Meet the Robinsons

Posted on March 22, 2007 at 2:19 pm

B+

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	Rated G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Cartoon-style peril, including dinosaur, no one hurt
Diversity Issues:	None
Date Released to Theaters:	2007
Date Released to DVD:	2007
Amazon.com ASIN:	B000ROAK2W

At times, all of us feel like strangers in the world. In Disney’s bight, colorful, CGI animated film (available in 3D in some locations), Lewis (voice of Daniel Hansen) is left on the steps of an orphanage as a baby and rejected by over 100 prospective parents. He constantly invents machines that will help solve problems. But his love for inventing just seems to make him feel more separate from the world, more isolated, more weird. It seems he will ever find a family or a place where he feels at home.

Mildred (voice of Angela Bassett), who runs the orphanage, is sympathetic and fond of Lewis, but that is not the same. He has a roommate, Michael “Goob” Yagoobian (voice of Matthew Josten), who is just as lonely as he is. Lewis is better at understanding the problems of machines than he is at understanding what makes people work — or not work. His head is so full of plans that he does not always see what is going on in front of him.

When he takes his latest invention to the school science fair, he does not notice that two very unusual people have taken an interest in it. One is “Bowler Hat guy,” an even apter name than first apparent. The other is a boy named Wilbur Robinson who says he is from the future and he needs Lewis to accompany him there right away.

In keeping with its theme, the movie is visually inventive, especially in 3D. The story is uneven and a little too long, its wacky characters not as adorable as it wants us to think they are, and the ending not quite as logically consistent as it should be. But any movie that has a chorus of frogs singing Big Band music and a healthy respect for failure is worth seeing.

Parents should know that the movie’s themes include parental abandonment and rejection by potential adoptive parents, which may be disturbing for some children. There is some cartoon violence and peril, including a scary dinosaur. No one is badly hurt, though a child has a black eye and refers to having been beat up. There is some schoolyard language and a reference to being over-caffeinated.

Families who see this movie should talk about what it means to keep moving forward and to let go of the hurts of the past. Why did Lewis change his mind about what he thought he wanted? They may also want to talk about the many different ways people create families — and about some of the more unusual hobbies of their family members.

Families who enjoy this film will also enjoy the book, A Day with Wilbur Robinson, by William Joyce. They will also enjoy the dazzlingly inventive graphics in another animated film about an inventor based on Joyce’s work, Robots. The bowler hat guy is a little reminiscient of villain played by Terry-Thomas in Those Magnificent Men in Their Flying Machines or Jack Lemmon in the delightful Great Race.

The Last Mimzy

Posted on March 21, 2007 at 2:41 pm

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	Rated PG for some thematic elements, mild peril and language.
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Peril and confrontations, some tense scenes and possible peril
Diversity Issues:	Diverse characters
Date Released to Theaters:	2007
Date Released to DVD:	2007
Amazon.com ASIN:	B000Q66FB6

Two children find toys that make them more intelligent and powerful and send them on an adventure in this fine story for 4th-8th graders and their families. After he plays with the toys, Noah (Chris O’Neil) doesn’t need his glasses any more. He can hit a golf ball like Tiger Woods. Instead of struggling in school, he puts together a science fair project that could earn him a Nobel Prize. Noah’s little sister Emma (Rhiannon Leigh Wryn) can make the rocks that came with the toys spin. She can create some sort of vortex and stick her hand inside, making its atoms come apart. And one of the toys seems to be a kind of a generator, so powerful that it blows out all the electricity in the city.

These are not the kind of toys you can find at the store. Noah and Emma find them in a box washed up on the shore near their family’s weekend home on the coast of Washington state. And shutting down the electricity in Seattle is not something that goes unnoticed, not in these days of the Patriot Act, where, as Noah’s father is reminded by Nathanial Broadman of Homeland Security (Michael Clarke Duncan), the government no longer needs a warrant to search your house.

