The Mitchells vs. The Machines: Win a Free Pass to the Virtual Premiere!
Posted on April 10, 2021 at 11:09 am
25 lucky people are going to win a free pass to the new animated family film from the people behind “The LEGO Movie.” “The Mitchells vs. the Machines,” stars Maya Rudolph, Danny McBride, Maya Rudolph, Olivia Colman, Fred Armisen, Beck Bennett, Chrissy Teigen, John Legend, Charlyne Yi, Conan O’Brien, Sasheer Zamata, Elle Mills, and Jay Pharoah in the story of an ordinary family who find themselves saving the world from the robot apocalypse.
It all starts when creative outsider Katie Mitchell is accepted into the film school of her dreams and is eager to leave home and find “her people.” Her nature-loving dad insists on having the whole family drive her to school and bond during one last totally-not-awkward-or-forced road trip. But just when the trip can’t get any worse, the family suddenly finds itself in the middle of the robot uprising! Everything from smart phones, to roombas, to evil Furbys are employed to capture every human on the planet. Now it’s up to the Mitchells, including upbeat mom Linda, quirky little brother Aaron, their squishy pug, Monchi, and two friendly, but simple-minded robots to save humanity.
If you’d like to attend the virtual movie premiere with pre-show on Monday, April 26th at 6:00pm EST, send me an email at email@example.com! You do not need to have a Netflix subscription to attend. The first 25 to enter will be there! (US entries only)
Rated PG for rude humor, some thematic elements, and mild language
Some schoolyard language
Scene in bar
Cartoon-style peril and violence zombies, character incinerated, threat of execution, kidnapping
Date Released to Theaters:
March 5, 2021
Resistance is futile. SpongeBob is going to win you over. So settle back to enjoy the ebullient silliness, sweet friendship, origin story details, and very surprising guest stars in “The SpongeBob Movie: Sponge on the Run.”
A quick recap. SpongeBob (Tom Kenny) is a Sponge who lives in an underwater community called Bikini Bottom. His best friend is a starfish named Patrick (Bill Fagerbakke). He loves his pet snail, Gary. And he works as a fry cook at a restaurant called the Krusty Krab with a legendary dish called Krabby Patties. Their rival, Sheldon Plankton (Mr. Lawrence) is always trying to steal the recipe, and, as is pointed out in this film, is always foiled by SpongeBob, whose clueless innocence somehow unknowingly thwarts all of Plankton’s nefarious plans. When Plankton’s “robot wife” explains this to him, Plankton decides he has to focus on SpongeBob. And when he sees a flier from Poseidon (Matt Berry) offering a reward for delivery of a snail….Plankton steals Gary. Why does Poseidon want a snail? Because all he cares about is how he looks and he has depleted all of the skin-restoring slime of all the snails he has. (SpongeBob might be silly, very very silly, but some of it is based on life, which is also very very silly at times. Snail slime is indeed used for skin care.) Poseidon’s Chancellor is delightfully voiced by Reggie Watts. And Plankton’s robot Otto is voiced by the equally delightful Awkwafina.
And so SpongeBob and Patrick take to the road to rescue Gary, and they meet all kinds of interesting and surprising and hilariously and perfectly cast creatures along the way, including a wise, if Delphic, talking tumbleweed named Sage (Keanu Reeves) and dancing zombies led by El Diablo himself (Danny Trejo). We get a flashback to the childhood days of the characters when they first met at camp (this is a teaser for an upcoming new spin-off series). And we get to see SpongeBob and Patrick squabble, make up, and get happily sidetracked in the Lost City of Atlantic City. The quips, from goofy to (comparatively) sophisticated keep coming, it’s all very colorful, and did I mention Keanu?
Parents should know that this movie has cartoon-style peril and humor, though some love action zombies and the incineration of a character might be too much for very young or very sensitive viewers. There is some schoolyard language and a threat of execution.
Family discussion: What was Sage’s most important advice? Why did Patrick and SpongeBob get distracted? If you had a bravery coin, what would you do with it?
If you like this, try: the SpongeBob television series, games, comic books, and other movies
Rated PG for some violence, action, and thematic elements
Extended fantasy peril and violence, sword fights, martial arts, characters turned to stone
A theme of the movie
Date Released to Theaters:
March 5, 2021
“Raya and the Last Dragon” is a gorgeously animated fairy tale with thrilling action, irresistible characters, a heartwarming message, and Disney’s magic touch to lift the hearts of all ages. It has the scope and grandeur of a Fellowship of the Ring-style quest. It has a heroine of great courage, humanity, and integrity. And it has Awkwafina, the most inspired Disney choice to voice a fantasy animated character since Robin Williams in “Aladdin.”
Raya (Kelly Marie Tran) is a fiercely brave girl. Her adored father is Benja (Daniel Dae Kim). He guards a precious gem that protects his people from a wispy but toxic monsters called the Druun. They can lay waste to the land and turn people into stone.
Benja dreams of reuniting the five communities that were once one dragon-shaped land called Kumandra. Now the communities are separate, each named for a part of the dragon: Tail, Talon, Spine, Fang, and Heart, all at war with each other. Raya explains the history with the help of charming paper puppets that illustrate what happened when the dragons that always protected Kumandra were killed by the Druune, “A mindless plague that spreads like wildfire.” The last act of the last one, Sisu, was the creation of the magic gem.
