Eurovision Song Contest: The Story of Fire Saga
Posted on June 25, 2020 at 5:30 pmB +
|Lowest Recommended Age:||Mature High Schooler|
|MPAA Rating:||Rated PG-13 for crude sexual material including full nude sculptures, some comic violent images, and language|
|Alcohol/ Drugs:||Social drinking|
|Violence/ Scariness:||Comic mayhem and violence, characters killed, murders, explosions, some grisly images|
|Date Released to Theaters:||June 26, 2020|
Will Ferrell, who co-wrote and stars in “Eurovision Song Contest: The Story of Fire Saga” knows that it is impossible to exaggerate the sheer nuttiness of the annual song competition, so he does not even try. He just puts us in the middle of it, almost reassuringly bittersweet in the year of the pandemic, which has canceled the real-life Eurovision for the first time since it began in 1956.
Ferrell plays Lars, an Icelander who has been obsessed with winning the song of the year competition since 1974, when he watched the not-yet-world-conquering ABBA win with “Waterloo.” (Do not think too hard about the math. Or the plot. Or anything else.)
ABBA’s stunning appearance had an even more profound impact on another child in the room, Sigrit (Rachel McAdams), who was mute until “Waterloo” inspired her to speak and sing. Now Lars and Sigrit have formed a duo called Fire Saga, and through a combination of events, including having all of the other Icelandic competitors get blown up, they are Iceland’s representatives in the competition, located this year in Edinburgh.
“Wedding Crashers” director David Dobkin keeps things moving briskly, with the highlight of the film a delightfully staged riff-off at a party for the top competitors featuring real Eurovision stars. Dan Stevens (“Downton Abbey”) has a blast playing the contest’s flamboyant front-runner, the Russian Alexander Lemtov. Just like the real Eurovision, the musical numbers are wildly over-the-top, with klieg lights, gyrating dancers, and outrageous costumes. I mean, Eurovision makes Las Vegas look like a third grade piano recital.
McAdams does not get to show her comedy skills as she did in “Game Night,” but she is always an enormously appealing performer and provides some balance to the goofiness of the Lars character. If Sigrit believes in him, we do, too. Will there be betrayals? Romantic conflicts? Live performance mishaps? A race to the airport? Is Ferrell getting too old for these boy-man roles? And for playing a romantic interest for Rachel McAdams? Are the songs goofy fun? And what about bringing biscuits to the elves? (Ah, surprised you with that one.) All of that, plus the fun of the only Eurovision songs we’ll get this year make this a treat for the pandemic summer.
Parents should know that this film has strong language, sexual references and sexually explicit statues, comic mayhem including murders with some graphic and disturbing images including a severely injured ghost.
Family discussion: Why was Erik so hard on Lars? Why was it hard for Lars to show his feelings for Sigrid? Which song would you vote for?
If you like this, try: “Talladega Nights: The Ballad of Ricky Bobby” and watch some of the real-life Eurovision songs on YouTube