Mulan

Posted on December 13, 2002 at 5:16 am

Disney’s 1998 animated feature is based on the legend of Mulan, a Chinese girl who helps the Chinese army defeat the Mongols. After the Mongols invade, led by Shan-Yu (voice of Miguel Ferrar) every family is called upon to send one man to the army. Although Mulan’s father, Fa Zhou (voice of Soon-Tek Oh) must use a crutch to walk, he is willing to fight for the honor of his family. Mulan (voice of Ming-Na Wen) disguises herself as a man so that her father will not have to risk his life. The ghosts of her ancestors order a powerful guardian dragon to protect her and bring her home. Instead a tiny disgraced dragon named Mushu (voice of Eddie Murphy) joins her in the hope that he can help her achieve a triumph that will bring honor to both of them.

Mulan finds pretending to be a man and meeting the standards of Shang, her tough captain (voice of B.D. Wong) tougher challenges than she imagined. But her determination earns her the respect of the others, and in the midst of battle her quick thinking and courage save the day — instead of shooting her hopelessly outnumbered battalion’s last cannon at the enemy, she shoots at a snow-covered mountain, causing an avalanche that blankets them with snow. She then saves Shang from the avalanche.

Nevertheless, when her true gender is revealed, she is left behind. Instead of going home, Mulan and Mushu travel to warn the emperor that Shan-Yu is still alive, and again she saves the day when the Mongols attack.

This is one of Disney’s best, with gorgeous animation inspired by Chinese paintings, a hilarious performance by Eddie Murphy as Mushu, and a witty, intelligent script that transcends the usual formulas. In one nice twist, the macho soldiers who are certain that no “girl worth fighting for” would have a mind of her own end up having to dress as women to defeat the Mongols. And Captain Shang learns from the wise emperor that “the flower that blooms in adversity is the most rare and beautiful of all.”

Families will have much to talk about, including the notion of honor, the traditional Chinese view of the ancestors, and the importance of freedom from stereotypes. Be sure to have kids check out the web site, which has an online coloring book and some delightful old puzzles. Note: as with most Disney movies, there are some scary parts that may be overwhelming for small children.

Family connections: Adults with sharp ears may recognize Donny Osmond singing Shang’s songs and June Foray (of “Rocky and Bullwinkle”) as Mulan’s outspoken grandmother. Listen very carefully when the grandmother sings, though — it’s none other than Marni Nixon, who provided the bell-like singing voice for Natalie Wood in “West Side Story,” Deborah Kerr in “The King and I,” and Audrey Hepburn in “My Fair Lady.”

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Action/Adventure Animation

Pokemon: The First Movie

Posted on December 13, 2002 at 5:16 am

Human scientists have figured out a way to create a bigger and stronger clone of the most powerful Pokemon ever, Mew. The result is a sort of Maxi-Mew called Mewtwo. Mewtwo decides to go after that goal of all movie bad guys worth their salt, total world domination, by capturing and cloning all the Pokemons.

Mewtwo lures the best Pokemon masters to his island for the ultimate battle. He points out – and here I have to side with him – that the Pokemons are slaves to the humans. Then each of the Pokemons has to fight its clone in a sort of existential crisis. This was very appealing to the little boy in front of me, who chanted happily, “Two Pikachus, two Jigglypuff, two Bublasaur…” like a Pokemon Noah. Then it all ends happily – if hypocritically, with everyone in favor of cooperation instead of fighting. (NOTE: The movie is preceded by a strange short movie about a Pokemon trip to an amusement park.)

Anyone who has ever seen the TV series, played the game, or bought the cards knows what to expect here. Every generation of children has some hideously annoying cartoon series to provide parents with much agonizing and many, many buying opportunities. The characters usually undergo some transformation or make use of a secret to attain power. This theme is endlessly interesting to kids who can feel overwhelmed by a world built on a scale that is often too large for them.

Kids, especially those ages 6-10, also love to memorize and sort endless facts, whether about Pokemons, dinosaurs, cars, or Beanie Babies. It gives them a sense of mastery, especially because they can do so much better than adults. And it becomes an important part of their social development, creating a shared language with their friends. This can be particularly meaningful for kids who are insecure about talking to other children.

Still, excruciating as it can be for parents to endure, it may be worthwhile for kids to see the movie. If it makes it any easier, remember that before too long, this will be over and by the time the next one comes along your children will be past that stage.

