Jones about her film,

“Band Aid,” made with an all-female crew.

Why did you insist on an all-female crew?

First and foremost, I just wanted to see what it would feel like to make art with other women and exclusively so. It’s so rare that there are even a handful of women on a crew, let alone an entire crew made up of women. So I just thought that it’d be really interesting to see how that lent itself to the creative process. And then I also was very aware of the under-representation of women on film and TV crews and I wanted to create opportunities for women in departments where they are very rarely afforded them.

How did that affect the production?

It was amazing. It exceeded my expectations and expectations were already pretty high. It was just a really distinct energy and everyone who came on set immediately acknowledged it. All the extras who came on set for the first time would be like, “Whoa. This is really different and cool.” It was just a very calm and patient and gracious community of people making work together. It really did give a communal energy to the work. And it was on top of that just super efficient and productive which is maybe the biggest takeaway.

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Interview: Sam Elliott on “The Hero”

Posted on July 5, 2017 at 2:48 pm

Be sure to read my interview with the wonderful Sam Elliott on his role in “The Hero,” published on rogerebert.com.

In the film, your wife Katharine Ross plays Lee’s ex-wife. Did the two of you discuss what the history of your characters was?

No, that’s way too deep for Katharine or me. ‘Cause none of that stuff shows. I know actors go down that road. I know a lot of actors that I really respect that would go down that road. But I don’t think that’s really important for me. I think what’s important is having the correct words, and being able to commit to those words. And being honest. That to me is what’s most important, being honest.

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Actors Interview

Read My Interview With “Baby Driver” Writer/Director Edgar Wright

Posted on June 29, 2017 at 11:44 am

In my interview for rogerebert.com, “Baby Driver” writer/director Edgar Wright talks about how the songs he picked shaped some of the most intense and brilliantly choreographed action scenes of the year and where Baby (Ansel Elgort) got his endless supply of sunglasses and mp3 players.

The songs inspired the movie and some entire scenes are completely dictated by the music. Songs actually dictate what the action was. ‘Bell Bottoms’ is a good example because it has maybe two and a half minutes of buildup to where the actual rock really kicks in. I listened to that track about 22 years ago and straight away thought: ‘Oh, this is the guy sitting outside. The other guys have gone into the bank and then while he’s singing along with the music he is looking at what’s happening in the bank. And then they get out and that’s where the chase starts. The song has these amazing little anchor points of where hero moments are going to happen.

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Directors Interview Writers
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