Noah and Emma will need all of their new powers and the help of some grown-ups — their parents (Timothy Hutton and Joely Richardson) and Noah’s teacher Larry (“The Office’s” Rainn Wilson) and his wife to solve the deeper riddle behind the toys and help save those who sent them.

The very part of the story that is most likely to appeal to children — making the kids the central characters and giving only them the power to save the day — is also its weak point. A great deal rests on its young actors, and Wryrn falters in the big scenes, seeming to be repeating her lines rather than feeling them. The updates to the 1943 short story feel shoehorned in and the scenes of the government coming in to investigate are like an echo of the unforgettably powerful scenes in E.T. But the film wisely does not try to wow the CGI-savvy audience with its special effects, keeping them low-key enough to feel enticingly possible. And its respect for studying science, for taking responsibility for addressing the problems around us, and for family commitment, communication, and loyalty are lessons this toy of a movie teaches very nicely.

Parents should know that this movie has some tense scenes with some mild peril. There is some kissing with a very mild sexual reference and an unmarried couple lives together.

Families who see this movie should talk about the idea of “cultural pollution” and how each of us can take responsibility for protecting our environment and our communities. Why would someone send such an important message in the form of toys?

Families who enjoy this film will also enjoy E.T. – The Extra-Terrestrial, Close Encounters of the Third Kind, and Edward Eager’s delightful Tales of Magic books. The title of this movie comes from Lewis Carroll’s famous Jabberwocky nonsense poem from Alice’s Adventures in Wonderland and Through the Looking-Glass.

Shooter

Posted on March 16, 2007 at 4:06 pm

B-

Lowest Recommended Age:	High School
MPAA Rating:	Rated R for strong graphic violence and some language.
Profanity:	Some strong language
Alcohol/ Drugs:	Drinking, smoking, giving beer to a dog
Violence/ Scariness:	Extreme and intense peril and violence, including heavy artillery, shotguns, suicide
Diversity Issues:	Diverse characters as both good and bad guys
Date Released to Theaters:	2007
Date Released to DVD:	2007
Amazon.com ASIN:	B000Q6GUTI

Pulitzer prize-winning film critic Stephen Hunter of the Washington Post has seen a lot of movies, both good and bad, and this film, based on his highly cinematic novel Point of Impact, shows an able, if somewhat derivative, sense of narrative propulsion. It’s a little bit Rambo, a little bit Death Wish, a little bit Under Seige, a little bit Die Hard.

The premise almost sounds like a parody of a movie pitch: Bob Lee Swagger (Mark Wahlberg), a crack shot of a Marine sharpshooter becomes disillusioned after he and his best pal and spotter are abandoned by their commanders and the pal is killed. When some big shots track him down in his cabin in the woods to tell him they need his help to stop an assassination attempt on the President, he agrees to go back into service. But he is betrayed again, and set up as the fall guy for an attempted assassination in a complex conspiracy that reaches into government and big business. When everything closes in on him, he has to rely on the generic pretty girl with spunk — the widow of his spotter (Kate Mara), the generic wiseman/expert who knows the secrets (a specialist who’s even deeper in the woods than Swagger was) and a brand new FBI agent (Michael Pena of Crash) with a fresh perspective who doesn’t buy the too-convenient story about how Swagger planned to kill the President.

The idea satisfies a deep-seated fantasy. We all think we deserve an apology from someone and we all want our special talents to be discerned and appreciated by people in positions of authority. The big shots seek Swagger out to say they’re sorry and they need him. They acknowledge that he’s the best there is.

And then, after they betray him and try to kill him, Swagger (and we, through him) gets that oh-so-nice “Who IS that guy?” gratification of outsmarting those high-powered but corrupt guys at the top. And then he gets revenge — with extreme prejudice.

