Strange World

Posted on November 21, 2022 at 12:00 pm

A-

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	Rated PG for action/perio and thematic elements
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Fantasy peril
Diversity Issues:	Diverse characters
Date Released to Theaters:	November 22, 2022

Disney’s gorgeously animated, thrilling, and tender “Strange World” is a treat, with all of the fabulously imaginative artistry and all of the heart of Disney’s best. The world it shows us might be strange in some of its elements, but it is very familiar at its core to anyone who has ever been in a family while discovering identity, place, and meaning.

It begin with an introduction to the Clades, beautifully rendered in entrancing vintage comic-book visuals. Jaeger Clade (Dennis Quaid) is a burly adventurer with an impressive mustache, exploring anywhere no one has ever been, not really noticing that his young son, aspirationaly named Searcher (Jake Gyllenhaal), would much rather stop and look at interesting plants than grab a machete or ice-ax to make it over the next obstacle. “We’re explorers, not gardeners,” Jaeger says.

When Searcher is 15, Jaeger leads an expedition with an urgent purpose. The community of Avalonia is no longer sustainable. They are hoping that the unexplored area on the other side of the mountains will give them a place to relocate. When Searcher notices a glowing plant that could be a power source to keep Avalonia vibrant, he tries to make Jaeger halt the expedition to investigate. Jaeger is impatient. “Don’t be distracted by sparkly plants.” He insists on continuing, while the rest of the group decides to bring the plant back home. Jaeger is never seen again, presumed lost forever.

25 years later Avalonia has become a thriving community, with the plant, called pando, its all-purpose energy source. Searcher is happily settled as a pando farmer with his crop-duster wife Meridian (Gabrielle Union). Their teenage son Ethan (stand-up comic Jaboukie Young-White) is grossed out when his parents smooch, loves the imaginative table-top card game Primal Outpost, and is tongue-tied around his crush, a boy named Diazo. They also have an endearing three-legged shaggy dog named Legend.

One day, the pando in Meridian’s plane mysteriously stops working. And then a spaceship arrives with Avalonia President Callisto (Lucy Liu), who was with Searcher on Jaeger’s last expedition. She tells Searcher that pando is not individual, distinct sprouts but one connected growth. If one part of it is dying, soon all of it will be and the source of Avalonia’s power will be gone. Callisto needs Searcher to do exactly what he said he never wanted to do again — go on an expedition. He reluctantly agrees, insisting that Meridian and Ethan stay home on the farm.

Soon we are in the very strange world they literally fall into. This is where the Disney artists had the chance to dream up wildly fantastical landscapes and creatures that are enthralling and delightful. As the group tries to find out what is killing the pando there are many surprises I will not spoil except to say that the movie is exceptionally insightful in weaving together themes of interconnectedness and individuality. It even ties in Ethan’s favorite Primal Outpost, a game I fully expect Disney will make available for future tabletop tournaments and just for collectors as the cards are extraordinarily beautiful. Like the original “Frozen” and its sequel (producer Jennifer Lee is “Frozen’s” co-director), it gently challenges some conventional fantasy storylines.

“Strange World” is Disney at its best, filled with excitement, fabulously imaginative visuals, and a deep understanding of what makes stories connect to us and connect us to each other. The surroundings may be strange, but the themes are universal, lovingly illuminated.

Parents should know that this movie has fantasy peril and violence including a flame-thrower and a knife. There are themes of environmental destruction. The movie has exceptionally diverse characters, all very well designed without stereotyping and all supportive of each other.

Family discussion: How are you different from your parents? How are you alike?

If you like this, try: “Encanto” and “Big Hero Six”

Wendell & Wild

Posted on October 27, 2022 at 5:49 pm

B +

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 by the MPAA for some thematic material, violence, substance use and brief strong language.
Profanity:	Some schoolyard language
Alcohol/ Drugs:	Fantasy substance use
Violence/ Scariness:	Creepy horror-style violence, sad death of parents, zombies, demons, underworld, some grisly images
Diversity Issues:	Race, gender, trans, and disability inclusion, negative portrayal of religious figures
Date Released to Theaters:	October 28, 2022

Henry Selick, master of the macabre and of stop motion animation (“Coraline,” “The Nightmare Before Christmas,” “James and the Giant Peach”) has produced another Halloween-ish delight. The movie is as visually stunning and deliciously creepy as we have come to hope for from Selick but the story is not as strong as his Neil Gaiman/Roald Dahl/Tim Burton collaborations, even though it is co-written with Jordan Peele, who co-stars with his “Key and Peele” collaborator Keegan-Michael Key. But it does have a brave young heroine (Lyric Ross as Kat), wildly imaginative visuals that reward a second and third viewing, and some nicely satisfying twists. It is also a welcome animated film with a cast that bridges racial, gender, and disability diversity.

