Trailer: Song from the Forest
Posted on April 24, 2015 at 8:00 am
I was delighted to see that there is a documentary about Louis Sarno, whose work I have admired since I saw the wonderful film Oka! directed by Lavinia Currier.
Posted on April 24, 2015 at 8:00 am
I was delighted to see that there is a documentary about Louis Sarno, whose work I have admired since I saw the wonderful film Oka! directed by Lavinia Currier.
Posted on April 16, 2015 at 5:39 pm

Disneynature’s annual wild kingdom-style nature documentary is predictably adorable but surprisingly absorbing. The toque macaque monkeys of Sri Lanka live in the 12th century ruins of Polonnaruwa in a society as rigidly structured and ruthlessly enforced as a high school cafeteria run by the mob.
After a chipper rendition of “Hey Hey We’re the Monkees” with an extra verse from former Monkee Micky Dolenz, Tina Fey’s warm and reassuring narration takes over, explaining the literal hierarchy of the monkeys, whose status is reflected by their position on their castle rock. “An intricate society of 50 monkeys band together in a strict social order.”
At the top is the alpha male, Raja, and under him are his male lieutenants/enforcers and three females known as the sisters, whose primary occupations are eating the best food and caring for Raja. Every element of the society — where the monkeys sit and sleep, what they may eat, who they may interact with — is clearly established and strictly enforced.
After we get the sense of the social structure, Fey introduces us to Maya, a young female at the bottom of the hierarchy who will be our hero throughout the story. She is a single mom with a son named Kip and since she is precluded from the literal easy pickings of the fruit tree reserved for the elite only, she has to be adventuresome and imaginative in finding food for them. Kip’s father Kumar is an outcast from his original tribe and, for showing interest in Maya and showing no fealty to Raja, from this one as well.
When a rival tribe invades, Raja’s luxurious lifestyle has left him unprepared to win a battle. The entire group is homeless. Maya and Kumar, who has returned, have skills that are suddenly valuable, even vital, for the survival of the monkeys. Maya helps them get food from the nearby town. Can Kumar help them reclaim Castle Rock?
Like all of the series, this is filled with “how in the world did that get that?” moments of extraordinary intimacy and power, like Maya’s tenderness with Kip, her harvesting of the termites who fly in just one day a year, and the monkeys’ interaction with other species, including a mongoose, a langur monkey, a monitor lizard, and, to their utter and hilarious mystification, a dog. Children will enjoy the hijinks, especially the monkey invasion of an empty school, where they discover snacks and a birthday cake. The predators and perils are gently presented and the issues of status and power are described in a manner that is open and accessible. Once the cheery but corny introductory song is over, this chapter avoids some of the cutesiness that marred previous releases. And the drama of the social structure is so intricate and abashedly familiar it will remind all of us to be a little kinder to those we consider beneath us and a little more willing to challenge the Rajas in our lives.
Parents should know that there are scenes of confrontation and predators, with some minor characters injured and killed and brief, discreet images of dead animal bodies.
Family discussion: What skills did Maya and Kumar have that were important to their group? How are the monkeys like and not like humans? How many ways did you see the monkeys communicate with each other and the other animals? How should Maya treat the Sisterhood and the lower-status monkeys?
If you like this try: the other Disneynature films, including “Chimpanzee,” “African Cats,” and “Bears”
Posted on April 13, 2015 at 8:00 am
I love comedy and stand-up and can’t wait to see this documentary. Jimmy Fallon, Tom Hanks, Amy Schumer, Jim Gaffigan, Judd Apatow, Lisa Kudrow, Larry David, and Jon Favreau are among over 60 famous funny people featured in this hilarious twist on the age-old truth: misery loves company. In-depth, candid interviews with some of the most revered comedy greats who each share their unique path and a life devoted to making strangers laugh.
Posted on April 2, 2015 at 3:51 pm

