The Secret Life of Pets 2

Posted on June 6, 2019 at 5:15 pm

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for some action and rude humor
Profanity: Some schoolyard language
Alcohol/ Drugs: Cat becomes intoxicated on catnip
Violence/ Scariness: Extended action/cartoon-style peril and violence including whip, gun, taser, and tranquilizer dart used on animals, fistfight played for humor
Diversity Issues: None
Date Released to Theaters: June 7, 2019

Copyright Illumination 2019
Well, what a nice surprise! “The Secret Life of Pets 2” is a vast improvement over the original, which had a promising beginning but ended up with a lackluster imitation of “Toy Story.” This sequel combines three different stories and adds some terrific new characters all in a zippy under 90 minutes. It is colorful, exciting, and a lot of fun.

Our hero is still Max (Patton Oswalt, taking over from Louis CK), a lovable mutt who does not like change but has made his peace with his new apartment-mate, Duke (Eric Stonestreet). But more change is ahead. Max’s owner (that is what he calls her) Katie (Ellie Kemper) meets Chuck (Pete Holmes) and soon there is another new resident in the apartment, a baby named Liam. Max, who thinks he does not like children, cannot resist the baby who clearly adores the two dogs. But the changes are very stressful, and when his anxiety about keeping Liam safe is so severe he has to be taken to the vet and finds himself in the Cone of Shame, to keep him from scratching all the time.

Katie and Chuck take Liam and the dogs to visit their family on a farm. Max asks Gidget (Jenny Slate) to watch his favorite toy, Busy Bee, while they are away. (Fans of “Best in Show” will remember Parker Posey’s frantic search for a dog toy called Busy Bee on the day of the dog show.) Gidget, whose unrequited crush on Max is the movie’s weakest plot point, agrees, but almost immediately manages to knock it out of the window, and it lands in the apartment of the cat lady to beat all cat ladies.

Meanwhile, Snowball (Kevin Hart), a soft, fluffy white bunny whose little girl owner dresses him as a superhero, begins to believe he really is one, and when newcomer Daisy (a terrific Tiffany Haddish) asks him for help freeing a friend of hers who is being abused, he is happy to agree. The friend is Hu, a white Chinese tiger, and he is in a cage at a circus, guarded by wolves.

Max will get some guidance on dealing with his fears from a wise farm dog named Rooster (Harrison Ford!! At his Harrison Ford-iest, which is awesome!). Gidget will have to get cat lessons from the languid pudgeball Chloe (Lake Bell) on how to be a cat so she can go undercover to get Busy Bee back, in the movie’s best scenes. And Snowball and Daisy will have a lot of wild adventures along the way.

It all moves along with brisk good humor and some nice lessons about how to handle being scared and what we learn when doing what scares us gives us the chance to be surprised at what we can do. The design of the characters and settings is witty and engaging enough to invite repeat viewings. Parents may need to talk to their kids about some of the plot points — we don’t want anyone trying to let a tiger out of the cage, sometimes it makes sense to listen to your fears and not take risks, and kids should know there are laws protecting animals from the abuse Hu suffers. But this is a treat for the family that makes me hope number three is in the works.

Parents should know that this film includes comic/fantasy/action peril and violence including very dangerous stunts, a protracted fistfight, and a man who threatens animals with a whip and a gun, some potty humor and schoolyard language, and a cat becomes intoxicated on catnip.

Family discussion: What did Max learn from Rooster? Why did Rooster give him a bandana? Was there a time you pretended to be braver than you felt? Why did Max change his mind about Liam? Which pet in this film would you like to have?

If you like this, try: “Despicable Me” and “Rio”

Related Tags:

 

3D Animation movie review Movies Movies Scene After the Credits Series/Sequel Talking animals

A Dog’s Journey

Posted on May 16, 2019 at 5:45 pm

B +
Lowest Recommended Age: 4th - 6th Grade
MPAA Rating: Rated PG for thematic content, some peril and rude humor
Profanity: Some mild language
Alcohol/ Drugs: Drinking and drunkenness
Violence/ Scariness: Illness and sad deaths of humans and animals, automobile accident, stalker, family conflict
Diversity Issues: None
Date Released to Theaters: May 17, 2019

Copyright Universal 2019
In “A Dog’s Purpose,” based on the book by W. Bruce Cameron, the soul of a dog named Bailey (voice of “Frozen’s” Josh Gad) was reborn over and over as we saw him (and sometimes her) with different owners, from a boy named Ethan to a police officer, to a lonely single woman, and ultimately back to a middle-aged Ethan again, now played by Dennis Quaid. Through it all, Bailey wonders what his purpose is, and learns that, like the rest of us it is to love and be loved, and to be loyal to his “pack.”

