“UglyDolls” is less a movie than an infomercial for the plush Hasbro toys designed to be “ugly” in a commercially cute, lovable way. Unfortunately, the script is not particularly cute or lovable, just a muddled story with lukewarm musical numbers that takes pieces from better films like “Toy Story,” “Monsters Inc.,” “The LEGO Movie,” “Smallfoot,” “Trolls,” and all those other stories about how we should appreciate our own kinds of beauty and the individuality of those around us. It’s not bad. It’s just not very good.
Celebrating Cinderella — A Magical Night at the Library of Congress
Posted on June 21, 2019 at 8:45 am
Last night was truly magical, a celebration of one of Disney’s classic animated films, “Cinderella,” as it was added to the National Film Registry at the Library of Congress. Cinderella was there in person, of course, introduced by a courtier and welcomed by Dr. Carla Hayden, 14th Librarian of Congress, who presented the film’s official certificate that inducted CINDERELLA into the National Film Registry to Mary Walsh, Managing Director of the Animation Research Library at Walt Disney Animation Studios.
Attendees included members of Congress, the Boys & Girls Clubs of Greater Washington, and other notable D.C. area tastemakers and influencers. (That means me!) It was a thrill to see the film on a full-size screen, with an audience that included so many children and so many girls and women in ballgowns and tiaras. The Library of Congress had a spectacular array of their Cinderella-related treasures, from the original songs with hand-lettered lyrics that were submitted for copyright registration, including some that never made it into the film, to a fascinating collection of different versions of the Cinderella story going back literally thousands of years. They also had a set of the original lobby cards with pictures from the film and a flier with all of the products and tie-ins from the movie’s original release, with costumes, shoes, and even cleaning products. There were a number of photo opportunities and my favorite was a real-life Prince Charming in a booth filled with glass slippers, who was there to help the ladies and girls see if their feet would fit.
The new Signature series DVD/Blu-Ray release features a brand-new commentary track showing how Walt Disney and the filmmakers made comments and revisions as the film was being created. Stay tuned for my interview with Ms. Walsh about the film’s history, coming soon on thecredits.org.
Fantasy/action peril and violence, character sacrifices a part of his body
Date Released to Theaters:
June 21, 2019
Date Released to DVD:
October 7, 2019
Let’s get right to the big three questions about “Toy Story 4.” Yes, it’s good, yes, you’re going to cry, and yes, you have to stay ALL the way to the end for one final blink-and-you’ll-miss-it moment that is worth the wait.
The small miracle of the “Toy Story” series is that a film that would have been memorable for its technology alone as the first fully computer-animated feature film, the shiny, plastic toy characters the focus because Pixar had not yet developed the technology to animate hair, fur, or more expressive faces, was smart, heartfelt, and genuinely moving. Woody (Tom Hanks) was a retro cowboy doll with a pull-cord attached to a voice box and said things like “There’s a snake in my boot” and “You’re my favorite deputy!” When their boy Andy was away and the toys came to life, Woody was their natural leader, looked up to by the other toys, including Mr. and Mrs. Potatohead, the T-Rex (Wallace Shawn), the slinky dog, and Bo Peep (Annie Potts).
And then a new toy arrived, a shiny spaceman named Buzz Lightyear (Tim Allen), with flashing lights and pop-out wings, and a digital voice to proclaim, “To infinity and beyond!” But Buzz did not know he was a toy, creating an existential conflict. He thought he really was a space explorer who could really fly. The conflict in the film came from Woody’s jealousy over Andy’s affection for the shiny new toy and his frustration in not being able to persuade Buzz that he was not “real” in the way he thought he was. His purpose was not to explore space and fight the evil Emperor Zurg. His purpose was to be a companion and inspiration and comfort to Andy, a boy we barely glimpse in the film. The excitement comes from the toys’ efforts to escape the mutilations of the boy next door and to be reunited with Andy when they become separated. The heartwarming theme of the film, though, is about the friendship that develops between the rivals and their mutual understanding of the meaning of their existence as Andy’s toys.
These themes continued through the next two films. The second raised the issue of value — the difference between a mint condition toy still in the box that can be sold for a good price and a well-loved toy that might be scuffed and missing some pieces but meant something to a child, even a child who has grown up and has other interests. The third film gracefully and very poignantly saw Andy leave for college but give his toys to the imaginative pre-schooler Bonnie, so they could continue to fulfill their purpose. The first image in the original film was of clouds in a blue sky that turned out to be painted on the ceiling of Andy’s room. The final image of the third one was the real sky, showing that Andy’s world had opened up.
So, how to move on from that perfect ending? With another existential crisis, or maybe two. Woody has always defined himself by being important to a child. But increasingly Bonnie is leaving him in the closet, even taking his sheriff star and pinning it on Jessie (Joan Cusack). When Bonnie is nervous about her first day of kindergarten, Woody sees a chance to be useful and he sneaks into her backpack so he can to with her.
