50 Most Important Religion Movies: Film Snobbery

Posted on January 6, 2010 at 3:53 pm

Take a look at Phil Hall’s great list of the most important religious films of all time from website Film Snobbery. My favorite film about the life of Jesus, “The Gospel According to St. Matthew” is number 2 on the list. I was pleased to see some provocative and even irreverent titles including “The Life of Brian” and “Dogma.” The list includes well-known crowd-pleasers like “Fiddler on the Roof,” “Chariots of Fire,” and “Ben-Hur” along with some almost-unknowns like “Plan 10 from Outer Space” (“Trent Harris’ low-budget underground comedy reimagines Mormon history with a singing Karen Black as the extra-terrestrial wife of Brigham Young”) and “Man in the Fifth Dimension” (“Billy Graham’s film essay on the spiritual dimensions of the human condition had its premiere at the 1964 New York World’s Fair. It is also noteworthy as the only non-theatrical film shot in the widescreen Todd-AO process”). It has a number of films that are truly inspiring. It includes some movies that frankly explore the mistakes, arrogance, and corruption that have been committed in the name of religion. It has documentaries, fact-based feature films and fiction, movies from the early silent era to a 2007 documentary. It includes films about Christianity, Judaism, Catholicism, Islam, and Buddhism, films about saints, sinners, and a pair of friends who happen to be a tomato and a cucumber. And it has one of the funniest movies I know, “The Mad Adventures of ‘Rabbi’ Jacob.”

The Best of 2009

Posted on December 31, 2009 at 8:00 am

It’s so hard to decide! But at the moment anyway, here are my top films of the year, including three films based on books for children that became movies primarily for adults:

Up in the Air The perfect timing of this story of downsizing and dislocation adds additional resonance to the canny script and graceful performances in this story of a man who learns that staying unconnected is not as easy as he thought or as comfortable as he hoped.

Where the Wild Things Are Maurice Sendak’s spare, poetic, and deeply wise book has been lovingly unfolded into a movie about the child who lives in all of us, brave and fearful, generous and needy, angry and peaceful, confident and insecure, adventuresome and very glad to come home.

Precious Brilliant performances from Mo’Nique, Mariah Carey, Paula Patten, and newcomer Gabourey Sidibe make this brutal and disturbing story of an abused girl transcendent.

Fantastic Mr. Fox The screen is filled with enticing details, but it is the performances that keep us connected to what is going on. The story of a thieving fox is based on Roald Dahl’s book for children, expanded by director Wes Anderson and his co-screenwriter Noah Baumbach into a complex and engaging tale of the struggle between civilization and the call of the wild.

500 Days of Summer The best romance of the year is this bittersweet story of love and loss starring the marvelous Zoey Deschanel and Joseph Gordon-Levitt. The out-of-order structure means that by the time we see those first, early moments of heady connection, we can tell that the sweetness of those initial feelings will become almost unbearably poignant.

District 9 It has cool and creepy giant insect-looking aliens and there are very cool sci-fi weapons and shoot-outs and chases and space ships and a super-cool giant insect-robot thing, and it is very exciting and scary and sometimes extremely gross (but in a cool, sci-fi way). But, like all great science fiction, it is in aid of speculative allegory. The interactions between humans and aliens all the more powerful for being understated, taken for granted, and filmed in an intimate, low-key fashion that makes it feel like a documentary.

Coraline In the grand tradition of Alice, Dorothy, Milo, and the Pevensie children, Coraline enters a portal to a magical world that is both thrilling and terrifying, one that will both enchant her and demand her greatest resources of courage and integrity. And it will teach her that she does being given whatever she wants is not what she thought — that what she thinks she wants may not be what she wants after all. The creepier it gets, the more mesmerizing the visuals, ravishingly grotesque and dazzlingly inventive.

Up Pixar makes it look easy. Just write a brilliant story about endearing characters and tell it with outstanding voice talent and stunning visuals. This one makes it 10 out of 10 for Pixar. It is the story of a journey involving a grouchy old man, an earnest little boy, an exotic bird, some talking dogs, and a zillion balloons, and it begins with a brief, almost-wordless introduction that is the sweetest on-screen love story of the year.

