16 Blocks

Posted on February 28, 2006 at 12:32 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for violence, intense sequences of action, and some strong language.
Profanity: Brief strong language
Alcohol/ Drugs: Character abuses alcohol
Violence/ Scariness: Intense peril and violence, tense scenes, many characters shot and injured or killed
Diversity Issues: Diverse characters
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000FFL2G6

When a cop at a crime scene needs someone to stay with the bodies until the detectives arrive, he asks “who don’t we need?” That would be tired, slow, Jack Mosley (Bruce Willis). As soon as the other cops leave, he limps into the kitchen and takes a bottle of booze out of the cabinet, then sits on the sofa, pours himself a drink, and waits until he can go.


Back at the station, he is about to sign out for the day when his lieutenant assigns him one more job. A prisoner has to testify before a grand jury 16 blocks away before 10:00, and it is now Jack’s responsibilty to deliver him.


So Jack puts Eddie (Mos Def) in the back of a squad car. On the way to the courthouse, he stops at a liquor store, leaving Eddie in the car. Two men try to kill Eddie.

It turns out that a lot of people will do everything they can to keep Eddie from testifying. And that powerful people were counting on Jack to “do what he always does.” Does that mean “mess up” or “go along?”


This movie is 2/3 video game, as Jack and Eddie find dangerous surprises around every corner and in a variety of settings, including the obligatory Chinatown scene. Bang, duck, bang, duck, bang, shoot back. But the other third makes it work — that’s the sure direction of a well-constructed script by Richard Donner, balancing tension, thrills, and a few well-placed laughs, with sharp, clever performances by Willis, Def, and David Morse as Jack’s former partner.

Willis is always underestimated as an actor. It’s easy to do because he never seems to be trying very hard. But that just shows how good he is. In the middle of an action movie he gives a subtle, complex, and nimble performance that increases the tension, never distracting from it. Mos Def gives depth and appeal to a character who has two functions in the script: contrast with Jack’s burn-out and McGuffin prop to be shot at and fought over. Eddie’s non-stop commentary could have quickly become annoying with a less skillful performer. But Def makes the rhythms of Eddie’s speech a counterpoint to the script’s ticking clock. The moment when he has to make a big decision is beautifully played. This 16 block journey is one audiences will enjoy being along for the ride.


Parents should know that this movie has non-stop action and peril with many tense situations and a lot of violence (mostly shooting). Many characters are injured and some are killed. A character abuses alcohol. Characters use brief strong language and there are some mild sexual references.


Families who see this movie should talk about whether and when people can change. Why did Jack decide to protect Eddie? Why did Eddie decide to help Jack? Why is Eddie’s riddle important?


Families who enjoy this movie will also enjoy the best in this genre, Midnight Run (non-stop very strong language), Speed, and Willis’ Die Hard 3.

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Doogal

Posted on February 26, 2006 at 12:35 pm

C
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG
Profanity: Some schoolyard language
Alcohol/ Drugs: Brief joke
Violence/ Scariness: Cartoony peril and violence, characters shoot lightning bolts, scary skeletons, characters apparently killed
Diversity Issues: Diverse characters
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000F0V0KO

This tiresome animated quest story starts out uninspired but quickly becomes irritating. Half an hour into its 80 minute running time, the child behind me asked hopefully, “Is that the end?” If only.


Has anyone behind this movie ever met a child? The story, about an evil wizard who is after three magic diamonds and the dog, rabbit, cow, and snail who try to stop him, has some mild appeal, but the characters are so uninteresting, most of the artwork so unimaginative, and the tone so uneven that it is unlikely to hold the interest of any age group.


This is a G-rated film directed at children that tries to make jokes about the Blue Man Group, Donald Trump, Simon and Garfunkel, Austin Powers, the MTV car fix-up show “Pimp My Ride,” Mission Impossible, human resources departments and the inadequacies of interns, Dawn of the Dead, music group Bone Thugs-N-Harmony, and The Lord of the Rings: The Fellowship of the Ring. These are not the kind of keep-the-grownups-happy jokes from Shrek and The Incredibles. They are just stale throw-in-any-pop-culture-reference non-jokes-in-a-hopeless-attempt-to-sound-hip-and-snarky.


