Flicka

Posted on October 15, 2006 at 12:29 pm

B+

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for some mild language.
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Peril, characters injured, horse attacked by mountain lion, graphic bruise, question of humane killing, tense emotional confrontations
Diversity Issues:	None
Date Released to Theaters:	2006
Date Released to DVD:	2007
Amazon.com ASIN:	B000LV63MW

“No one’s riding that loco thing!”

Well, of course as soon as we hear that line we know someone’s going to have to ride it. And in this very fine family film, the rider will be Katy (Alison Lohman), just home from boarding school to her family’s ranch “on the top of the world in the never-summer mountains of Wyoming.” That loco thing is a beautiful wild black mustang Katy has named Flicka (Swedish for pretty girl). To her father, Flicka is a bother, a danger, and a potential source of revenue. To Katy, Flicka is a part of her, something to love and care for, something to ride until she feels they are one animal, flying.

Katy’s father Rob (Tim McGraw) raises quarterhorses. Her mother Nell (Maria Bello) is the kind of woman who can read a fax while she’s whipping up wild gooseberry pancakes with creme fraiche, and who always has some warm, wise, and encouraging thing to say, like, “It’s easy to be a rancher with good luck” and “Anger is just fear on the way out.”

Rob does not like mustangs. He thinks of them as four-legged parasites who could damage the value of his herd if they begin to cross-breed. He orders Katy to stay away and not to try to ride Flicka. Rob is worried about whether he can keep the ranch going. He is so worried that he has not noticed what we figured out the moment we saw that Katy’s brother Howard (Ryan Kwanten) wears a baseball cap, not a cowboy hat — that he does not plan to stick around.

Rob sells Flicka to a rodeo. Katy’s only chance of getting her back is to win $8000 riding her in a wild horse race. And let’s not forget the mountain lion, sneaking off with Howard’s girlfriend to the swimming hole, some close calls for both human and equine characters, enough “that’s crazy!” “that’s insane!” comments to have a successful drinking game, and a lot of shots of blue skies and mountains.

Country star McGraw brings the same tenderness to the role that he does to his songs, and he and Bello have a nice, easy chemistry. The story has a nice, old-fashioned feel, sweetly sincere, and kids will respond to the way that Rob and Katy have to learn to appreciate how much they share and how much they have.

Parents should know that the movie has some scenes of peril and illness. Characters are injured and the issue of humane killing is raised. There are tense emotional confrontations. Married characters make a mild reference to sex and there is some teenage kissing.

Families who see this movie should talk about how parents respond when their children do — and do not — want the same careers they did. Kate’s parents both loved her — why did they feel differently about what was the right thing to do? Why was Flicka so important to Kate? What do you think about the comments Rob makes about kids in the mall?

Families who see this movie will also enjoy the original, My Friend Flicka, and some of the classic family movies about horses, especially The Black Stallion and National Velvet two of the best movies ever made on any subject and for any age group. They might like to read William Saroyan’s “The Summer of the Beautiful White Horse” and Marguerite Henry’s “Misty of Chincoteague.”

Stormbreaker

Posted on October 11, 2006 at 12:38 pm

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for sequences of action violence and some peril.
Profanity:	Some crude language
Alcohol/ Drugs:	None
Violence/ Scariness:	A lot of action violence including guns, characters killed
Diversity Issues:	None
Date Released to Theaters:	2006
Date Released to DVD:	2007
Amazon.com ASIN:	B000JBWWPQ

I never thought I’d miss Cody Banks. But the dull and lifeless Alex Rider brought back surprisingly fond thoughts of the better-than mediocre Agent Cody Banks and the terrific first two Spy Kids. Even the lousy third one was better than this dreary, too-violent, talent-wasting mess, based on the successful series of James Bond-for-kids books. It’s too violent for younger kids and too dull for older kids.

Alex Pettyfer plays Alex Rider, an English orphan who lives with his never-there uncle (brief appearance by a dashing Ewan McGregor) and a daffy but devoted American housekeeper/nanny (Alicia Silverstone) with a penchant for exotic cuisine. When his uncle is killed in the line of duty, Alex discovers that he was a spy. And all his uncle taught him about languages, martial arts, and extreme sports was his way of training him to be one as well. Sophie Okonedo and Bill Nighy are the spy chiefs who recruit Alex to pretend to be the winner of a computer competition, so he can find out what bad guy Boris, I mean Darius (Mickey Rourke) and his henchwoman Natasha, I mean Nadia (Missy Pyle) are up to.

There’s a lot of chasing around and some cool stunts, but it has a flat, draggy feel to it, some creepy moments of oddly insensitive interactions, and no sense of genuine enthusiasm or adventure.

Parents should know that this movie has a great deal of action-style violence. This means that there is no blood, but it is still disturbing; characters are killed and Alex uses guns.