Star Trek Audiences should be set to stun with this splendid reboot of the 40-plus year old “Star Trek” series. By boldly going where many, many have gone before, J.J. Abrams of television’s “Lost” and “Alias” has managed to make a thoroughly entertaining film that respects the fans but stands on its own.

An Education In this story of a teenage girl who becomes involved with an older man, Danish director Lone Scherfig perfectly captures London just as it is about to move from the drab, stiff-upper-lip, world of post-WWII deprivation to the brash and explosive era of mods and rockers, Carnaby Street and the Beatles, Twiggy, “The Avengers,” and Joe Orton. All of this nicely parallels what is going on with the main character, based on a brief memoir by journalist Lynn Barber.

Runners up: “The Hurt Locker,” “The Damned United,” “Passing Strange,” Anvil: The Story of Anvil, “Cold Souls,” “It Might Get Loud,” “Sugar,” “Julie & Julia,” “Sin Nombre,” “The Princess and the Frog,” and “In the Loop” — and yes, “The Hangover.”

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List: The Most Inspiring Movies of the Decade

Posted on December 21, 2009 at 3:59 pm

The first decade of the 21st century has given us many great films. Here are a dozen I found especially inspiring. From documentaries to fantasies, from real-life heroes to an animated fish, these are the stories that help to show us what we should dream of and what we can accomplish.

Erin Brockovich Julia Roberts won an Oscar playing the real-life single mother whose determination and courage helped hundreds of victims of toxic pollution learn the truth of what happened and find some sense of justice. The movie is candid in its depiction of the price Brockovich herself paid in her personal life for her dedication to the residents who had been poisoned and misled. But it also shows what one individual can accomplish even when the other side has millions of dollars and dozens of lawyers. Quote: “By the way, we had that water brought in specially for you folks. Came from a well in Hinkley.”

Trouble the Water Documentarians Carl Deal and Tia Lessin went to Louisiana for a project that did not work out. They were about to leave when Hurricane Katrina hit. But this Oscar-nominated film is not their story. They turned most of their movie over to Kimberly Rivers Roberts and Scott Roberts, local residents who bought a camera for $20 a week on the street just before the storm and walked around taking pictures of what was going on around them. These citizen journalists document the helplessness of the community and the failure of every possible resource or assistance. Roger Ebert, who included this film in his 2009 film festival, said, “the eyewitness footage has a desperate urgency that surpasses any other news and doc footage I have seen.” The power of the human spirit to tell our stories will always triumph over failures of bureaucracy and even the ravages of storms. Quote: “We lost our citizenship.”

Persepolis Marjane Satrapi’s acclaimed graphic memoir becomes a powerful animated film about her experiences as a child in an Iran that is increasingly restrictive after the Islamic Revolution. After her beloved uncle is executed, her parents send her away to Austria, where she struggles with a new culture and with the new world that is adolescence no matter where or who you are. Perceptive, touching, resilient, this takes animation and memoir to a new level. Quote: “There’s nothing worse than bitterness and revenge. Keep your dignity and be true to yourself.”

Billy Elliot Jamie Bell is sensational as the 11-year-old boy who has to dance, even though everyone he knows is opposed to it. Ultimately his passion and his talent are so inspiring to those around him that they cannot help but give him their support. The play inspired a Tony-award-winning Broadway musical but the gritty authenticity of the original and its setting in a small mining town in Thatcher-era England makes the film version especially powerful. Quote: “Sorta feels good. Sorta stiff and that, but once I get going… then I like, forget everything. And… sorta disappear. Sorta disappear. Like I feel a change in my whole body. And I’ve got this fire in my body. I’m just there. Flyin’ like a bird. Like electricity. Yeah, like electricity. ”

A Beautiful Mind A man sees what no one else can, and we call him a genius. A man sees what no one else does, and we call him crazy. This Oscar-winner for Best Picture is a movie about a man who was both, the true story of genius John Forbes Nash, Jr., who revolutionized mathematics and then became mentally ill. Jennifer Connelly won an Oscar as his loyal wife, a mathematician herself, who stayed with him for decades as he struggled to find a way to master his delusions. Quote: “I’ve made the most important discovery of my life. It’s only in the mysterious equation of love that any logical reasons can be found.”