Like Coraline, Kat is a brave girl with instinctive integrity, though something of a loner. We first see her as an eight-year-old, with her loving parents, who own a successful brewery her father describes as “the heart of” their town, Rust Bank. When we first see her parents, they are turning down an offer to buy the brewery after a successful fund-raiser for the local public library, where her mother works. On the way home, their car runs off a bridge. Kat’s parents save her, but cannot save themselves. And she blames herself.

Meanwhile, in the underworld, souls are sent to The Scream Fair,” a ghostly un-amusement park located on the belly of a gigantic devilish guy named Buffalo Belzer (Ving Rhames). His human-sized sons, Wendell (Key) and Wild (Peele) are ordered to spread Handsome hair cream on Buffalo’s head to re-grow his hair. They discover that the cream has some special properties. It tingles their tummies. It gives them a vision of a “hellmaiden.” And it brings dead things back to life.

Five years later, after getting into trouble several times, Kat is sent to a Catholic boarding school bask in Rust Bank. Now with green hair, pierced eyebrow, and a lot of attitude, she insists she has no interest in the offers of friendship from the other students, including “prize poodle” and alpha girl Siobhan Klaxon (Tamara Smart), who has a pet baby goat and wants to call Kat “KK,” and trans boy Raul (Sam Zelaya). “I don’t do friends. Bad things happen to people I’m close to….They die.”

Wendell and Wild dream of building their own, much bette amusement park. Buffalo calls them insurrectionists and sends them to prison. Their only hope is to escape the underworld with the assistance of a hellmaiden. Conveniently, though she does not know it yet, one named Kat has just arrived in Rust Bank, and they have something she wants more than anything…a way to bring her parents back from the dead.

It turns out there is another hell maiden at the school. When she finds that Wendell and Wild have a more destructive plan, Kat learns to accept help from unexpected sources.

It is…strange. The various pieces do not always work together. But it is fascinating to watch, with details that reward repeated viewings and a reassuringly warm heart.

Parents should know that this movie includes creepy and sometimes grisly themes and images including the underworld and demoons, zombies, the dead brought back to life, sad death of parents, corruption including members of the church, brief strong language and fantasy substance abuse.

Family discussion: Why do people want to make money from prisons? Why did Wendell and Wild want to make an amusement park?

If you like this, try: “Coraline,” “The Nightmare Before Christmas,” “Beetlejuice,” “ParaNorman,” and “James and the Giant Peach”

Luck

Posted on August 4, 2022 at 5:52 pm

B +

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Fantasy peril and slapstick
Diversity Issues:	None
Date Released to Theaters:	July 29, 2022

Writer Carolyn See likes to say that what’s bad for you is good for you. That’s not necessarily because what is difficult or painful is often a good lesson in humility, resilience, or a path to a better outcome than you could have imagined, all of which is true, but because bad is where the good stories are. “Luck” is a vibrant animated Alice in Wonderland-style story about an 18-year old named Sam who follows a black cat to the lands of good and bad luck and learns neither is really what she thought.

Sam (sweet-voiced Eva Noblezada) has aged out of the orphanage where she has been her whole life. She feels unlucky in big ways — never having found a “forever family” and in small ways, toast falls jelly-side down, lose your keys down the grate annoyances. “You can come back Friday for visiting hours,” a not-unsympathetic staff member tells her. Sam is very close to a little girl named Hazel (Adelynn Spoon) and wants a forever family for her even more than she wants one for herself. Hazel has a box full of good luck charms, everything but a space left for a lucky penny.