Jean-Michel Cousteau has carried on the legacy of his famous father, Jacques Cousteau, who first allowed the world to see the creatures that live in the water, through deep-sea diving and his pioneering underwater photography. Now his son has used the latest technology to show us another world previously unseen, with tiny animals and colors as bright as any garden in full flower.
I spoke to Cousteau about his latest film, Secret Ocean 3D.
He wanted to work with IMAX 3D, in order “see the behavior of things that I’m flying or swimming over all the time since I started diving when I was seven years old, fifty nine years ago. And I would be very frustrated not to be able to see the behavior of tiny little things. So they put together the prototype cameras which are allowing us now to focus in slow motion on the behavior of small creatures and see what they are doing to feed themselves, protect themselves and be of course in relationship with other creatures. So for me I am now for the first time in my life able to see things on the big screen which I cannot see when I’m under water.”
I was especially fascinated with the tiny animals who look like flowers and the squid who could instantly change color to match the environment. “The flower-like creatures are found mostly in the tropical environment. The beautiful one that you see in the show are in the tropics in the Caribbean and in Fiji. Then there were these beautiful worms which are called Christmas tree worms. The squids were in Southern California. Squids and octopus can change their color, their texture. They have no bones so they are very bendable. They can hide. They are really amazing creatures. The bad news as you probably have heard on the show is that they die every year. After they reproduce they are gone. I am totally convinced that if they didn’t die they probably would run the planet today because they have real brains and are very clever creatures.”
There is a creature that looks like a pile of sticks. In the film, we learn that it has no head or brain but can regenerate its limbs. “We have seen those creatures but usually we don’t see the same one during the day and then come back and see the same one at night. Thanks to science and scientists we are able to learn about these creatures because they capture them and they analyze them. So the instinct that they have to capture food and bring into their mouth when you realize they have no brain is just for me it’s fascinating. I’m just like a kid every time I see them. So we were very patient, we saw it. As a matter of fact we saw two of them during the daytime and we decided, okay we have to wait and come back at night and we did and they were still there. And we were able to film them.”
What surprised me most in the film was the information about the tiniest creatures, plankton, and the part they play in keeping the rest of the world breathing. “Plankton are really the foundation of life in the ocean. And you have two kinds of planktons, the big which you see which are very spectacular, many different types of species and then the tiny little ones which drift. And the big ones are animals. They are called zooplankton. And then the tiny little ones which are plants, they are phytoplankton. Now the zooplankton is feeding on the phytoplankton. They need that to feed themselves and to grow and they are what you call the foundation of all life in the ocean. Without them there would be no life. So being absorbed within the food chain, they migrate towards the surface every day. And they are very very active at night and of course there are a lot of creatures that are coming by and feeding on them, both the plants and animals. And it goes all the way up the food chain all the way to the big creatures whether they are fish or mammals, whales or sea lions or tuna. Totally every creature is dependent on these unbelievable plants and animals which are the foundation of all life in the ocean. As a result of all that about half of the oxygen that is being produced comes from the ocean. And every other breath of air that you take you are getting it thanks to the ocean. So we are totally connected and dependent on the quality of life in the ocean. Unfortunately we didn’t know that before. Now we are learning and we are learning very fast thanks to what I call communication evolution. There are people all over the planet now who are asking questions now about these creatures. We need to learn very quickly and pass on the information to the decision-makers and the future decisions makers which are the children, the young people. They need to understand that we need to stop using the ocean as a garbage can. Because all of that decomposes and it affects the food chain, it affects the plankton, it affects the creatures which are concentrating those chemicals in their system and accumulates them, and concentrates as the creatures are getting bigger and bigger up the food chain. So we are hurting that environment which means we are hurting ourselves. At the end of the day it is not just the fact that we fishing or we catching more than nature can produce. We have learned that a long time ago, we are not hunters and gatherers we are farmers. So we need to do something with the ocean but we cannot farm creatures that are disappearing and you cannot farm in the ocean where you have the storms, hurricanes and so on.”
Jean-Michel told me that his father pushed him into the water with a tank on his back when he was seven and the water is home to him. “He kept telling me, ‘People protect what they love,’ and I kept telling him, ‘How can you protect what you don’t understand?’ So thanks to my dad I have this thirst for discoveries and wanting to protect what we don’t understand.”
Posted on March 26, 2015 at 9:48 pm
B+| Lowest Recommended Age: | Middle School |
| MPAA Rating: | Rated PG for language, thematic elements and smoking images |
| Profanity: | Some strong language |
| Alcohol/ Drugs: | Smoking |
| Violence/ Scariness: | Some sad stories |
| Diversity Issues: | A theme of the movie |
| Date Released to Theaters: | March 27. 2015 |

Maybe you like Frank Sinatra and your friend likes the Mamas and Papas. Maybe you’ve argued about who is better, the Beach Boys or Simon and Garfunkel, or maybe you prefer Elvis. Each of those monumentally talented performers had a highly distinctive sound but each of them was backed by the same group of astonishingly talented and remarkably versatile studio musicians known as “The Wrecking Crew.” Like other behind the music documentaries 20 Feet from Stardom, Only the Strong Survive – A Celebration of Soul
, Standing in the Shadows of Motown
, and Muscle Shoals
, this is a riveting look at the people just outside spotlight. They may be every bit as good as the performers they stand behind, but for some reason — less charismatic, less determined, less in need of attention, less lucky, they do not get to be stars.
The Wrecking Crew backed up Bing Crosby, Glen Campbell (who was a Wrecking Crew member before he moved to the front of the stage), Herb Alpert, Cher, Nancy Sinatra, and the Monkees. The list of iconic albums that they didn’t play on is shorter than the one they did. Just as unforgettable as the timbre of the voices of superstars are the deedle-deedles or doot-doots (and the dum-dum-dum dum of the “Mission Impossible” theme song) and other musical cues and curlicues that make a song a hit. This movie has the pure joy of creating unforgettable music, and a satisfying chance to appreciate literally unsung heroes, but it also has loss and betrayal and secrets.
This is a love letter from filmmaker Danny Tedesco to his late father, one of the Wrecking Crew musicians, and those like him, who gave their best and were loved all over the world by fans who had no idea who they were. When Brian Wilson of The Beach Boys” tells us that Carol Kaye is the best bass player ever, it is impressive. When she shows us how she played the licks at the heart of “Good Vibrations,” it is soul-stirring. This is also a story that speaks powerfully to all of us who feel that our contributions are not as valued as they should be. And of course, it has some of the greatest music ever made, now to be listened to more thoughtfully and appreciated more than ever.
Parents should know that this movie has some sad stories, some strong language, and smoking.
Family discussion: Would you rather be a star or a studio player and why?
If you like this, try: 20 Feet from Stardom, Only the Strong Survive – A Celebration of Soul
, Standing in the Shadows of Motown
, and Muscle Shoals