Families who see this movie should talk about what qualities and education are required to be a spy.

Families who enjoy this movie will also enjoy the much better Agent Cody Banks and Spy Kids.

The Guardian

Posted on September 24, 2006 at 12:56 pm

C-

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for intense sequences of action/peril, brief strong language and some sensuality.
Profanity:	Some strong language
Alcohol/ Drugs:	Drinking, scenes in bars
Violence/ Scariness:	Intense peril and violence, characters injured and killed
Diversity Issues:	Diverse characters
Date Released to Theaters:	2006
Date Released to DVD:	2007
Amazon.com ASIN:	B000KF0GWW

“Have you learned the lessons only of those who admired you, and were tender with you, and stood aside for you? Have you not learned great lessons from those who braced themselves against you, and disputed the passage with you?” Like Walt Whitman, we love to remember our toughest teachers, and we love to see movies about them, too. Even when they’re not that good.

There’s a lot wrong with this film. It shamelessly steals some of the best moments from better movies and even more shamelessly dilutes their power and our memories by not doing them nearly as well. But it delivers on three things: powerful special effects, appealing performers, and, most of all, evocative memories each of us have of the one teacher who showed us we could be — had to be — more than we thought we could.

This is a movie about guys (there are some women here but we don’t see much of them) who save people, guys who go to very scary places to get people out of very scary trouble. But mostly it is a movie about how we make peace with all that is terrible around us and inside us.

Ben Randall (Kevin Costner) is the grizzled veteran whose long list of records at the Coast Guard’s training facility for rescue divers still stand. The unofficial number people only whisper, though, is the number of people he is said to have saved. Temporarily assigned to return to “A School” to train the next generation.

For every grizzled veteran, there has to be a cocky hotshot, and this movie’s is high school swim champion Jake Fischer (Ashton Kutcher). Cue the montage as Jake makes a bet with his friends in a bar that he can pick up a pretty girl (the screenwriter of Top Gun may want to call his lawyer), gets into trouble and nearly gets thrown out and has to prove his commitment (the screenwriter of An Officer and a Gentleman may want to call his lawyer), and then has to apply all that he has learned and all that he has become and all that he wants to be when it comes to the real thing (no lawyers needed here, that one has been used by everybody).

It begins with a terrible chaos above, and then an even more terrible stillness below. It is a rescue operation at sea. Ben does not follow the rules. Sometimes that results in a heroic save. But after it results in terrible tragedy, he is taken out of the water and sent to train the next generation. He is lost in a sea of the spirit. His wife (Sela Ward) has finally had enough of his saying things like, “I’m sorry saving lives doesn’t fit your social calendar” and she has left him. Out of the water, he is not sure who is is.

In Jake and the others, he sees something of himself, maybe a way to rescue someone, maybe a way to rescue himself.

It all rolls out smoothly, if predictably. Costner inhabits the role comfortably and Kutcher shows some movie star sparkle. But Jake’s romance with a pretty teacher has a lot less charm than intended and we never feel a real connection, as we did in the movies it steals from. The last two rescues are muddled and the ending unforgiveably maudlin.

Parents should know that this film has many scenes of intense peril and emotional confrontations. Characters are injured and killed. There are some bar fights. Characters use some strong language. There are sexual references and non-explicit situations, including casual sex between people who do not know each other and do not plan to know each other.

Families who see this movie should talk about why the characters wanted to be rescue divers.

Families who enjoy this movie will also enjoy Top Gun, Men of Honor (with Cuba Gooding, Jr. in the true story of a Navy diver who returned to service after losing a leg), and An Officer and a Gentleman.

Related Tags:

Action/Adventure Drama Movies -- format

Jet Li’s Fearless

Posted on September 20, 2006 at 2:38 pm

C-

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for violence and martial arts action throughout.
Profanity:	Brief strong language
Alcohol/ Drugs:	Drinking, scenes in bar
Violence/ Scariness:	Intense and graphic violence, characters injured and killed
Diversity Issues:	A theme of the movie
Date Released to Theaters:	2006
Date Released to DVD:	2007
Amazon.com ASIN:	B000K2UW06

It does not have the ravishing images of Hero but it does not have the cheesy plot of Cradle 2 the Grave, either. For his last action film, Jet Li has decided to give us a reverential biopic about Huo Yuanjia, hero of the Chinese people and founder of a school of martial arts.

Action films need to get us on the side of the hero quickly so they can get to the good stuff — the action. The quickest way is revenge, as Tarantino showed with Kill Bill. It can help to give us a reluctant hero who tries to avoid violence and is drawn into it, a theme brilliantly tweaked in A History of Violence. That gives us the best of both worlds because the violence is forced upon the hero, so we can enjoy it without guilt. And once in a while we get a hero who begins violent and then learns a better way. And then gets violent again, but in the more in sorrow than in anger variety. That way, we get to enjoy the angry violence and the righteous violence, too.