Bailey’s story continues in “A Dog’s Journey,” also based on a Cameron book. This time the tender/sad/sweet series of rebirth stories are all in the same family, as Bailey’s purpose is to look after Ethan’s granddaughter, CJ.

At the end of the last movie, Bailey helped to reunite Ethan with the girl he loved in high school, Hannah (Marg Helgenberger). As this movie opens, both Ethan and Bailey are a bit creaky in their joints, but they are still devoted to one another. Hannah’s son was killed in an accident when his wife Gloria (“GLOW’s” Betty Gilpin) was pregnant. Now she and her toddler daughter live on Ethan’s idyllic farm, which is always bathed in golden light and looks like something out of a coffee commercial. Ethan and Hannah adore their granddaughter, and the little girl loves them and Bailey but Gloria is restless and insecure. She takes the girl and refuses any contact with Ethan and Hannah. As Bailey dies, Ethan whispers that he should find CJ and take care of her.

And so Bailey is born as Molly adopted by now 11-year-old CJ (“Ant-Man’s” Abby Ryder Fortson). She has to hide the dog from Gloria, who has become alcoholic and neglectful. Molly is a great comfort to CJ, her only source of stability other than her best friend Trent, who has adopted Molly’s brother.

As CJ grows up (now played by British actress/singer Kathryn Prescott), Bailey finds a way to keep coming back to her when she needs it most.

The gentle humor in the film comes from what Bailey does and does not understand. Does understand: “take care of CJ,” “go where the good smells are,” “when Ethan crouches and throws the deflated football, leap over his back and catch it.” Does not understand: “what does shhh mean?” “why is CJ spending time with someone who is not in our pack when I have just led her to her long-lost best friend Trent (Henry Lau)?” The sweet moments come from the connections, between humans and between humans and dogs. The cute moments come from — did I mention all the puppies? There are plenty of “awwww” moments to go around, with reconciliation, support, and reunion, and plenty of human and canine characters to care for. I’m glad Bailey keeps coming back.

Parents should know that this film includes sad deaths of humans and animals, potty humor, a car accident, serious illness, drinking and drunkenness, a neglectful parent and an abusive boyfriend.

Family discussion: What convinced C.J. that her grandfather was right about Bailey? Why was it hard for her to acknowledge her feelings about Trent? Is there an animal that has been special to you?

If you like this, try: “A Dog’s Purpose” and “A Dog’s Way Home”

Related Tags:

 

Based on a book Drama movie review Movies Movies Romance Talking animals

A Dog’s Way Home

Posted on January 10, 2019 at 5:29 pm

B +
Lowest Recommended Age: 4th - 6th Grade
MPAA Rating: Rated PG for thematic elements, some peril and language
Profanity: Some mild language
Alcohol/ Drugs: None
Violence/ Scariness: Peril and violence, death of human and animal characters, characters with disabilities and PTSD
Diversity Issues: Diverse characters
Date Released to Theaters: January 11, 2019
Date Released to DVD: April 8, 2019

Copyright 2019 Columbia Pictures
I laughed and I cried and I said, “Aww,” watching A Dog’s Way Home and that is not a bad way to begin the year.

Bryce Dallas Howard provides the voice of Bella, a pit bull pup living under an abandoned house in Denver with a bunch of homeless cats. She is loved and happy until animal control comes and takes her mother away. The mother cat adopts Bella, who is comforted and at home until the arrival of two animal welfare volunteers, who come by to leave cat food every day. Lucas (a warmly appealing Jonah Hauer-King) is a Veterans Administration employee studying for the MCATs and living with his mother, an Army vet struggling with depression. He is instantly taken with Bella and adopts her, even though his lease does not allow dogs.

Pit bulls are not allowed in Denver. It is up to the individual animal control officer to decide which dogs are covered by the ban, and one has it in for Bella. He picks her up once and Lucas pays the fine. But if he picks her up again, she will be killed. The developer who owns the property with the abandoned homes will do anything to get Lucas and the other animal lovers to stop interfering with his permits.

Lucas brings Bella to New Mexico to stay with friends so she will be safe while he moves to a new apartment outside of the Denver city limits. But Bella does not understand. She remembers that Lucas taught her how to go home, and so she runs away and begins a 400 mile adventure that will take more than two years.

Bella has encounters with humans and animals along the way, some kind, some predatory. She makes some friends and has the opportunity to find new loving homes but she wants to be with Lucas.