Benja brings the leaders of the other communities together in the spirit of friendship and cooperation. But, as Raya says, “people being people,” they fight. Everyone else is turned to stone, but Benja saves Raya, and she goes off to find the last dragon so she can save her people and maybe even accomplish her father’s dream of a united country.
It goes very badly because of, well, people being people. The gem is shattered. The Druun return. And six years later, Raya is still looking for the last dragon.
This is one of the most purely beautiful films ever made by Disney, and that is as good as it gets. Each of the five lands and populations is distinctive, filled with inviting detail, and even the harshest and most intimidating landscapes are gorgeously imagined. Raya has been alone for six years, but after she finds the dragon she picks up some other characters as well, each one surprising and surprisingly endearing. The Infinity Stones-style structure, where Raya and her crew have to retrieve the pieces of the gem from the different lands provides a solid structure and forward momentum, and the smart script makes each mini-heist fresh and iterative, each building on the lessons of the last. Avoiding spoilers here to let you discover its pleasure on your own, I will just say that the dragon in the title has more than one persona, both equally adorable, but the second is especially well-designed and perfectly suited to Awkwafina’s literally off-beat vocal rhythms. Her comment about group projects where everyone gets the same grade even though everyone knows there’s that one member who did not do the work is a treat and a half.
In the final credits, we learn that this film was made by over 400 people working from their homes due to the pandemic. Whether that experience helped to shape the story or not, certainly the experience of the past year has made its themes of building trust and questioning our assumptions are even deeper and more meaningful. This is a wonderful film for children, but let’s face it, the ones who need to see it are the grown-ups.
Parents should know that this film includes extended peril and violence including characters turned to stone, martial arts and sword fights.
Family discussion: Why do humans have a hard time cooperating? Which of Sisu’s powers would you like to have? Where in Kumandra would you like to live? How do you know when to trust someone?
Rated PG PG for rude humor, cartoon violence, and brief language
Some schoolyard language
Date Released to Theaters:
February 26, 2021
Making a live action movie about the cartoon characters Tom (the cat) and Jerry (the mouse) was a bad idea. These “let’s see what we can dig up from the intellectual property hiding in our files” reboots usually end up as lifeless as we can expect when they are inspired by balance sheets instead of characters. But “Tom and Jerry” misses even that low bar, dispiriting in its waste of the iconic cartoon characters in the title, a usually reliable director, and some of the most talented performers in movies today.
It may be impossible to make a feature film out of a one-joke set-up that more likely to be sustained in a seven-minute animated short. Certainly, if that question ever goes to court, this movie will be introduced as evidence.
A refresher: Tom wants to catch Jerry and Jerry outsmarts him. Think Road Runner and Wile E. Coyote without access to Acme explosives and anvils. But while Road Runner is being chased around spare western landscapes, Tom and Jerry often create chaos and mayhem indoors. So a lot of Tom and Jerry is things falling over and crashing and smashing.
None of that is especially well staged here. The mayhem/slapstick scenes seem to have been set up based on what they could convey with technology given the interaction between two-dimensional cartoon characters and physical reality, rather than what is involving or engaging. Slapstick has its charms, but it requires a precision of timing that allows us to appreciate the destruction before moving on to the next faceplant. And even though they are 2D cartoon characters, and thus instantly restored to perfect condition after every encounter, setting it in a 3D environment hampers some of the ebullience of the forces of id.
The biggest mistake, though, is expecting, even demanding, more affection from the audience for the characters than it earns. There doesn’t have to be a likable character to root for in a movie, but it helps.
Tom plays the piano in Central Park, busking to make money (what is he going to use it for?), pretending to be blind to make even more from guilt and pity. Jerry comes along, covers his sign with one of his own, and starts collecting from the crowd until Tom sees him and the crowd sees that he can see. Chases ensue.
Meanwhile, Kayla (Chloë Grace Moretz) loses one job because Tom crashes into her bike and spills all the clean laundry she is delivering (which is not even in a bag, but okay). And so she gets another by lying about her credentials. So 20 minutes in, two of our main characters are cheaters.
Kayla’s new job is as a temp at a super-luxurious hotel which needs support for a very high-profile, no expenses spared wedding of two mega-celebrities. (Note to Hollywood: It is time to stop trying to seem relevant by creating characters who are influencers.) Kayla is there to help make everything go smoothly, even when the groom wants elephants and military-grade drones, when the bride’s ring goes missing, and when Jerry is spotted in the kitchen. At the hotel, she has a rival who sees her as a threat and gets help from a ditsy bell girl.
Kayla brings in Tom to help catch Jerry. It does not go well. That’s it. That’s the movie.
The excellent cast does its best, and believably interacts with the animated characters. But no one can make the dreary dialogue sound smart or even interesting. The problem is not that the animated characters are 2D. The problem is that the script is 1D.
Parents should know that this film includes comic violence and mayhem including fire, chases, and crashes. There is brief potty humor.
Family discussion: Why did Kayla lie? Why couldn’t Ben and Preeta tell each other the truth? How did Kayla try to fix the problems she created?
If you like this, try: the original Tom and Jerry cartoons and the Road Runner cartoons.