It is this last category that Jet Li has chosen; perhaps he is saying that like the hero he plays, he has decided that there are more important things than fighting. Huo begins as an arrogant, hot-tempered, impetuous man who fights out of pride. But after he causes great tragedy in his own family and another, he learns that martial arts are about honor, discipline, and concentration, and that winning is not what he thought it was.

The movie begins in 1910. Huo (Jet Li) walks into the ring. Everyone in the audience knows that this fight represents more than a contest between two people. It is a fight for the honor of the Chinese culture, under assault from Westerners who think that no one in China has the strength or intelligence to defeat their champions.

Huo is scheduled to take on not one but four champions from the other side. In three thrilling bouts, he defeats the challengers. Then, as he gets ready for the fourth, we go back in time to see what brought him to this place.

The middle section sags, as Huo takes on a bigger entourage than MC Hammer, refusing to acknowledge that they only follow him because he buys them drinks. And then Huo goes off and learns about the Meaning of Life from Simple Country Folk who know enough to stop planting rice and feel the breeze. Yes, the blind girl in the hat is the only one who truly sees, get it?

Without the sweep and scope of the great Chinese films, this rests on the fight scenes, which are beautifully staged but never transcend the kicks and punches to power the story.

Parents should know that this movie has intense and graphic scenes of violence. Characters are injured and killed, including a woman and a child. There is brief strong language. Characters drink and there are scenes in a bar and references to abusing alcohol.

Families who see this movie should talk about what the last fight shows us about the combatants’ ideas about honor. Why was what Huo learned about planting rice important? What did he mean about learning from the best?

Families who enjoy this movie will also enjoy Hero and House of Flying Daggers.

Flyboys

Posted on September 18, 2006 at 3:11 pm

C+

Lowest Recommended Age:	High School
MPAA Rating:	Rated PG-13 for war action violence and some sexual content.
Profanity:	Some strong language
Alcohol/ Drugs:	Drinking, smoking
Violence/ Scariness:	Intense and graphic battle violence, characters injured and killed
Diversity Issues:	A theme of the movie
Date Released to Theaters:	2006
Date Released to DVD:	2007
Amazon.com ASIN:	B000LAZE8C

Has this script been in a drawer somewhere since 1942?

It sure seems like it. It’s “inspired” by the absorbing true story of Americans who enlisted with the French armed forces in World War I, flying aircraft that were more like orange crates than planes, in a style of combat that was being invented moment by moment. The flying scenes are thrilling but the screenplay stalls.

It was just 13 years after the Wright Brothers flew 120 feet at Kitty Hawk, long before the use of airplanes for mail or commercial transport. Hardly anyone knew how to fly and no one knew how to use this new technology in war. This was before planes were equipped with parachutes or made from steel. Top speeds were about 100 miles per hour. There was no such thing as reconnaissance. And, as one of the characters tells the new recruits, the life expectancy for the pilots is three to six weeks.

A group of Americans arrives for training, each with something to prove. One is a rich kid whose father thinks he can’t do anything. One is a maverick who’s never belonged anywhere. One is a black man who had to leave America to be treated with respect. The guy with the great cheekbones will meet a pretty girl in a brothel and assume she is a prostitute, but it turns out she is a nice girl who just happened to be there that day and even though they don’t speak the same language they fall in love and even though he is ordered not to he takes a plane so he can rescue her. It all plays out as cardboard as the dialogue, as drearily predictable as a quadrille and embarrassingly jingoistic as well.

And that is a shame, because it does evoke the thrill and terror of those early days of inventing a new style of fighting. While below them men were shooting at each other from trenches, in the sky the men looked straight into each other’s eyes and developed the kind of honor and respect that reflected their shared bond as the pioneers of a new era. Like these characters, the movie is at its best in the air.

Parents should know that this movie has a great deal of graphic battle violence. Many characters are killed. Soldiers and civilians, including women and children, are in dire peril. There are some sexual references, including scenes in a brothel. Characters drink and smoke and use some strong language. There are references to the racism of the era and racist behavior, though a strength of the movie is the portrayal of a man who will not allow himself to be diminished by racism.

Families who see this film should talk about what led these men to fight for another country. They should also talk about the way that even those who loved flying could not imagine how airplanes would transform the way we live and the possibilities of some of today’s new technologies. They should also talk about the origins and consequences of the first world war (then just called The Great War) and why the hopes that it would be the last war were not realized.

These early air skirmishes so captured the imagination of the Americans that another brand-new technology, the movies, had more hours of dogfight footage than actually occured in the war. One example was the very first film to win an Oscar, Wings. Families who enjoy this film will also enjoy other movies about air combat, including Memphis Belle and Only Angels Have Wings. They can find out more about the era here and at the Smithsonian National Air and Space Museum.