The story itself is sugary pap of the “kids don’t know any better so it won’t matter if there’s nothing especially vivid or memorable” category. It keeps telling us that friendship and togetherness are important, but we never have any reason to believe that they believe it, much less that we should. Even the voice talents of Whoopi Goldberg, William H. Macy, and Jimmy Fallon can’t make up for a lackluster script and sluggish pacing. The animation has the low-budget CGI look: meticulous textures but movement as jerky and unpersuasive as Davey and Goliath.


Originally made in England, the movie was redubbed to make it more accessible to an American audience. Apparently, they didn’t think American children would find British accents appealing. The slightly governess-y narration by Dame Judi Dench is, however, the best part of the movie, suggesting that it might have been better to leave it as it was.

Parents should know that, despite the G rating, this movie may be too intense for younger children. Wizards fight with lightning bolts, scary skeletons guard a jewel, children are locked in a frozen merry-go-round, characters are in peril and there are some apparent deaths. There is some crude schoolyard language (indcluding the expression “pimp my ride”), a brief joke about substance abuse, and some potty humor.


Families who see this movie should talk about how friendship and loyalty made it possible for Doogal and the others to succeed.


Families who enjoy this movie will also enjoy Yellow Submarine and The Thief and the Cobbler.

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Action/Adventure Animation Comedy Family Issues Movies -- format

Curious George

Posted on February 10, 2006 at 3:31 pm

B-
Lowest Recommended Age: Preschool
MPAA Rating: Rated G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Very mild peril
Diversity Issues: None
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000GIXEWC

This gentle little film about the monkey whose curiosity gets him into trouble and the man who befriends him will make 4-8-year olds very happy and give their parents a chance for a nice nap.


Generations of children have loved the little monkey created by husband and wife team team H.A. and Margret Rey for more than half a century. Curious George gets into trouble because he always wants to explore and try out and investigate everything he sees. Children, who have the same impulses and struggle with the restrictions imposed on them by parents and teachers, get a vicarious thrill from th freedom and daring of CG’s adventures — and sometimes from seeing him face the consequences. That nice Man in the Yellow Hat is always there to take care of him, which is a great source of comfort to children as well.


This first feature film keeps the same simple lines of the originals — that’s story lines and drawing lines — but changes the relationship a little. Instead of capturing Curious George, George more or less captures the Man in the Yellow Hat.

As with the books, the best part of the movie is seeing Curious George get into mischief: dipping his hands into cans of paint and applying his own idea of decorating to the walls and taking off into the sky with a handfull of helium balloons. It is less successful when the Man in the Yellow Hat, now named Ted and with the voice of Will Ferrell, gets into some trouble himself.


Ted works for a museum that is about to be turned into a parking lot — that is, unless Ted can save the day by bringing back a huge African idol. In Africa, Ted finds the idol, but it is only a couple of inches tall. He also makes friends with the little monkey, who sneaks on board the cargo ship that is taking Ted home.


Ted has a hard time telling the truth about the idol, and briefly tries to create a fake to please the museum visitors. He also tries to get rid of Curious George — his building does not allow pets of any kind and George keeps getting into trouble. But he ultimately tells the truth (though does not suffer any consequences). And he learns that George has brought him — and taught him — a great deal.

Parents should know that the movie has some mild peril and some naughty behavior from both Ted and George. They should also know that this film is the first animated film to include product placement. It is subtly done, and does not include toys or candy, but it is still an intrusion. Parents will want to warn children not to stare into the sun as Ted does.


Families who see this film should talk about why Junior was jealous of Ted and why Ted had a hard time telling the truth about the idol. Why did Ted change his mind about Curious George? Can you tell about a time you were curious?


Families who enjoy this movie will enjoy the books.

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Action/Adventure Animation Comedy Family Issues Movies -- format

Eight Below

Posted on February 3, 2006 at 4:00 pm

B+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for some peril and brief mild language.
Profanity: None
Alcohol/ Drugs: Brief social drinking
Violence/ Scariness: Intense peril, characters injured
Diversity Issues: Diverse characters
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000F4PDF8

The dogs rescue the humans, but will the humans rescue the dogs? Can they?


A scientist (Bruce Greenwood) arrives at a National Science Foundation base in Antarctica, in search of a rare meteor. Vehicles are too heavy to take over the thin ice, so Gerry (Paul Walker) takes him on a sled pulled by eight dogs. They are called back early due to major storms, and one of them is injured on the return. The need for immediate medical attention and the severity of the storm means that all of the people on the base have to be evacuated. There is no space for the dogs on the plane. Katy (Moon Bloodgood), the pilot, assures Gerry that she will fly right back to get them. But because of the storm it will be months before they can return. The dogs have been left behind, tightly chained together, with no food or shelter. How can they survive?