Having Bella as our narrator adds some charm to the movie because her understanding may be limited in some respects, but she never loses sight of the essentials. The individual encounters introduce us to a range of human characters, some worth a movie of their own, like the disabled vets who are able to experience joy and purpose through Bella (especially when they have to hide her from the doctor in charge of the VA hospital in one of the film’s best scenes). She saves one man’s life and becomes the last friend of a homeless man (Edward James Olmos). And she mothers “big kitten,” an orphan mountain lion who will someday return the favor. The footage here is heartwarming and genuinely astonishing, especially after they meet again when the majestic cat is fully grown.

This is a nice way to start the year, a story of love and loyalty, canine and human.

Parents should know that this film features humans and animals in peril, injured and killed, animal hit by a car, animal killed by hunters, character dies and the body is discovered by children, and characters who struggle with PTSD and depression.

Family discussion: What did Bella understand better than the humans did? Why did Bella make such a difference for the veterans?

If you like this, try: “The Incredible Journey” and “A Dog’s Purpose”

Related Tags:

 

Based on a book DVD/Blu-Ray movie review Movies Talking animals

Mowgli: Legend of the Jungle

Posted on November 29, 2018 at 5:25 pm

B-
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for intense sequences of action violence including bloody images, and some thematic elements
Profanity: None
Alcohol/ Drugs: Drinking and drunkenness
Violence/ Scariness: Intense peril from animals and human hunter, characters injured and killed, some graphic and disturbing images
Diversity Issues: None
Date Released to Theaters: November 30, 2018
Copyright Netflix 2018

“Mowgli: Legend of the Jungle” is not the “Bear Necessities” Disney version of Rudyard Kipling’s story about the boy raised by wolves and befriended by a cuddly bear and an elegant panther. This is more like Tennyson’s vision of nature as red in tooth and claw. Andy Serkis, master of the art of motion capture acting, has directed this much darker version of the story, with simultaneous release this week in theaters and on Netflix. The motion capture performances are striking. Parents need to know, however, although this is the story of a young boy befriended by talking animals, this is not for young children or for the faint of heart of any age.

Serkis brought along some of his “Hobbit” co-stars, and the movie opens with an introduction from Kaa the snake, voiced by Cate Blanchett telling us that the jungle traditions are being challenged, presumably from the incursion of humans. When a couple are killed by the tiger Shere Kahn (Benedict Cumberbatch), a baby is abandoned. The death of the parents is off-camera, discreetly shown by an overturned, single shoe. But the baby is smeared with blood. Like Harry Potter, he is the Boy Who Lived, and he is special.

A wolf pack wants to adopt the boy they call Mowgli, and that means a meeting of the council of animals. It is agreed that he can stay and we will learn that is only in part because it is in the nature of the wolf mother to feel tenderness toward a helpless baby of any species. While some of the animals fear that keeping Mowgli will bring man into the jungle looking for him, others think that he will help keep them safe from humans. And all of them know that Shere Kahn will be back for Mowgli, and that it will take the full force of the pack to keep him safe.

Mowgli grows up (Rohan Chan), very much at home in the jungle, though painfully aware that he does not have the natural abilities of his wolf brothers. They are being coached by Baloo the bear (Serkis) to pass a racing test to qualify them to become full members of the pack. Mowgli cannot keep up with them if he races on all fours, as they do.

The motion capture work is excellent, as expected from Serkis and the images and camera work are striking, worth seeing on a big screen. But the storyline never fully escapes its colonialist origins. There’s a reason we refer to “the law of the jungle” and no simple way to make that into a workable metaphor about the human world. Think of “The Lion King,” for example (with a live-action version coming next year). It’s fine to sing about the circle of life if you’re at the top of the food chain. Bagheera the panther (Christian Bale) explains to Mowgli that animals who kill must look their prey in the eye as they are dying “so that the soul does not depart alone.” Not much comfort to the departing soul. Mowgli finds appropriate ambivalence in the human world, where the native community has brought in a white hunter (Matthew Rhys) who is kind to Mowgli but will never appreciate the animals like the boy who lived with them. Like the boy himself, the movie is not able to resolve its conflicting dualities.

Parents should know that this film includes animal and human peril and violence, with characters injured and killed, some disturbing and graphic images, guns, fire, animal attacks, sad death of parents (off-screen), drinking and drunkenness.

Family discussion: How are the wolves different from the other animals? What kinds of tests do humans try to pass? Do you agree with Mowgli’s choice about where to live?

