I love comedy and stand-up and can’t wait to see this documentary. Jimmy Fallon, Tom Hanks, Amy Schumer, Jim Gaffigan, Judd Apatow, Lisa Kudrow, Larry David, and Jon Favreau are among over 60 famous funny people featured in this hilarious twist on the age-old truth: misery loves company. In-depth, candid interviews with some of the most revered comedy greats who each share their unique path and a life devoted to making strangers laugh.
Interview: Jean-Michel Cousteau of “Secret Ocean 3D”
Posted on April 2, 2015 at 3:51 pm
Copyright 2015 3D Entertainment Films
Jean-Michel Cousteau has carried on the legacy of his famous father, Jacques Cousteau, who first allowed the world to see the creatures that live in the water, through deep-sea diving and his pioneering underwater photography. Now his son has used the latest technology to show us another world previously unseen, with tiny animals and colors as bright as any garden in full flower.
He wanted to work with IMAX 3D, in order “see the behavior of things that I’m flying or swimming over all the time since I started diving when I was seven years old, fifty nine years ago. And I would be very frustrated not to be able to see the behavior of tiny little things. So they put together the prototype cameras which are allowing us now to focus in slow motion on the behavior of small creatures and see what they are doing to feed themselves, protect themselves and be of course in relationship with other creatures. So for me I am now for the first time in my life able to see things on the big screen which I cannot see when I’m under water.”
I was especially fascinated with the tiny animals who look like flowers and the squid who could instantly change color to match the environment. “The flower-like creatures are found mostly in the tropical environment. The beautiful one that you see in the show are in the tropics in the Caribbean and in Fiji. Then there were these beautiful worms which are called Christmas tree worms. The squids were in Southern California. Squids and octopus can change their color, their texture. They have no bones so they are very bendable. They can hide. They are really amazing creatures. The bad news as you probably have heard on the show is that they die every year. After they reproduce they are gone. I am totally convinced that if they didn’t die they probably would run the planet today because they have real brains and are very clever creatures.”
There is a creature that looks like a pile of sticks. In the film, we learn that it has no head or brain but can regenerate its limbs. “We have seen those creatures but usually we don’t see the same one during the day and then come back and see the same one at night. Thanks to science and scientists we are able to learn about these creatures because they capture them and they analyze them. So the instinct that they have to capture food and bring into their mouth when you realize they have no brain is just for me it’s fascinating. I’m just like a kid every time I see them. So we were very patient, we saw it. As a matter of fact we saw two of them during the daytime and we decided, okay we have to wait and come back at night and we did and they were still there. And we were able to film them.”
What surprised me most in the film was the information about the tiniest creatures, plankton, and the part they play in keeping the rest of the world breathing. “Plankton are really the foundation of life in the ocean. And you have two kinds of planktons, the big which you see which are very spectacular, many different types of species and then the tiny little ones which drift. And the big ones are animals. They are called zooplankton. And then the tiny little ones which are plants, they are phytoplankton. Now the zooplankton is feeding on the phytoplankton. They need that to feed themselves and to grow and they are what you call the foundation of all life in the ocean. Without them there would be no life. So being absorbed within the food chain, they migrate towards the surface every day. And they are very very active at night and of course there are a lot of creatures that are coming by and feeding on them, both the plants and animals. And it goes all the way up the food chain all the way to the big creatures whether they are fish or mammals, whales or sea lions or tuna. Totally every creature is dependent on these unbelievable plants and animals which are the foundation of all life in the ocean. As a result of all that about half of the oxygen that is being produced comes from the ocean. And every other breath of air that you take you are getting it thanks to the ocean. So we are totally connected and dependent on the quality of life in the ocean. Unfortunately we didn’t know that before. Now we are learning and we are learning very fast thanks to what I call communication evolution. There are people all over the planet now who are asking questions now about these creatures. We need to learn very quickly and pass on the information to the decision-makers and the future decisions makers which are the children, the young people. They need to understand that we need to stop using the ocean as a garbage can. Because all of that decomposes and it affects the food chain, it affects the plankton, it affects the creatures which are concentrating those chemicals in their system and accumulates them, and concentrates as the creatures are getting bigger and bigger up the food chain. So we are hurting that environment which means we are hurting ourselves. At the end of the day it is not just the fact that we fishing or we catching more than nature can produce. We have learned that a long time ago, we are not hunters and gatherers we are farmers. So we need to do something with the ocean but we cannot farm creatures that are disappearing and you cannot farm in the ocean where you have the storms, hurricanes and so on.”
Jean-Michel told me that his father pushed him into the water with a tank on his back when he was seven and the water is home to him. “He kept telling me, ‘People protect what they love,’ and I kept telling him, ‘How can you protect what you don’t understand?’ So thanks to my dad I have this thirst for discoveries and wanting to protect what we don’t understand.”
Rated PG for language, thematic elements and smoking images
Profanity:
Some strong language
Alcohol/ Drugs:
Smoking
Violence/ Scariness:
Some sad stories
Diversity Issues:
A theme of the movie
Date Released to Theaters:
March 27. 2015
Copyright Magnolia 2015
Maybe you like Frank Sinatra and your friend likes the Mamas and Papas. Maybe you’ve argued about who is better, the Beach Boys or Simon and Garfunkel, or maybe you prefer Elvis. Each of those monumentally talented performers had a highly distinctive sound but each of them was backed by the same group of astonishingly talented and remarkably versatile studio musicians known as “The Wrecking Crew.” Like other behind the music documentaries 20 Feet from Stardom, Only the Strong Survive – A Celebration of Soul, Standing in the Shadows of Motown, and Muscle Shoals, this is a riveting look at the people just outside spotlight. They may be every bit as good as the performers they stand behind, but for some reason — less charismatic, less determined, less in need of attention, less lucky, they do not get to be stars.
The Wrecking Crew backed up Bing Crosby, Glen Campbell (who was a Wrecking Crew member before he moved to the front of the stage), Herb Alpert, Cher, Nancy Sinatra, and the Monkees. The list of iconic albums that they didn’t play on is shorter than the one they did. Just as unforgettable as the timbre of the voices of superstars are the deedle-deedles or doot-doots (and the dum-dum-dum dum of the “Mission Impossible” theme song) and other musical cues and curlicues that make a song a hit. This movie has the pure joy of creating unforgettable music, and a satisfying chance to appreciate literally unsung heroes, but it also has loss and betrayal and secrets.
This is a love letter from filmmaker Danny Tedesco to his late father, one of the Wrecking Crew musicians, and those like him, who gave their best and were loved all over the world by fans who had no idea who they were. When Brian Wilson of The Beach Boys” tells us that Carol Kaye is the best bass player ever, it is impressive. When she shows us how she played the licks at the heart of “Good Vibrations,” it is soul-stirring. This is also a story that speaks powerfully to all of us who feel that our contributions are not as valued as they should be. And of course, it has some of the greatest music ever made, now to be listened to more thoughtfully and appreciated more than ever.
Parents should know that this movie has some sad stories, some strong language, and smoking.
Family discussion: Would you rather be a star or a studio player and why?
Jean-Michel Cousteau begins this dazzling underwater documentary with archival footage of his father’s pioneering work in showing us life in the other two-thirds of the planet. And then he uses the latest technology to bring those flickering monotone images up to date with spectacular visions of exquisite sea animals shaped like plants, a 30-pound snail that eats food to make it taste bad to predators, a creature that looks like a pile of twigs and has no head and no blood but can regenerate its appendages, a candy-cane striped shrimp, all in a world exotic, strange, and wondrously interdependent with our own. Plankton, we learn from narrator Dr. Sylvia Earle, is not just the source of food for many of the creatures who live in the sea (and who themselves are food for other animals), but the source of much of the oxygen we breathe. The environmental message is subtle, but powerful. These creatures cannot survive without us and we cannot survive without them.
The images are stunning beyond words, but it would have been nice to get more information about the locations and habits of the animals we are observing. Still, this is as spectacular a series of images and as provocative a series of characters as you will see on any screen this year.
01 – DIGITAL3D – February 20, 2015 – Oregon Museum of Science & Industry, Portland (OR)
02 – IMAX3D – February 27, 2015 – The Henry Ford Museum IMAX Theatre, Dearborn (MI)
03 – DIGITAL3D – March 6, 2015 – Moody Gardens 3D Theater, Galveston (TX)
04 – IMAX3D – March 20, 2015 – Indiana State Museum IMAX 3D Theatre, Indianapolis (IN)
05 – IMAX3D – March 20, 2015 – Smithsonian’s National Museum of Natural History Samuel C. Johnson IMAX, Washington (DC)
06 – IMAX3D – April 3, 2015 – Montreal Science Center Telus IMAX 3D Theater, Montreal (QC)
07 – IMAX3D – April 16, 2015 – New England Aquarium Simons IMAX Theatre, Boston (MA)
08 – IMAX2D (DOME) – No later than April 20, 2015 – Planetario Puebla Omnimax Theater, Puebla (Mexico)
09 – DIGITAL3D – May 22, 2015 – Houston Museum of Natural Science 3D Theater, Houston (TX)
10 – DIGITAL3D – May 23, 2015 – New Mexico Museum of Natural History Lockheed-Martin DYNA Theatre, Albuquerque (NM)
11 – DIGITAL3D – June 12, 2015 – Milwaukee Public Museum 3D Theater, Milwaukee (WI)
12 – DIGITAL3D – July 10, 2015 – American Museum of Natural History 3D Theatre, New York City (NY)
13 – IMAX3D (DIGITAL) – No later than August 30, 2015 – Challenger Learning Center IMAX, Tallahassee (FL)
Trailer: Documentary About Illustrator Hilary Knight of “Eloise” and “Mrs. Piggle-Wiggle”
Posted on March 11, 2015 at 8:00 am
Copyright Scholastic 1987
I have loved Hilary Knight’s illustrations for as long as I can remember. The words about Eloise, the little girl who lives in New York’s Plaza Hotel, were written by nightclub singer Kay Thompson. But the illustrations were by Hilary Knight, and I pored over them for hours because they were do detailed, witty, and expressive. Later, when I first read Mrs. Piggle-Wiggle, I recognized Knight’s penwork right away.
“I think so many young women were obsessed with Eloise’s unruly magic,” she said. “She’s just such a remarkably independent, vanity-free, complex little girl, and as a little girl you don’t see that many representations of yourself beyond a good little child with pigtails. So it was meaningful.”
And now she has made a documentary about Knight called, “It’s Me, Hilary,” that will be on HBO, premiering March 23, 2015.