The dogs manage to break free, and the best part of the film is seeing them explore the icy environs and learn how to care for themselves and each other. There is a nice counterpoint with the efforts of the humans, also learning and growing and ultimately working as a team to get back to Antartica and the dogs.


The story is exciting and inspiring, the dogs and scenery are breathtakingly gorgeous, and director Frank Marshall expertly balances thrills, laughs, and tender moments that are genuinely moving. Marshall handles the sad and scary material gently and gracefully.

Parents should know that the movie has very intense peril for a PG movie, including a very scary jump-out-at-you surprise, falls, animal fights, injuries to human and animal characters and (spoiler alert) the sad deaths of two of the dogs and of some birds killed by the dogs for food. There are shots of an animal carcass. Characters drink beer and Scotch (and Fresca).


Families who see this movie should talk about how we decide what risks are worth taking. What changed the way Jerry and Katy felt about each other? They might want to learn more about Antarctica, sled dogs, and the beautiful Aurora Australis or “Southern Lights” enjoyed by the dogs in this film.


Families who enjoy this movie will also enjoy Balto, an animated film about the heroic dog whose statue is in New York’s Central Park, and March of the Penguins. They will also enjoy this interview with the director.

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Action/Adventure Drama Family Issues Movies -- format

Big Momma’s House 2

Posted on January 27, 2006 at 4:06 pm

C-
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some sexual humor and a humorous drug reference.
Profanity: Strong and crude language
Alcohol/ Drugs: Drug reference
Violence/ Scariness: Action peril and violence, shooting and punching
Diversity Issues: None
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000F1IQHI

The poster for this movie shows Martin Lawrence in fat-lady drag tugging at a wedgie. This is as funny as it gets.


A completely unnecessary sequel to a mildly amusing 2000 movie with Martin Lawrence as an FBI agent who goes undercover as an outspoken grandmother, this time has him under-undercover as nanny to a computer whiz named Fuller who may be involved with a program to hack into national security databases.

Malcolm’s now married to Sherry (Nia Long), who is expecting a baby, so he has taken a desk job because field work is too dangerous. (Though dressing up as the Safety Eagle for school assemblies has its own dangers; he accidentally sets himself on fire, mortifying his stepson.)

But he misses working on cases. So he tells the office he is taking leave and puts on Big Momma’s fatsuit, muumuu and gigantic lace thong to apply for a nanny position with Fuller’s dysfunctional family.


It’s a little The Pacifier and a little Bringing Down the House, as Malcolm solves the problems of the over-scheduled, under-loved Fuller children (sullen teen, neglected girl, two-year-old who doesn’t talk) while tracking down the bad guys, visiting a spa (ogling the pretty girls, melting the fat suit with a hot rock treatment, advising the other women that the secret to a happy marriage is “giving it up”), running in slo-mo down the beach with Bo Derek-style cornrows, wearing funny outfits and making funny faces. Well, they’re supposed to be funny, but so is the scene where Malcolm cheers up the depressed family dog by feeding him tequila. And so is the scene where Big Momma makes the little girl suddenly popular by teaching all her friends to move like pole dancers. And those aren’t funny, either.


In other words, it’s not just disappointingly lackluster, derivative, and lazy, it’s also out of touch and creepy.

Parents should know that the movie includes
crude humor, with jokes about dirty diapers, nudity, what teenaged boys want from girls,
thong underwear, “naked pictures of Billy D.,” and
some slang terms for body parts. It is supposed to be
endearing that Big Momma teaches a group of little
girls to sway their hips and thrust their pelvises
like strippers, with a mother happily bumping and grinding along. Big Momma gives the dog tequila.
Characters use some strong and crude language and
there are mild sexual references. The movie also
includes some violence, including shooting and
punching. Some viewers will be offended by the magical Negro concept of a non-white person whose role in the story is to bring authenticity and values to clueless white people, an inverse form of bigotry.


Families who see this movie should tal about why Malcolm
did not tell Sherry the truth. Why was his stepson ashamed of him? What was the most important lesson the Fuller family?


Families who enjoy this movie will also enjoy the original and Mrs. Doubtfire.

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