Will Smith is one of the most charismatic performers in movie history, and his confident physical grace and handsome face are movie magic. But it just might be that his highest and best use is as the voice of an animated character, in this case super-spy Lance Sterling, as cool and crisp as a stirred-not-shaken martini, who never musses his impeccably tailored tuxedo as he takes on dozens of bad guys with an assortment of whiz-bang gadgets, an occasional well-placed karate chop, and a banging playlist. Like Robin Williams in “Aladdin,” only animation can keep up with Smith’s mercurial imagination (and help us forget Smith’s well-intentioned but short-of-the-mark efforts to re-create that character in this year’s live actin version). Smith does not cycle kaleidoscopically between dozens of characters as Williams did; he is always himself, but as we see here he contains rapidly shifting moods and thoughts that “Spies in Disguise” brings to life with visual wit and energy that match everything Smith brings to the film. “Spies in Disguise” is a stylish spy caper with heart and humor, an endearing friendship, and an equally endearing affection for Team Weird. Come on, you know you’re part of that team, too.

Lance is after some sort of MacGuffin thingamajig about to be sold by international weapons dealer Kimora (Masi Oka) to a mysterious buyer with a robot hand named (in case we didn’t know he was the villain) Killian, played by Ben Mendelsohn, who seems to own all the bad guy roles these days. (It is too bad this film could not avoid the tired convention of the evil guy with disabilities.) With astounding skill and panache — and some cool-spy quips — Lance saves the day and is greeted at home back in CIA headquarters as a hero.

Until….it turns out that the briefcase he so cleverly snatched away from Killian is empty. And it also turns out that surveillance footage shows Lance himself is the one who grabbed the whateveritis. Suddenly, the whole CIA is after him.

Meanwhile, Walter (“Spider-Man’s” Tom Holland) is a quirky, unashamedly weird gadget guy whose non-violent inventions include the “inflatable hug” protective device and “kitty glitter” that distracts the bad guys with adorable pictures of cats suspended in air. He was working out of tiny closet-like space in the CIA, until he was impulsively fired by Lance.

Lance likes to think he works alone and never needs anyone else’s help. But it is part of his job to know how to solve problems, and he has to admit that not only does he need help to hide from the agency while he tracks down whoever is pretending to be him, he is going to need resources he cannot get from the CIA any more.

Unfortunately, the only one who can help him is Walter, who is now pretty much off the grid as far as the CIA is concerned. Lance remembers Walter saying he could make spies disappear. So, Lance tracks him down and then discovers that it’s not “disappear” as in “invisible.” It’s “disappear” as in “bio-dynamic concealment,” transformation at the cellular level into someone, or something, no one will notice.

Lance learns too late that what he was been turned into is a pigeon. “Un-bird me!” he demands. But the antidote will take some time. And as much as Lance resists help, there are some things he cannot do as a winged creature who weighs about two pounds. So, Lance-as-pigeon and Walter with a backpack of gadgets and his personal comfort pigeon Lovey go off to find Kimora and Killian.

In the midst of all the action, Walter and Lance have a thoughtful conversation about the best way to resolve conflict. Lance believes in fighting fire with fire (“Evil doesn’t care that you’re nice”) and he never wants to depend on anyone. Walter believes in working as a team and does not think that hurting other people solves anything. This slightly mitigates the unfortunate reliance on the outdated cliche of a disfigured/disabled bad guy by making Lance face (literally) the consequences of his dashing “fire with fire” strategy.

Directors Nick Bruno and Troy Quade have created a film that is gorgeously designed with a swanky, stylish, slightly retro design, “Spies in Disguise” is visually bright, graphic, and engaging, and the characters and their interactions are vivid and appealing. Here’s hoping Blue Sky retains its quirky charm under its new ownership — and that we get to see Lance and Walter team up again.

Parents should know that the film has extended cartoon/action-style peril and action, with some characters injured and killed, chases, shoot-outs, and explosions. A theme of the movie is the consequence of collateral damage. There is some schoolyard language and some potty humor. Unfortunately, the movie relies on the outdated cliche of the disfigured/disabled villain whose injuries are a reason for his cruelty and anger.

Family discussion: Which of Walter’s gadgets would you like to have? Who is on your team and whose team are you on? What’s the best part of being weird?

If you like this, try: “Megamind,” “Robots,” and “Rio”