Lord of the Rings Peter Jackson’s splendid trilogy of the J.R.R. Tolkein series is magnificently realized, from the tiniest detail of Elvish dialogue to the grandest vista of Middle Earth. Villains and heroes, quests and romance, this story teaches us that courage, loyalty, and integrity are more important than strength and magic. Quote: “I can’t carry it for you… but I can carry you!”

Eternal Sunshine of the Spotless Mind The best film of the decade is this loopy romance, starring Jim Carrey and Kate Winslet as one-time lovers who pay to have their unhappy memories erased and then find themselves missing even the pain of love. Screenwriter Charlie Kaufman plays with the themes of identity, time, memory, and attraction in a slightly off-kilter world that seems oddly homelike and familiar because it is so heartfelt and true about how even the unhappiness of love can enlarge our spirits. Quote: “Blessed are the forgetful, for they get the better even of their blunders. ”

Spellbound
Every family should see this m-a-r-v-e-l-o-u-s movie about the 1999 national spelling bee because it is about so much more. It is about the strength of American diversity and the commitment of this country to opportunity — the eight featured competitors include three children of immigrants (one’s father speaks no English) and a wide range of ethnic and economic backgrounds. It is about ambition, dedication, and courage. It is about finding a dream that speaks to each individual. It is about how even in the midst of one of life’s biggest challenges — middle school — it is possible to find passion and confidence and to achieve excellence. Most of all, it is about family — the opportunity to discuss the wide variation in styles of family communication and values is in itself a reason for every family with children to watch this movie together. Quote: “My life is like a movie. I have trials and tribulations, and I overcome them.”

Finding Nemo This story of a father fish in search of his lost son is an epic journey filled with adventure and discovery encompassing the grandest sweep of ocean vastness and the smallest longing of the heart. There are terrifying-looking creatures, but one of the movie’s best jokes is that even the sharks are so friendly that they keep reminding each other that “we don’t eat our friends.” There really are no bad guys in this movie — the danger comes from a child’s thoughtlessness and from natural perils. The movie has no angry, jealous, greedy, or murderous villains as in most traditional Disney animated films. And it has characters with disabilities that are handled frankly but matter-of-factly. Best of all is the way it addresses questions of protection and independence that are literally at the heart of the parent-child relationship. Quote: “I have to get out of here! I have to find my son! I have to tell him how old sea turtles are!”

In America Writer-director Jim Sheridan’s semi-autobiographical tale about Irish immigrants in New York City is something of a fairy tale set in a sweltering and grimy apartment building where even the kind-hearted drug addicts help look out for the children. Told through the eyes of the family’s daughters, the whole movie is exquisitely tender. The girls’ sense of wonder brings a softness and a glow to whatever they see, whether it is a street fair or a broken-down air conditioner. Quote: “When luck comes knocking on your door, you can’t turn it away.”

Hotel Rwanda When the conflict in Rwanda exploded into violence in 1994, the Hutus began a full-scale slaughter of over 800,000 Tutsis and any Hutus who supported them. In the middle of the madness, Paul Rusesabagina hid more than 1000 Tutsis in his hotel. Using the same skills that made him successful as a hotel manager, he cajoles, barters, and bluffs his way into keeping them safe. Don Cheadle and Sophie Okonedo as Rusesabagina and his wife provide a center of decency in the midst of madness and cruelty. The sensitivity of their performances is matched by the script and direction, which make their points, both personal and political, with grace, not bitterness. Like “Schindler’s List,” this film takes us deeply into the horror of one of the 20th century’s greatest tragedies by allowing us to focus on the illumination cast by one small story of grace, courage, and humanity. Quote: “There’s always room.”

The Pursuit of Happyness Chris Gardner is a single father who went from homelessness to success as a stockbroker. What mattered most to him, though, was being a good father. Real-life father and son Will and Jaden Smith star in the story of a man who would not give up. At first he focuses on the misspelling of the word “happiness” at his son’s day care. But then he focuses on the word “pursuit,” because he understands that all we can be promised is the chance to try for what we want, and that has to be enough. Quote: “You got a dream… You gotta protect it. People can’t do somethin’ themselves, they wanna tell you you can’t do it. If you want somethin’, go get it. Period.”

Hannukah on DVD and video

Posted on December 11, 2009 at 6:00 pm

When all the world is caught up in Christmas, it can help to have some DVDs on hand to explain that some people celebrate a different holiday at this time of year, especially when the stories and songs are told by familiar friends. Here are some of the best:
Lights: The Miracle Of Chanukah Judd Hirsch, Leonard Nimoy, and others tell the story of the Macabees in this 1987 animated story.
Lambchop’s Chanukah and Passover Surprise Sheri Lewis and her puppet Lambchop bring a sense of curiosity and wonder to the celebration, and a sense of fun, too as they sing while they make latkes.
A Rugrats Chanukah Unfortunately available only on VHS, this is a charming introduction that includes some historical context and prayers as well as the usual Rugrats silliness.
Chanuka & Passover at Bubbe’s A nice introduction to the history and traditions of the holiday.

There’s No Such Thing as a Chanukah Bush, Sandy Goldstein This is a rare movie that frankly and sensitively portrays the pressure on kids to conform and how it feels to be left out of a celebration that seems to occupy the entire world in December. It gives families a way to acknowledge and even share the celebrations of others while feeling pride in their own traditions.
A Taste of Chanukah A delightful concert performance with Theodore Bikel.

List: The Best Glove Movies

Posted on November 30, 2009 at 3:59 pm

At Thanksgiving, my mother brought out a collection of about 30 pairs of gloves, most of them her mother’s but a few my sisters and I had when we were little girls back in the days when young ladies wore white gloves to go into the big city, attend religious services, or fly in an airplane. I took home two pairs of wrist-length white kid gloves and our daughter picked out two elegant pairs of opera-length gloves. It made me think of some of my favorite gloves in classic movies. Like cigarettes, gloves give rise to a ballet of expressive movements that can be very evocative and even help to tell the story and reveal the character. These are not wool or leather gloves worn for warmth or protection; these are indoor gloves, worn for elegance. Well, except for the last two.

1. Let’s Make Love You can glimpse Marilyn Monroe wear two pairs of gloves in this trailer for her movie about a wealthy man who tries to shut down a satiric musical show because it makes fun of him. The pair I love is the short daytime gloves she wears in the elevator, while Yves Montand is kissing her and singing.

2. The Age of Innocence Director Martin Scorsese shows us that sex and violence can be powerfully portrayed even without guns and goodfellas. In this story of impossible love based on the novel by Edith Wharton and set in 19th century New York high society, Daniel Day-Lewis kisses Michelle Pfeiffer on the wrist under an unbuttoned glove and it is as erotically charged an image as has ever been filmed.

3. Little Women Older sister Meg loans a glove to her impetuous sister Jo so that they can both be properly attired at a party in this film of the classic novel by Louisa May Alcott. Jo has spoiled one of hers and it would be unthinkable for well-brought-up young ladies to go out without them, so each wears one and carries one.

4. Woman of the Year Spencer Tracy and Katharine Hepburn began one of the great on and off-screen love stories in this film about the romance between a sports writer and a columnist. The gloves (and hat) she wears to her first baseball game are hilarious.

5. Lover Come Back In this frothy Doris Day/Rock Hudson comedy, Day wears 1960’s professional woman chic, beautiful suits and impeccable white gloves.

6. Meet Me In St. Louis Only Vincente Minnelli would think of putting his heroine (Judy Garland) in purple gloves for her clang-clang-clang “Trolley Song” number in this turn-of-the-century musical based on the childhood memories of Sally Benson at the time of the St. Louis World’s Fair.

https://www.youtube.com/watch?v=hmx1L8G25q4

7. Gilda Rita Hayworth wears long black gloves in one of the steamiest dance numbers in history, “Put the Blame on Mame.”

8. Breakfast At Tiffany’s Watch this movie and you’ll want to wear gloves like Audrey Hepburn, the essence of elegance in this Truman Capote story about two people who have made many compromises but find the courage to build a relationship that will make them be honest with each other and themselves.

9. This Is Spinal Tap This outrageously funny mockumentary about a metal hair band includes a hilarious scene where they get the news that the record company will not permit the art they selected for their new album, “Smell the Glove.” For some reason, they found it offensive.

10. Yellow Submarine Who can forget the Dreadful Flying Glove, one of the most important weapons of the Blue Meanies but no match for the music and love of the Beatles in this animated classic?

And in one of my favorite opening credit sequences, the lovely ladies of “Deliver Us From Evil” dance to “You’re All I Need to Get By” in elegant attire, including, of course, gloves.