Quest For Camelot

Posted on December 13, 2002 at 5:16 am

A young girl named Kayley dreams of being a knight like her father, who was killed defending King Arthur from the brutal Ruber. When Ruber steals Excalibur from Camelot, Kayley goes into the forbidden forest to find it. There she meets Garrett, a squire befriended by her late father, who left Camelot after he became blind. Joined by a two-headed dragon, they find the sword and fight Ruber to return Excalibur to Arthur.

This is the first attempt by Warner Brothers, home of Bugs Bunny and Donald Duck, to get into Disney territory with a full-length animated musical drama, and it is a step in the right direction, even if it does not match Disney or even non-Disney features like “Anastasia.”
The movie’s greatest strength is the first-class talent providing the voices: Cary Elwes as Garrett, Jane Seymour and Gabriel Byrne as Kayley’s parents, Don Rickles and Monty Python’s Eric Idle as the dragon, and (all too briefly) Sir John Gielgud as Merlin. The animation has some good moments, especially a sleepy ogre. The heroine and hero are spirited if a bit too generic. But with the exception of the dragon’s cute duet, the songs add little and slow down the story. Themes worth discussing include the importance of cooperation, loyalty, and the strengths of those considered disabled.

South Park: Bigger, Longer & Uncut

Posted on December 13, 2002 at 5:16 am

Parents may think that nothing can be more outrageous than the “South Park” television show, with its macabre humor, strong language, and singing poop. They need to understand that this theatrical release is much, much more outrageous and inappropriate for children and most teens.

Art imitates life, as the plot has its quartet of third graders sneaking into a Canadian R-rated movie and repeating the profanity they heard. This becomes so upsetting to the community that the US declares war on Canada. One of the children gets a V-chip implanted in his head that shocks him when he says something inappropriate. And Kenny, killed once again, ends up in Hell, where Satan and Saddam Hussein are homosexual lovers.

The movie has some sharp satire and genuine wit amidst the over 100 uses of the f-word and references to every kind of bodily function and singing sex organs. But any parent considering allowing a child or teenager to see the movie should watch it first, as it is much raunchier and more explicit than anything else the child (or, for that matter, the parent) is likely to have seen.

Who Framed Roger Rabbit?

Posted on April 14, 1999 at 3:06 pm

In this technical marvel of a movie, human and animated actors interact seamlessly. It begins with a cartoon, loveable Roger Rabbit taking care of adorable Baby Herman, despite every kind of slapstick disaster. Then, as birdies are swimming around Roger’s head after a refrigerator crashes down on him, a live-action director steps in to complain that the script called for stars, and we are in a 1947 Hollywood where “Toons” are real.
A private detective named Eddie (Bob Hoskins) is hired by the head of Roger’s studio to get evidence that Roger’s gorgeous wife Jessica is seeing another man. Eddie does not want the assignment. Once a friend to the Toons, he hates them since one of them killed his brother. But he needs the money badly, so Eddie goes to the Ink and Paint nightclub, where Jessica performs, and he takes photos of her playing “patty-cake” (literally) with Marvin Acme (Stubby Kaye), maker of novelties and gags. Roger is distraught when he sees the photographs. But it turns out that Jessica is completely faithful to Roger, and that she is caught up in a complex plot to close down Toon Town and Los Angeles’ excellent public transportation system to build freeways. Eddie’s efforts lead him to Toon Town and then to a warehouse where the real villain is revealed.
This was a one-time opportunity for cartoon characters from all the studios to join forces, and it is one of the great pleasures in movie history to see them all together. Donald Duck and Daffy Duck perform a hilarious duet at the Ink and Paint Club. On his way out the door at Maroon studios, Eddie brushes by several members from the “cast” of “Fantasia.” The penguin waiters from Mary Poppins show up in another scene, as do Pinocchio, Mickey Mouse, and Woody Woodpecker. The mix of characters and styles works extremely well, and kids will enjoy seeing some of their favorite characters in a different context. Kathleen Turner provided the sultry speaking voice of Jessica Rabbit, but her singing voice was Amy Irving.
Children will be delighted with the Toon characters, and with the interaction of the cartoons with the human actors and with the physical world. Eddie’s venture into Toon Town is almost as good. The story is fast-paced and exciting, and the slapstick is outstanding. But the human and cartoon characters mix more smoothly than the combination of slapstick and film noir references in this movie. The plot includes murder, corruption, and suspected adultery. The premise that the only possible explanation for the traffic system in Los Angeles is that it was the vision of a sinister madman is funnier for adults than it is for kids. Eddie is not an especially attractive leading character. Still reeling from his brother’s murder, he drinks too much and is surly to his clients, to his girlfriend, and to Roger.

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