But what comforts Bonnie at school is creating something new. From a plastic spork and a broken popsicle stick she makes a…something she calls “Forky” (Tony Hale). When Woody tells the other toys back at home that Bonnie made a friend at school, he is speaking literally. But, in a parallel to Buzz in the first movie, Forky does not know he’s a toy. He cannot adjust to the notion that he is more than a single-use plastic utensil whose destiny is to be thrown in the trash. He keeps trying to throw himself away. But Woody sees Forky as a chance to be useful to Bonnie. If Woody can’t be important to Bonnie, he can teach Forky how to be.
And once again, the characters are separated from each other and from their child. Bonnie and her family rent an RV and go on a trip that puts the toys in two settings rich with fascinating details, colorful characters, and all kinds of wildly inventive and delightfully treacherous adventures. The first is an antique shop, where Woody glimpses the lamp stand that his old friend — and maybe more — Bo Peep used to be on. He brings Forky inside to look for her, and there they meet Gabby Gabby (Christina Hendricks) a Chatty Cathy-style talking little girl doll with perfect curls and an imperfect voice box and her entourage of identical creepy-looking ventriloquist dummies all called Benson. Note that “Toy Story 2” involved “vintage” toys but now they are antiques. Keanu Reeves all but steals the film as a proudly Canadian Evel Knievel-style stunt rider toy called Duke Caboom.
The other new setting is a carnival, with rides and arcade games, and there we meet two plush toy prizes, Ducky and Bunny, voiced by Keegan-Michael Key and Jordan Peele, who have a blast riffing with each other. And it turns out that Bo Peep is there, too, having left her lamp, traveling with the carnival and seeing the world.
There are separations and perilous rescues, many near-misses and close calls, a gasp-inducing sacrifice, and a very sad farewell. The Pixar team is getting older, and they take us with them as they confront their own existential conundrums. You know you’re not going to get out of a Pixar movie without tears, and this one may be more like boo-hoo sobs. But that’s because we care about these characters and we care about the way they care about and for each other. Watch out for another shot of the sky — and for some fun scenes over the credits and, when the long, long list of filmmakers and production babies is over, a just-perfect scene at the very end.
Of course you can now buy a Forky doll. You can even choose between one that talks and one that walks. But I’m guessing that kids who see this movie will want to make something of their own.
Parents should know that this movie has extended action/fantasy-style peril with some scary ventriloquist dummies, and a genuinely shocking moment when a character voluntarily undergoes doll surgery to give up a piece of himself for another toy. Characters use some schoolyard language.
Family discussion: Why does Bonnie love Forky? How does Woody change Forky’s mind? Did Woody make the right decisions about Gabby Gabby and Bo Peep?
If you like this, try: The other “Toy Story” films and Pixar’s “A Bug’s Life” and “Monsters, Inc.”
Extended action/cartoon-style peril and violence including whip, gun, taser, and tranquilizer dart used on animals, fistfight played for humor
Date Released to Theaters:
June 7, 2019
Well, what a nice surprise! “The Secret Life of Pets 2” is a vast improvement over the original, which had a promising beginning but ended up with a lackluster imitation of “Toy Story.” This sequel combines three different stories and adds some terrific new characters all in a zippy under 90 minutes. It is colorful, exciting, and a lot of fun.
Our hero is still Max (Patton Oswalt, taking over from Louis CK), a lovable mutt who does not like change but has made his peace with his new apartment-mate, Duke (Eric Stonestreet). But more change is ahead. Max’s owner (that is what he calls her) Katie (Ellie Kemper) meets Chuck (Pete Holmes) and soon there is another new resident in the apartment, a baby named Liam. Max, who thinks he does not like children, cannot resist the baby who clearly adores the two dogs. But the changes are very stressful, and when his anxiety about keeping Liam safe is so severe he has to be taken to the vet and finds himself in the Cone of Shame, to keep him from scratching all the time.
Katie and Chuck take Liam and the dogs to visit their family on a farm. Max asks Gidget (Jenny Slate) to watch his favorite toy, Busy Bee, while they are away. (Fans of “Best in Show” will remember Parker Posey’s frantic search for a dog toy called Busy Bee on the day of the dog show.) Gidget, whose unrequited crush on Max is the movie’s weakest plot point, agrees, but almost immediately manages to knock it out of the window, and it lands in the apartment of the cat lady to beat all cat ladies.
Meanwhile, Snowball (Kevin Hart), a soft, fluffy white bunny whose little girl owner dresses him as a superhero, begins to believe he really is one, and when newcomer Daisy (a terrific Tiffany Haddish) asks him for help freeing a friend of hers who is being abused, he is happy to agree. The friend is Hu, a white Chinese tiger, and he is in a cage at a circus, guarded by wolves.
Max will get some guidance on dealing with his fears from a wise farm dog named Rooster (Harrison Ford!! At his Harrison Ford-iest, which is awesome!). Gidget will have to get cat lessons from the languid pudgeball Chloe (Lake Bell) on how to be a cat so she can go undercover to get Busy Bee back, in the movie’s best scenes. And Snowball and Daisy will have a lot of wild adventures along the way.
It all moves along with brisk good humor and some nice lessons about how to handle being scared and what we learn when doing what scares us gives us the chance to be surprised at what we can do. The design of the characters and settings is witty and engaging enough to invite repeat viewings. Parents may need to talk to their kids about some of the plot points — we don’t want anyone trying to let a tiger out of the cage, sometimes it makes sense to listen to your fears and not take risks, and kids should know there are laws protecting animals from the abuse Hu suffers. But this is a treat for the family that makes me hope number three is in the works.
Parents should know that this film includes comic/fantasy/action peril and violence including very dangerous stunts, a protracted fistfight, and a man who threatens animals with a whip and a gun, some potty humor and schoolyard language, and a cat becomes intoxicated on catnip.
Family discussion: What did Max learn from Rooster? Why did Rooster give him a bandana? Was there a time you pretended to be braver than you felt? Why did Max change his mind about Liam? Which pet in this film would you like to have?
If you like this, try: “Despicable Me” and “Rio”
There are a lot of cool extras on the DVD/Blu-Ray:
BONUS FEATURES ON 4K ULTRA HD, BLU-RAY™, DVD & DIGITAL
Minion Scouts – When Margo, Agnes and Edith return from Badger Scout camp, three of the Minions are entranced by the girls’ merit badges. Their own attempt at scout camp results in attracting a bear, eating poison berries and eventually blowing up a dam, creating a massive flood. But, when they arrive back home, the girls share their badges, encouraging the rest of the Minions to try their hand at scouting.
*DVD format includes over 75 minutes of bonus content
Super Gidget – When Max is kidnapped by an army of squirrels, Super Gidget is the only one who can save him. It turns out that Max’s captor is a flea with the power of mind control. Gidget must use her pluckiness, strength and smarts to save her one true love…until it turns out it was all just a dream.
The Making of the Mini Movies – Every Illumination film is accompanied by mini movies that are a production all their own. Each film’s directing partners will explore how the mini movies were made.
Wake Up – Max and Duke have a new morning routine with Liam.
Duke Explores the Farm – Duke has a funny interaction with a goat.
Snowball Karate – Snowball does his superhero warm up.
Secret Confessions – Dogs gather to talk about their deepest secrets
A Tapestry of a Tail: The Making Of – The plot of The Secret Life of Pets 2 involves multiple storylines ultimately coming together to create a larger than life tale. We talk with the filmmakers, editor and cast about the delicate dance of juggling multiple narratives in one movie.
How to Draw – Hosted by Head of Story, Eric Favela, follow the step-by-step tutorial to learn to draw Max, Snowball and Chloe
Frame by Frame: How to Make a Flip Book – In this DIY-style vignette, Head of Story Eric Favela will teach viewers about the essence of animation and how they can create their very own flip book animations at home.
Character Pods – Get a closer look at your favorite characters of The Secret Life of Pets 2 with these delightful character pods that might just give away a few more pet secrets.
Patton Oswalt – Max
Kevin Hart – Snowball
Eric Stonestreet – Duke
Jenny Slate – Gidget
Tiffany Haddish – Daisy
Lake Bell – Chloe
Nick Kroll – Sergei
Dana Carvey – Pops
Bobby Moynihan – Mel
Harrison Ford – Rooster
A Party Fit for a Pet – Using stop motion animation, this step-by-step guide teaches you everything you need to know to throw the very best party for your pet!
Pops’ Puppy Training School with Kevin Hart – Join Kevin Hart as he shows off his dog training skills.
Pets Yule Log – Sit back and relax in front of this exclusive The Secret Life of Pets 2 themed animated ‘Yule Log.’
‘Panda’ Lyric Video
‘It’s Gonna Be A Lovely Day (The Secret Life of Pets 2)’ Lyric Video
The final chapter of the “How to Train Your Dragon” saga is visually stunning and emotionally satisfying, with a conclusion that may leave the parents in the audience a little tearful….Sometimes the banter in the film can be too silly, and the reintroduction of the characters can be a bit awkward, especially when one of the teenagers tries to flirt with Hiccup’s mother Valka (Cate Blanchett). The script is also weakened by dumb insults between the twin characters, and an over-used storyline about whether a couple is ready to get married. But the opening scene of liberating caged dragons is excitingly staged and the film gets better quickly when it becomes more comfortable with its deeper themes. The characters have to rethink some of their ideas about tradition, change, what makes a home, and loss as “part of the deal that comes with love.”
The film’s breathtaking images provide a fitting accompaniment to the characters’ emotional struggles. Master cinematographer Roger Deakins served as a consultant on all three movies and I’m guessing he played a part in developing the exquisite quality of natural light, particularly in the flying scenes and a stunning phosphorescent-lit encounter. The visuals keep us inside a rich world of fantasy—the variations in dragon species continue to dazzle—one that is always grounded in human fears and feelings that are very real and very moving.