Some people will find that satisfying, too, but I found it over the top, thuggish, and brutal. The movie’s strengths are its appealing hero, a performance of surprising warmth and humor by Pena, and some clever use of expertise, especially in Swagger’s explanation of the elements that have to be factored in to hit an extra-long-range target (everything, including the rotation of the earth). And those colorful flags snapping in the breeze? They’re not there for decoration.

But then there is its clunky obviousness: The name has to be Swagger? And he has to walk toward us in slo-mo? And the bad guys have to cackle over their total domination and corruption? And there have to be not one, not two, but three explaining villains? And the overheatedness gets out of control by the end, with Swagger taking too many laws and too many lives into his own hands.

Parents should know that this movie has extreme and intense action-style peril and violence with some very graphic and disturbing images. Characters are are shot, stabbed, impaled, tortured, and punched. Many are injured and killed, including a dog. Characters are assassinated and a character commits suicide on-screen. There is a pro-vigilante aspect to some of the killing that audience members may find disturbing. They may also be disturbed by references to genocide, rape, torture, and political corruption. Characters smoke, drink, and use strong language. There are some sexual references, including rape, and a character wears skimpy clothing. And there is an Anna Nicole Smith joke that was clearly made before her death.

Families who watch this movie should talk about whether and when it is appropriate to take the law into your own hands.

Families who appreciate this movie will also appreciate In the Line of Fire and paranoia classics like The Parallax View, Three Days of the Condor, The Pelican Brief, and Under Siege. And they will enjoy the book, and sequels Time to Hunt and Black Light by Stephen Hunter.

TMNT

Posted on March 16, 2007 at 4:02 pm

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	Rated PG for animated action violence, some scary cartoon images and mild language.
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Cartoon-style violence, a lot of martial arts and punching but no one gets badly hurt
Diversity Issues:	Diverse characters
Date Released to Theaters:	2007
Date Released to DVD:	2007
Amazon.com ASIN:	B00005JPMZ

They’re teenagers, they’re mutants, they’re ninjas, and they’re turtles.

Up from the sewers by way of some handy toxic waste, those Renaissance-named, three-fingered, ninja-fighting, pizza-eating turtle siblings are back in their first all-CGI adventure. They say funny-tough things like, “I’m gonna drop-kick you to hurty-town.” They squabble with each other, but when it matters, they fight together. This time, their challenge is zillionaire Max Winters (voice of Captain Picard/Professor Xavier Patrick Stewart), a huge man in a huge office at the top of a huge skyscraper. Helping out the Turtles are their sensei (teacher), Master Splinter (voice of Mako) and their ninja-tastic pals April (voice of “Buffy’s” Sarah Michele Geller) and Casey (voice of Fantastic Four‘s Johnny Storm, Chris Evans).

Once again, the fate of the world is at stake. Thousands of years ago, the stars aligned to “open a portal of unknown power.” It also released 13 monsters and turned an army into stone. Now, that portal is poised to re-open. Unless all of the monsters are returned, well, a lot of bad stuff is going to happpen.

But before that can happen, the estranged turtles have to find a way to become a team again. Leonardo has been sent off by Master Splinter to learn some lessons of leadership. The others have gone off on their own, one entertaining at kids’ birthday parties, one doing computer tech support, and one, well, the TMNTs may be great fighters, but they aren’t too swift if they can’t figure out that when Raphael sleeps all day and there’s a mysterious Nightwatcher vigilante fighting crime every night, there just might be a connection.

The real power in the TMNT stories is the transformation, but in this movie that’s all in the past, and it is difficult to get much satisfaction from the comeback premise or the attempts to create some sibling rivalry. And there is no way the intended audience could be interested in the generic commitment-phobic romance between April and Casey (“I don’t know if I can be the grown-up she needs me to be”) or the references to the Gilmore Girls and “those kind of” phone lines. The movie has the challenge of creating a sense of danger and combat without exceeding the limits of the G rating. The bad guys have red glowy eyes and there’s some fancy footwork and weapons-wielding peril but, even with a nifty skateboarding scene, it’s more video game than story.

Parents should know that there is a lot of cartoon-style violence in this film, mostly martial arts, with kicking and weapons, including knives. We do not see any injuries but some characters are evaporated and a tranquilizer gun is used. There is brief crude humor and there are some rude comments and epithets (“Dirtbag”). April has the wasp waist and bare midriff of a Barbie doll, raising body image and expectation issues for both boys and girls.

Families who see this film should talk about the sibling rivalry among the turtle brothers. Why was it hard for them to be nice to each other? How were they different? How were they alike? Where do you see the importance of compassion and humility in your own lives?

Families who enjoy this film will also enjoy the earlier live-action movies and the 3 Ninjas Trilogy.

Hot Fuzz

Posted on March 16, 2007 at 3:23 pm

Lowest Recommended Age:	High School
MPAA Rating:	Rated R for violent content including some graphic images, and language.
Profanity:	Very strong language
Alcohol/ Drugs:	A lot of drinking and smoking
Violence/ Scariness:	Comic but very graphic violence, including beheadings, impaling, stabbing, shooting
Diversity Issues:	None
Date Released to Theaters:	2007
Date Released to DVD:	2007
Amazon.com ASIN:	B000RJO578

Those Shaun of the Dead guys are at it again. Having put a comedic stake through the heart of the zombie movie, they are now going after brainless cop films. Simon Pegg, the clueless Shaun in the last film, here plays crackerjack cop Sergeant Nicholas Angel, whose ruthless efficiency is so dispiriting to his colleagues that they send him off to a sleepy suburb to make sure he will stop making them look bad by comparison.

And so, instead of tracking down murderers and drug dealers, Angel is stuck in a relentlessly quaint little village, sort of a Masterpiece Theatre version of Mayberry, with a touch of Kinkade and a gloss from the British Tourism Bureau. Instead of high-speed chases with squealing breaks and kevlar vests, he finds himself carding teenagers in a pub and trying to find a wayward swan. Oh, he tries to keep up his record. Even before he officially starts work, he makes an arrest, a drunk who turns out to be not just the son of the local police chief but his new partner, Danny Butterman (fellow “Shaun” veteran Nick Frost).

The closest Danny has come to crime is his comprehensive DVD library of every single cop film ever made. He dreams of being like Will Smith and Martin Lawrence in Bad Boys II. He wants to go on a high-speed pursuit and fire two guns at once while jumping through the air. But he’s stuck in Sandford, which might as well be named Quicksandford from Angel’s point of view.

Is this one of those movies where the tough guy gets all cuddly and finds out what really matters, like Kindergarten Cop? I am relieved to say it is not. This is one of those movies where sleepy little Sandford turns out to have a crime rate that would terrify the Bad Boys and carnage that would horrify even the implacable Keanu Reeves of Point Break.

Wright and Pegg have a lot of fun transplanting the tropes of big Hollywood buddy cop explosion movies to a seemingly sleepy little village. As with “Shaun,” director Wright (whose work can also be glimpsed in the faux trailer for “Don’t” in the faux double feature “Grindhouse”) is very good at using quick-cut ironic juxtapositions, graphic images, and unexpected behavior — good and bad — from people we think we know to excellent comic effect.

Parents should know that this is a very grisly comedy with extremely graphic, blood-spurting violence. Heads are chopped off. A woman is stabbed in the chest with scissors and a man is stabbed in the hand. Many characters are shot. There are also images of dead and decomposing bodies and skeletons. The violence is comic but it is very explicit. Characters smoke and drink a great deal and get drunk (many scenes in a pub). They use very strong language. There are sexual references, including adultery.

Families who see this movie should talk about how the people who made it were inspired by the films they saw. They might also like to talk about some of the film techniques used to tell the story, including the quick cuts and sped-up footage.

Families who enjoy this movie will also enjoy Shaun of the Dead and some of the films referred to by the characters, including Point Break.