If you like this, try: Disney’s animated and live-action “Jungle Book” movies

Related Tags:

 

Action/Adventure Based on a book movie review Movies Movies Remake Stories About Kids Talking animals VOD and Streaming

Smallfoot

Posted on September 27, 2018 at 5:52 pm

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for some action, rude humor, and thematic elements
Profanity: Some schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Some peril, no one hurt
Diversity Issues: A metaphorical theme of the movie
Date Released to Theaters: September 28, 2018
Date Released to DVD: December 10, 2018

Copyright Warner Brothers 2018
The Yeti, sometimes known as Bigfoot or the Abominable Snowman and akin to Sasquatch, is a mythical, or, shall we say, so far unproven creature of enormous size, something like an ape. “Smallfoot” takes a charming switch-up — here it’s the Yeti who don’t believe there is such a thing as humans — and turns it into a surprisingly thoughtful film. In between its colorful musical numbers, silly jokes, and action scenes, somehow manages to address some pretty big and complex issues like fake news, xenophobia, and personal integrity, and to do so in a manner that is accessible and nuanced.

Our hero in this movie is Migo (voiced by Channing Tatum), who is perfectly happy and wants everything to stay exactly the same. His home is “harsh, jagged, freezing, and awesome.” “It’s a day like any other,” he sings, “and I don’t want to change a thing.”

We can understand why. The gorgeously imagined tundra of the Himalayas is wonderfully enticing here, with a color palette of blue and white with sparkling snow and Prussian shadows, and the community has an inviting design of homes made from stone and ice. It is a close and cooperative neighborhood, led by the Stonekeeper (Common), whose robes made of stone lay out the immutable laws. The gong must be rung each morning to raise the sun. The mammoths that hold up the mountain must be fed. And, very important, no one may question the laws or traditions. “If there’s a question causing you to go astray, just stuff it down inside.” As Migo’s father, Dorgle (Danny DeVito) says, “Do what you’re told. Blend in.”

Migo and Dorgle have the very important responsibility of ringing the morning gong. With Dorgle’s head (explaining why it is so flat and he is so short). Each day, Migo launches his father like an arrow through a sort of giant bow. He dreams of someday having the honor of getting launched at the gong himself. He finally gets his first try, but misses the target and ends up out in the snow, where he witnesses a plane crash and sees a human, what the Yeti call “Smallfoot.” The pilot sees Migo, too, and is equally surprised and a lot more scared.

No one believes Migo, and when he insists that he is not lying about what he saw, he is banished by the Stonekeeper. That is when he discovers a kind of Yeti Resistance movement, led by the Stonekeeper’s spirited daughter, Meechee (Zendaya). She believes in curiosity, exploration, challenging assumptions, and testing hypotheses: “Questions lead to knowledge, and knowledge is power.” Migo sets off to go beneath the clouds in search of Smallfoot.

Below the tree line, a British television personality named Percy (James Corden) is “under pressure” (he performs a Karaoke version of the song) because his once-popular television programs about animals have been eclipsed by amateur cute animal videos on YouTube and Facebook (the musical number features floating Facebook “likes”). He tells his colleague, Brenda (Yara Shahidi) that he plans to fake a Yeti sighting, and then go back to having integrity afterward. But then Migo, a real Yeti, shows up. Migo wants to take Percy back to his community to show that he was telling the truth. And Percy wants to film Migo so he can make a lot of money.

Amusingly, they have no way of understanding each other’s form of communication. We hear what each of them sounds like to the other, Percy’s little squeaks and Migo’s growls. Migo wraps Percy in a sleeping bag, wears him on his huge hairy chest like a Baby Bjorn, and begins to climb back up to the peak of the mountain.

This is where most movies for children start to move toward the themes of friendship, home, and believing in yourself. But “Smallfoot” goes in a different direction, somewhere between “The Matrix’s” blue pill/red pill choice between being safe and knowing the truth and “Black Panther’s” choice between isolationism and, despite the risks, finding a way to help and learn from others. Migo learns the reason for the Stonekeeper’s insistence on perpetuating the myths of the Yeti world, and he has to consider carefully whether it is worth putting his friends and family at risk in order to learn the truth.

This is some pretty existential stuff. “If I’m not the gong ringer, who am I?” Migo asks. It is heartening in this era of fake news, when it is tempting to outsource our knowledge base to our devices, to have a movie about curiosity, critical thinking, and challenging the status quo.

Parents should know that this movie has some schoolyard language, brief potty humor, action/cartoon-style peril (no one hurt), and discussions of past violence.

Family discussion: When did you find that curiosity led you to something you would never have expected? Why didn’t the Stonekeeper want anyone to know the truth? Who should decide what knowledge is available?

If you like this, try: “Cloudy With a Chance of Meatballs” and “Surf’s Up!”

Related Tags:

 

Animation DVD/Blu-Ray Pick of the Week For the Whole Family movie review Movies Talking animals
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2019, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik