Cloverfield
Posted on April 21, 2008 at 11:00 am
Stories, especially movies, are usually linear and organized in part because stories are how we make sense of the world but mostly because of the limits of time. If we are only going to give two hours of our lives to a movie, we don’t have time for irrelevant details. But real life is messy. Patterns only emerge in retrospect. Part of the appeal of scary movies is that we know that it’s just a movie. Those dinosaurs in Jurassic Park or the great ape in King Kong
are contained, not just within the limits of the screen but also within the formal limits of traditional story-telling. The perfect lighting and welling music provoke a response in us that is a kind of comfortable scariness.
This movie goes in another direction. A clever premise keeps the audience literally off-balance in “Cloverfield” from J.J. Abrams, the creator of Lost and Alias
. We may be in stadium seating at the mall multiplex, eating popcorn, but what we are watching is not a feature film. It is an artifact, a home video found at a site “formerly known as Central Park” that happened to be running when something terrible happened. It’s as though the only documentation of a massive and devastating attack was a 21st century equivalent of the Zapruder film.

If you are ten years old, a fan of video games, and have a short attention span and no knowledge of history, you will love this movie. The further you stray from these core qualifications, the less you will love it.
Ah, the pleasures of the heist film. Something for nothing. Sticking it to The Man. Tricky problems solved by clever people both in the planning stages and on the spot. And, just to make it really fun, sometimes, as here, it is based on a true story. Yes, as they say, now it can be told. Once upon a time back in 1970, when cameras, cops, bank security, and princesses were very different from what we get nowadays, the sister of the Queen of England was photographed in a compromising position by an enterprising gangster who used the photos to blackmail the government. The prints and film were tucked away in a safe deposit box at a bank frequented by somewhat shady types. And it seemed to 