“Will you be checking in on me weekly?” Sam asks as the social worker drops her at her new apartment. “Someone from the agency will check in with you next month. Otherwise you are on your own.”

Oversleeping, stuck bathroom door, and the toast falling jelly side down and a flat tire on her bicycle notwithstanding, Sam makes it to her new job on time. “Take that, universe!” Her first day on the job involves a lot of chaos but her kind-hearted boss, Marv, assigns her to shopping cart patrol. “You’ll have better luck tomorrow.”

Sam is determined too get some good luck for Hazel. So when the black cat she shares her panini with leaves a special penny behind, she grabs it. And it is lucky! The toast lands right side up and the first two socks she takes out of the drawer match! But she loses the penny. When she sees the cat again and learns that he can talk, she follows him through a portal down to the Land of Luck.

The story gets overly complicated and at times is more video game than story, but Sam’s endearing optimism and kindness and the beautifully imagined different environments and appealing characters keep it from getting bogged down.

Parents should know that this film concerns children without parents. There is some mild fantasy peril.

Family discussion: Is there a time you have felt lucky? Or unlucky? Why are people better at seeing their bad luck than their good luck? Was there a time when something you thought was bad luck turned out to be good for you?

if you like this, try: the Garth Brooks song “Unanswered Prayers” and “Alice in Wonderland”

The Sea Beast

Posted on July 7, 2022 at 4:24 pm

B +

Lowest Recommended Age:	4th - 6th Grade
MPAA Rating:	Rated PG for action
Profanity:	None
Alcohol/ Drugs:	Scenes in pub, alcohol
Violence/ Scariness:	Extended peril and action, references to sad deaths and injuries
Diversity Issues:	Diverse characters
Date Released to Theaters:	July 8, 2022

“The Sea Beast” is a rollicking yarn, stunningly designed and dynamically animated, with superbly cinematic editing, pacing, and framing, appealing characters, and a thoughtful conclusion. Watch it on the biggest screen you have.

It takes place in a fantasy world somewhere between “Pirates of the Caribbean” and “Moby Dick.” The King and Queen have placed a bounty on sea monsters, enormous creatures that seem to be part whale, part octopus, part shark, and all scary. The kingdom’s most admired heroes are the hunters who kill the beasts and bring back proof to present to the royals.

Their adventures are legends. They and their fans believe that “Every hunter dies a great death because every hunter lives a great life!” A feisty young girl named Maisie Bramble (Zaris-Angel Hator) regales the other children at the orphanage by reading them exciting stories from old books (with engraving-style images evoking the classic era of illustration). She is determined to follow in the tradition of her parents, who died heroically on a ship called The Monarch. It is called The Inevitable, led by Captain Crow (Jared Harris), with his fearless second-in-command, Jacob (Karl Urban)

When Crow presents their latest trophy to the King and Queen, they are told their services are no longer required. The Navy will be taking over hunting duties. But Jacob persuades the King and Queen to give them one last chance. If they cannot kill the most feared beast of all, the Red Bluster, their ship will be decommissioned and they will no longer be able to pursue the sea beast, the central focus of their identity.

Maisie stows away on the Inevitable. She is not welcome. Jacob says, “The monsters I can handle. But that one will be the death of me.” Characters who are initially antagonistic will learn to understand and appreciate each other.

I liked “The Sea Beast” a lot and was never less than enthralled by the world it created. The animation and design are stunning, though there are a few disconnects in style. The ultra-reality of the water the ships are sailing on is so tactile you almost reach for a towel. The intricacy of the literally hundreds of ropes in the boat riggings are almost unfathomably complicated as they swing independently and get pulled, yanked, and unraveled. The kingdom and castle are brilliantly designed, both real and enchanting, with nautical touches emphasizing the connection to the water. The sense of space is exceptional, especially in the very dynamic action scenes. Jacob and the other hunters climb the masts as the boat is rocked by the waves and the monsters and every bit of it feels completely real. The movement of the human characters is not always as authentic and there is a character Maisie befriends who could be from a different, more stylized world.

“The Sea Beast,” like “Encanto” and “Frozen 2,” admirably grapples with themes of generational trauma and the stories we tell ourselves. When Jacob reads the book that has meant everything to Maisie, he is surprised to find the narrative inconsistent with his own experiences, amped up and one-sided and with characters saying “yar” much more often than happened in real life. It’s an ambitious film that almost completely lives up to its ambitions.

Parents should know that this movie has extended peril and action-style fantasy violence with characters injured and references to sad deaths. Characters drink alcohol.

Family discussion: How do you know whether to believe what you read or hear? Do you agree with the code? How did the characters decide who to trust? What do we learn from the name of the ship?

If you like this, try: “Pirates of the Caribbean” and “How to Train Your Dragon”

Lightyear

Posted on June 16, 2022 at 5:54 pm

B +

Lowest Recommended Age:	4th - 6th Grade
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Extended sci-fi peril and cartoon-style violence, sad death
Diversity Issues:	Diverse characters
Date Released to Theaters:	June 17, 2022
Date Released to DVD:	September 12, 2022

Watch carefully in Lightyear for a moment just for those kids born in in the 80s who were the first digital natives. A cartridge inserted into a computer deck is not working correctly, and Buzz Lightyear (Chris Evans taking over from Tim Allen) has to fix it. What does he do? Say it with me, people in their 30s: He blows on the exposed tape side and re-inserts it. Now, that may not have worked in real life, but thankfully, it works for Buzz.

This kind of detail is what we expect from Pixar, along with superbly crafted films that make us laugh, gasp, and cry. We’re reminded at the beginning of “Lightyear” that in 1995 Andy was given a Buzz Lightyear toy from his favorite movie. And then we’re told that this, what we ae about to see, is that movie. It doesn’t need to overdo the 90s references, but once in a while, like the blowing on the cartridge, we get a reminder that the lovable nerds at Pixar know us all too well.

This is not the toy Buzz Lightyear who has some existential confusion and thinks he is the actual character. This is the actual character, a lantern-jawed space ranger, the All-American boy next door type, brave, loyal, extremely good at his job, and stubbornly independent. His closest friend is fellow Ranger Alisha Hawthorne (Uzo Aduba). But he does not work well with others, especially rookies.

Buzz and Alisha are on a long-term space journey. They stop to investigate an uncharted planet and, as anyone who has ever clocked a red shit on “Star Trek” knows, it turns out to be much more treacherous than they expected (though, thankfully, to have breathable air). As they are on their way back to “the turnip,” which is what they call their rocket due to its shape, the rocket is so badly damaged they are stuck. All of the 1200 passengers who have been in suspended animation will have to be awakened to find that they are marooned, with no way to return to the mission or go home.

Buzz is determined to save the day. He undertakes a very dangerous test flight. For him, it is four minutes. But, due to the difference between time on a planet and time in space, he returns to find that four years have passed for Alicia and everyone else. Things have changed. The space travelers have built a community. Alicia is engaged to a scientist. People have adapted. Buzz feels responsible for getting them stuck and he is determined to keep trying until he gets the necessary mix of elements to give the rocket the fuel it needs. But each test run means another four years. He comes back and Alecia and her wife are expecting a child. He comes back again and the child is four years old. His life is passing in minutes and his friend’s is passing in years, in decades.

Other than Alicia, Buzz’s only companion is a robot cat. Think a combination of R2D2, C-3Po, and Captain Marvel’s Flerken. Ultimately he will find a group of people who do not have the training, discipline, or skills Buzz has always relied on in his missions. All of the difficulty he has had in relying on others is multiplied just as it has become necessary to trust them.

The reveal near the end did not work as well for me, but I especially liked the way it deals with two issues we don’t often see in movies for children, how to move on after making a mistake, learning to see the best in people, and learning to rely on others. As always with Pixar, the movie is filled with endearing characters and witty and telling details, brilliantly designed settings, sublime silliness, and exciting action scenes and yes, you will cry. It is easy to understand why this was Andy’s favorite movie.

Parents should know that this film has extended sci-fi peril and violence with scary robots and sci-fi weapons. There is a very sad death. A devoted gay couple is portrayed in an admirably matter-of-fact, low-key manner with grace and dignity.

Family discussion: Why was it hard for Buzz to accept help? What is the best way to make up for mistakes?

If you like this, try: The “Toy Story” movies, “Galaxy Quest,” and the old Flash Gordon serials.